Winnipeg Free Press - PRINT EDITION

Blurred bloodlines

Nature vs. nurture faces a modern, urban test

  • Print

Like Father, Like Son is a deceptively simple title for a film of considerable emotional complexity. Its children-switched-at-birth story sounds schematic, but what we see on screen is both meaningful and deeply moving.

If you are familiar with the work of writer-director Hirokazu Kore-eda, none of this will come as a surprise. As one of Japan's most respected filmmakers (his earlier films include After Life, Nobody Knows and Still Walking), there is a gentleness and delicacy of touch about his work that almost defies belief. Stories like this one, which would run the risk of being overdone in other hands, become quite the opposite in his.

A film that quietly but deftly examines what defines a family, Like Father, Like Son began with Kore-eda's own thoughts ("all of my quandaries and questions and, indeed, regrets," he says in a director's statement) on becoming a father himself.

Kore-eda is especially suited to this film because, as his earlier films have demonstrated, he has an exceptional gift for working with child actors, a connection that invariably allows them to come off as real and unaffected on screen.

Taking place over the course of a year, Like Father, Like Son begins with a big day in the life of six-year-old Keita (Keita Ninomiya): It's his formal interview with a posh private school. Serious but with a playful side, Keita is the only child of impeccably tailored, upwardly mobile parents Ryota (top Japanese singer Fukuyama Masaharu) and Midori (Ono Machiko).

A workaholic architect, Ryota is also a bear for discipline who can't stand "quitters." He admires his wife Midori's kindness but worries that too much of it can be a fault in a parent. Everything changes when they get a call from the hospital where Keita was born. "I hope it's nothing messy," says Ryota, but he is fated to hope in vain.

What they are told at the hospital is a terrible shock: Keita, the boy they have been raising, is not their biological son. A disgruntled hospital employee, for reasons of her own, did a baby switch, and they have been bringing up someone else's child.

The hospital arranges a meeting with the other family involved and tells both sets of parents that in previous cases all parents eventually make the exchange. How that dynamic will play out in this case is something neither set of parents want to rush.

The mother and father who have been raising Ryota and Midori's biological child couldn't be more different, especially where father Yudai (Lily Franky) is concerned. Shambling, disorganized, unkempt, Yudai comes off as a stoner personality (absent the drugs) who even drives a camper bus. An electrician who owns a run-down local store, Yudai is kind of a big kid himself, someone whose motto is "put off to tomorrow whatever you can."

The sets of parents decide that what is best for the children would be to switch their sons for weekends, so both families could get used to each other before the serious final decision has to be made. This, not surprisingly, leads to complications. Keita enjoys life with his new family and an easygoing dad who is great at fixing toys and believes that "being a father is the most important job in the world."

Like Father, Like Son, however, is careful not to paint Yudai as an ideal. Always thinking about money, he is forever looking for ways to syphon as much cash out of the apologetic hospital as possible. He may be a swell father, but he is not without his flaws.

The switch of sons is most disconcerting for Ryota, who finds his former unshakable assurance threatened on any number of fronts, not the least of which is the unexpected stubbornness he comes across in the biological son who is more like him than he perhaps would like.

Ryota, as it turns out, has long had a problematic relationship with both his stepmother and his autocratic father who believes that with children, as with racehorses, "it's all about bloodlines."

For Ryota, it turns out to be not quite so simple. This discovery of who is and who isn't his biological son shakes up his life in ways he didn't anticipate, revealing emotions he didn't know he had and changing his notions both of what it means to be a father and what it meant to be a son.

Powered by Kore-eda's innate restraint and natural empathy, Like Father, Like Son takes these characters to places they never expected to be. It's unnerving for them, of course, but watching so many hearts hanging in the balance is a rare privilege for us.

-- Los Angeles Times

Republished from the Winnipeg Free Press print edition July 31, 2014 C16

Fact Check

Fact Check

Have you found an error, or know of something we’ve missed in one of our stories?
Please use the form below and let us know.

* Required
  • Please post the headline of the story or the title of the video with the error.

  • Please post exactly what was wrong with the story.

  • Please indicate your source for the correct information.

  • Yes

    No

  • This will only be used to contact you if we have a question about your submission, it will not be used to identify you or be published.

  • Cancel

Having problems with the form?

Contact Us Directly
  • Print

You can comment on most stories on winnipegfreepress.com. You can also agree or disagree with other comments. All you need to do is be a Winnipeg Free Press print or e-edition subscriber to join the conversation and give your feedback.

You can comment on most stories on winnipegfreepress.com. You can also agree or disagree with other comments. All you need to do is be a Winnipeg Free Press print or e-edition subscriber to join the conversation and give your feedback.

Have Your Say

New to commenting? Check out our Frequently Asked Questions.

Have Your Say

Comments are open to Winnipeg Free Press print or e-edition subscribers only. why?

Have Your Say

Comments are open to Winnipeg Free Press Subscribers only. why?

The Winnipeg Free Press does not necessarily endorse any of the views posted. By submitting your comment, you agree to our Terms and Conditions. These terms were revised effective April 16, 2010.

letters

Make text: Larger | Smaller

LATEST VIDEO

Winnipeg Jet goalie Michael Hutchinson

View more like this

Photo Store Gallery

  • BORIS MINKEVICH / WINNIPEG FREE PRESS  070527 The 21st Annual Teddy Bears' Picnic at Assiniboine Park. The Orlan Ukrainian Dancers perform on stage.
  • A one day old piglet glances up from his morning feeding at Cedar Lane Farm near Altona.    Standup photo Ruth Bonneville Winnipeg Free Press

View More Gallery Photos

Poll

Should the federal government be able to censor how Ottawa is portrayed in the CMHR?

View Results

Ads by Google