Winnipeg Free Press - PRINT EDITION
Artists give dignity to discarded items
Find meaning, even beauty, in rescued rusty objects
Almost everybody keeps a junk drawer or jar full of small, useless stuff -- single earrings, souvenir pins, buttons, old keys, broken watches.
Then there's the paper we have trouble throwing away: ticket stubs from long-ago events, perhaps, or small cardboard boxes that once held gifts.
Is it all worthless? Or do cast-off objects resonate with poignant meaning because they once had value in another context?
Winnipeg artists William Eakin and LeaLa Hewak have teamed up on a gallery show called Ephemera -- an exploration of found objects that have no value as collectibles. Both artists, who are friends, have a fascination with outdated, discarded "stuff that survives in spite of itself."
Hewak says about Eakin, "Bill's body of work often dignifies items that have lost their dignity."
Opening tonight at 7 at Golden City Fine Art (211 Pacific Ave.), the show runs to June 4. It's one of a number of art openings tonight, a First Friday in the Exchange. (A free self-guided art tour is held from 5 to 9 p.m. on the first Friday of each month -- see www.firstfridayswinnipeg.org and click on What's On for the downloadable May 4 guide.)
Ephemera consists of five large-scale photographs of vintage watch faces by Eakin (collectively titled 24Hours), plus about eight sculptural pieces by Hewak. Hers incorporate distressed objects such as a rusty kitchen scale that seems, in a work called A Pound of Feathers, to measure the value of a jar full of junk.
Eakin, 59, is one of the city's most accomplished artists. His photographs have been exhibited at virtually every local gallery, but this is his first time showing at the funky Golden City, located in a timeworn Chinatown building. He lives nearby. "This is my neighbourhood," he says.
Hewak, 49, studied art at York University, used to own Winnipeg's Cream Gallery and is now a practising artist. She's been haunting thrift stores and church rummage sales since childhood, she says, and feels compelled to "rescue" objects that others regard as trash.
Eakin loves mid-century modern design and says he got interested in Hamilton wristwatches, beautifully designed timepieces introduced in the 1950s. He discovered that they now cost thousands of dollars because they're collectible.
That led him to find that on eBay, he can buy antique watch faces by the pound, in large bags. He's not interested in them as functional objects. If they still have hands, he removes them, leaving a hole.
He has photographed nearly 300 watch faces. Some of the five depicted in the Ephemeral show, blown up as large as 40 inches square, are so scratched, pitted and faded that their numbers look ghostly.
"To take something that has survived like that, and celebrate it, is a kind of acknowledgement of this object's history and fragility, and how we're fragile," he says.
The most personal of Hewak's pieces, she says, is called The Old Homestead. It's a relic of her pilgrimage to the long-abandoned, wrecked house on a failed Saskatchewan farm where her immigrant grandparents once lived.
She brought back and combined into sculpture a profoundly rusted, dented bucket, decorative wood pieces that might be from a stair railing, and scraps of horribly decayed, once-cheery wallpaper.
While several of Hewak's works hint at tragedy and loss, one is very funny, rich with real-life absurdity, unintentional irony and goofiness. Over a period of months, she scoured local bulletin boards at sites such as stores and churches and photographed notices that were posted on them.
She has thumb-tacked nearly 50 of the 4 x 6-inch photos to a bulletin board and named the piece Community Notice Board.
"This Weekend Only: Reptile Blowout!!!!" proclaims one. Another carries a photo of two African children who are likely malnourished. The notice says FOCUS AFRICA above the photo and DESSERT NIGHT under it.
Art Preview
Ephemera
By William Eakin and LeaLa Hewak
Golden City Fine Art
Opens tonight at 7, to June 4
Republished from the Winnipeg Free Press print edition May 4, 2012 D5
More The Arts
- Back to Top
- Return to The Arts
More The Arts
(1 of 13 articles for this week)
Topless Arthur painting fetches $1.9M at auction
1:00 AM 0Poll
Most Popular The Arts
- Topless Arthur painting fetches $1.9M at auction
- Winnipeg play shines light into cells of women awaiting trial
- Graphic play real story of aboriginal incarceration
- Winnipeg Arts Council honouring Brownstone for lifetime achievement
- At this community art auction (volunteer) time really is money
- WAG 100: Picasso
- Home is where the art is
- The Buzz
- He works hard for the Monet
- Sam Beam, aka Iron and Wine, to play Pantages this fall
- Winnipeg play shines light into cells of women awaiting trial
- Winnipeg theatre talent graces stages across country
- Sam Beam, aka Iron and Wine, to play Pantages this fall
- He works hard for the Monet
- Class of 2013
- Brown's art frightfully, well, frightening
- Winnipeg Arts Council honouring Brownstone for lifetime achievement
- Home is where the art is
- Topless Arthur painting fetches $1.9M at auction
- The Buzz
- Winnipeg play shines light into cells of women awaiting trial
- Little-known novel named Manitoba book of year
- Atwood's 'powerful story' inspires RWB season opener
- Body-snatching tale bloody good
- Not quite a bohemian rhapsody, but it has a definite kick
- Winnipeg theatre talent graces stages across country
- Class of 2013
- Champion figure skater loves pre-Olympic push from Canadian fans
- Bloodless, sweat and tears pay off
- Financial tale offers low return on emotions
- He works hard for the Monet
- Sam Beam, aka Iron and Wine, to play Pantages this fall
- Winnipeg play shines light into cells of women awaiting trial
- Home is where the art is
- Winnipeg theatre talent graces stages across country
- Graphic play real story of aboriginal incarceration
- Atwood's 'powerful story' inspires RWB season opener
- He works hard for the Monet
- Not quite a bohemian rhapsody, but it has a definite kick
- Little-known novel named Manitoba book of year
- Almost ripe
- Risk pays off in challenging, rewarding play
- Winnipeg theatre talent graces stages across country
- Work explores relationships between violence, masculinity, sport and show business
- Atwood’s best-known tale makes pointe in RWB adaptation
- Step up! Kidsfest has whole cat and kaboodle
Ads by Google












You can comment on most stories on winnipegfreepress.com. You can also agree or disagree with other comments. All you need to do is register and/or login and you can join the conversation and give your feedback.
Have Your Say
New to commenting? Check out our Frequently Asked Questions.
The Winnipeg Free Press does not necessarily endorse any of the views posted. By submitting your comment, you agree to our Terms and Conditions. These terms were revised effective April 16, 2010.