Sunny

Winnipeg, MB

-20°c Sunny

Full Forecast

Columnists

Winnipeg Free Press - PRINT EDITION

Shaking up a spaghetti western

Guitarist goes the extra Miles to give film a new score

Posted: 03/11/2013 1:00 AM | Comments: 0

Advertisement

  • Print

Guitarist Keith Price is rescoring the classic 1966 spaghetti western The Good, the Bad and the Ugly without having heard the distinctive original by celebrated film composer Ennio Morricone.

And if that seems a bit reckless, it actually makes sense.

Price rightly believes that his writing would be influenced if he was familiar with the original soundtrack, which stayed on the charts for more than a year and whose title composition became a hit for Hugo Montenegro in 1968.

The Winnipeg guitarist is also right when he says he probably wouldn't even have attempted the project for Jazz Winnipeg's Nu Sounds series if he was competing with the celebrated Morricone.

In fact, Price's first encounter with the movie was visual only -- in a bar in Toronto with the film on the TV and the sound turned off.

Morricone's compositions for the film included gunfire, whistling and yodelling. The main theme resembles the howling of a coyote and is a two-note melody used throughout the film.

"While working on it, I didn't have the sound or subtitles on so I'd be free," to compose without preconceived notions, he says in an interview. "I didn't listen to the score so I wouldn't be influenced. I couldn't be creative with (Morricone's) world-famous melodies in my mind.

"I have the gist of the story now," he adds with a laugh.

"I felt '70s Miles Davis music would work with this," Price says, citing the rebel images of the cowboy characters in the film, played by Clint Eastwood, Eli Wallach and Lee Van Cleef, and of the famed trumpeter who opened a rift in the jazz world when he embraced electric instruments and shook things up with his Bitches Brew album.

"It really does fit," Price says. "It's fun, it works."

Price's show will consist of two 45- to 50-minute sets, not long enough to screen the two-hour, 41-minute film. "The first 50 minutes will be uncut," Price says, "then a desert scene I like from later on, then the end of the film.

"I know the original score is quite famous. (Director Sergio) Leone even extended scenes because he liked the music."

Guitarist Price will lead an eight-piece band: Jeff Presslaff and Will Bonness on keyboards; Neil Watson on saxophone; Marty Thiessen on electric bass; Julian Bradford on acoustic bass; Scott Senior on percussion; and Jaime Carrasco on drums.

Leading is a relative term, of course, as Price says. "I'm not scoring it all. I have written sketches for scenes, leaving lots of space to be improvising in. I really don't know what it will sound like; things will happen on the fly -- kind of raw.

"We'll have two long rehearsals, but a lot of it will be improvised," he adds.

Price says Davis's fusion style, from the 1969 In a Silent Way album to the trumpeter's retirement from playing in 1976, influenced what writing he is doing. "It will definitely sound a lot like that period," he says.

As for the movie, with its original sound: "I'm looking forward to watching it when I'm done," Price says.

 

Keith Price Scores The Good, the Bad and the Ugly, Sunday, March 17, Park Theatre, 8 p.m. Tickets $12 advances/$15 door available at the Park, www.jazzwinnipeg.com, 204-989-4656, or Jazz Winnipeg, 007-100 Arthur St.

chris.smith@freepress.mb.ca

Republished from the Winnipeg Free Press print edition March 11, 2013 D3

Fact Check

Fact Check

Have you found an error, or know of something we’ve missed in one of our stories? Please use the form below and let us know.

* Required
  • Please post the headline of the story or the title of the video with the error.

  • Please post exactly what was wrong with the story.

  • Please indicate your source for the correct information.

  • Yes

    No

  • This will only be used to contact you if we have a question about your submission, it will not be used to identify you or be published.

  • Cancel

Having problems with the form?

Contact Us Directly
  • Print

You can comment on most stories on winnipegfreepress.com. You can also agree or disagree with other comments. All you need to do is be a Winnipeg Free Press print or e-edition subscriber to join the conversation and give your feedback.

You can comment on most stories on winnipegfreepress.com. You can also agree or disagree with other comments. All you need to do is be a Winnipeg Free Press print or e-edition subscriber to join the conversation and give your feedback.

Have Your Say

New to commenting? Check out our Frequently Asked Questions.

Have Your Say

Comments are open to Winnipeg Free Press print or e-edition subscribers only. why?

Have Your Say

Comments are open to Winnipeg Free Press Subscribers only. why?

The Winnipeg Free Press does not necessarily endorse any of the views posted. By submitting your comment, you agree to our Terms and Conditions. These terms were revised effective April 16, 2010.