Winnipeg Free Press - PRINT EDITION

New York courier action film delivers a package of wild fun

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Let's just be glad Smell-O-Vision never caught on.

Thankfully, the musky odour of sweaty bike messengers doesn't emanate from Premium Rush, an enjoyable, two-wheeled action film and flashy ode to the subculture of urban couriers.

It's a silly movie predicated on a simple premise, but Premium Rush is satisfying B-movie entertainment that moves with the swiftness of a Schwinn -- a ride made fun particularly by Michael Shannon's enthrallingly comic performance as a dirty cop in mad pursuit of a bike messenger's cargo.

Joseph Gordon-Levitt plays Wilee, a hardened New York City messenger who's forsaken a promising career in law for the freedom of riding the city's congested streets. His dispatch (Aasif Mandvi) sends him on a seemingly innocuous delivery, picking up an envelope at Columbia University to be dropped off in Chinatown before 7 p.m.

Like any self-respecting NYC bike messenger, Wilee rides a fixed-gear bike, meaning there's one speed and no brakes -- the more hardcore and esthetically appealing way to ride. "Brakes are death" is his mantra. He revels in the art of traffic navigation, pinpointing routes through red lights, sidewalks and crosstown lanes.

Director and co-writer David Koepp is best known as a screenwriter of blockbusters like Spider-Man and Jurassic Park, but who has sometimes directed -- like the underrated Ricky Gervais comedy Ghost Town. In Rush, he charts Wilee's paths with a Cash Cab-like map and represents his split-second decision-making with visualizations of disastrous alternatives (like veering left and sideswiping a stroller).

But Wilee's pedal artistry is severely tested when a man (Michael Shannon) attempts to intercept his delivery and aggressively pursues him down the West Side. His motivation is initially unclear, but Koepp fills the film with flashbacks to earlier in the day for exposition.

Such time-shifting is often a clunky technique, but Koepp assembles the backstories without hitting too many potholes. The man, Wilee soon learns, is a police officer named Bobby Monday. In flashbacks, we learn that his Pai Gow habit and his temper have gotten him in deep with Chinatown gamblers. He's caught wind of Wilee's shipment -- an envelope with a ticket good for $50,000 -- and hunts it recklessly.

There are other backstories, too: Wilee is feuding with his girlfriend, Vanessa (Dania Ramirez), a fellow messenger, whom he fears could be lured by his courier rival, the beefy Manny (Wole Parks).

As Wilee -- whose name is meant to evoke the coyote, albeit with the Road Runner's knack for escape -- careens through the city, he's also pursued by a bike cop (stuntman Christopher Place) in a variety of chase scenes. One takes place below an elevated subway, evoking a smidge of The French Connection.

But is cycling ready for its close-up? Premium Rush arrives with some timeliness, a kind of victory lap for the country's growing cycling culture and New York's increasingly bike-friendly streets. Wilee's Wild West and his trusty steed are in some ways behind the curve, as Mayor Bloomberg has largely tamed the Manhattan grid with colour-coded bike paths.

Classic movie chase scenes are nearly all of the automotive variety. In one of Shannon's many fine moments, he curses disgustedly at such flimsy prey: a mere bicycle. But the numerous pursuit sequences are largely riveting. Koepp filmed them without the aid of visual effects and the precarious, unarmored position of a cyclist adds to the thrill: There is skin in the game.

Gordon-Levitt, a wonderful young actor, carries the film easily and does well to capture the gritty underdog mentality of the bike messenger.

But it's Shannon who doesn't just steal the film, he towers over it. One of the finest actors around, Shannon's gifts are best witnessed on the stage or in last year's excellent Take Shelter. He is far more than a great heavy, but he is, nevertheless, a great heavy.

His Detective Monday is a combination of desperation and exasperation, a wide-eyed maniac impatient with rage but not so impatient to make the kind of clever, deranged asides Christopher Walken would appreciate. Without him, Premium Rush is a passable diversion that mostly keeps in the defined lanes of an action film.

But its course is entirely unpredictable whenever Shannon is on screen. A New Yorker himself, Shannon gives the film -- which sometimes uses the city as merely a race track -- much of its local flavour. When he screams "This whole city hates you" at the bikers, he's channeling a real gripe.

In a two-tire film, he's an 18-wheeler.

-- The Associated Press

Other voices

Selected excerpts from reviews of Premium Rush:

It has a few marvellous tricks up its sleeve with extra doses of zoom-zoom.

-- Jordan Hoffman, Film.com

Premium Rush is great fun -- nimble, quick, the thinking person's mindless entertainment.

-- Michael Phillips, Chicago Tribune

So appealing is Gordon-Levitt that, for great stretches of his new movie, I suspended my disapproval of his character and just went with the nonstop flow.

-- Richard Corliss, Time magazine

I'm very weary of routine chase movies. There's nothing routine about Premium Rush.

-- Roger Ebert, Chicago Sun-Times

Premium Rush is a half-entertaining, half-exasperating movie -- one that sells you on the notion of New York bike messengers as great fodder for cinema but then doesn't know how to build a feature around them.

-- Alison Willmore, Movieline

Rarely has a movie been so well served by its superficiality; Premium Rush proves how invigorating genre filmmaking can be in the hands of a savvy, perpetually inventive director.

-- Andrew Schenker, Slant magazine

Could have cast Bow Wow and Ray Liotta and delivered its package, generically and according to protocol. Thankfully, this snappy little action flick prefers to zig and zag.

-- Matt Pais, RedEye

Koepp wants to capture the immediacy of bike messengers zipping through hostile territory, but Premium Rush has an arcade elasticity that's a few stops removed from reality.

-- Scott Tobias, AV Club

Silly stuff, but for an end-of-summer matinee you could do a whole lot worse -- and, by this point of the summer, probably have.

-- Moira MacDonald, Seattle Times

Like a bike wheel, Premium Rush reflects an ever-spinning cycle of scenes that race forward and then, just as quickly, pedal back in time. A riveting action, um, spiller with Shannon as a bad cop who couldn't be better.

-- Kimberly Gadette, Doddle

Suitable to the medium of film (and last days of summer), this unabashedly simplistic but ultra-dynamic and kinetic flick, set on bikes in the mean streets of Manhattan, offers pleasure; the late Tony Scott would have loved to make it.

-- Emanuel Levy, EmanuelLevy.Com

Compiled by Shane Minkin

Premium Rush

Starring Joseph Gordon Levitt and Michael Shannon

Grant Park, Polo Park, St. Vital, Towne.

14A

90 minutes

Three and a half out of five

Republished from the Winnipeg Free Press print edition August 24, 2012 D6

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