Winnipeg Free Press - PRINT EDITION
Not wrong, just illegal
MILLIONS of people, mostly but not all young, engage in file sharing.
The multinational corporations who make and sell the material are not happy with this development. Their profits are threatened and they, in turn, are threatening to sue, for huge amounts of money, individuals who engage in file sharing.
I support the act of file sharing and argue that the free sharing of these forms of intellectual property would likely produce, overall, more good than harm for society.
In many areas of the world, e.g. the United States, the action of uploading and downloading copyrighted material is illegal. Everyone knows that it's illegal to download movies, games and music without paying. Why, then, do so many people simply ignore copyright laws?
Part of the reason is that people question whether the law that forbids sharing of such material online is morally justified. The fact that something is illegal doesn't mean that it's necessarily immoral. Around the world, young people are questioning the merit of the laws that forbid them to share material. They break copyright laws in part because they believe that these laws are unjust.
Not only do we think that the copyright laws are unjust, we also know that it's easy to get away with breaking these laws -- and for youth and students with limited, or sometimes nonexistent funds, the allure of free media with minimal chances of being caught is too good to pass up.
From a practical point of view, trying to regulate the distribution of these materials over the Internet is an unachievable goal. No matter what laws are put in place, technological advances by ingenious young computer geeks mean that youth will always be one step ahead of the authorities. The industry may successfully prosecute and punish a few people but their success will be short lived. Almost no one will be deterred by legal prosecutions because the chances of being caught are minimal.
Just as important, however, most young people believe that it's morally acceptable to share their music, movies and games with others. Claims by industry that they are faced with ruin ignore the fact that the file sharing presents them with new opportunities (if they were smart enough to see them). Twenty years ago the movie industry opposed the introduction of video recorders. They were short-sighted. It turns out that the VCR was one of the best things to happen to the film industry.
Recall, too, that a downloaded copy does not necessarily equate to a lost sale. Much of the material is downloaded to sample, and is subsequently deleted. This hardly suggests that downloaders would have been willing to pay for the material if it hadn't been available free online.
The file sharing audience is being threatened for taking advantage of innovative technology that allows us to sample and enjoy media free of charge; but we are also contributing to the sales of all media via alternative methods. A recently published, three-year study on online music sharing concluded that 95 per cent of all downloads were illegal, yet the worldwide digital music business grew by 25 per cent in 2008 -- the sixth year in a row that it has increased. File sharing, far from destroying the industry, could save it. And largely unknown artists now have at least some chance of being listened to. The same goes for those who create movies and games.
In Canada, downloading copyrighted material for personal use through sharing, aka peer-to-peer networks, is legal. Uploading the material, however, is not. Canadian law thus presents a catch-22 situation. You are allowed to download as much copyrighted material available as you like, but the person who makes it possible by uploading the material in the first place has broken the law.
This doesn't make much sense, especially given that Canada has at the same time adopted a more realistic approach along with at least 25 other countries. That approach is to tax consumers on recording mediums, such as IPods, MP3 players and blank audio recording media like CD-Rs, in an effort to compensate artists for revenue lost due to consumers' personal copying.
In this way, Canada has taken a step towards finding a reasonable balance between protecting copyright holders' rights and providing consumers with more liberal rights to copyrighted works.
As a society, we need to think again about copyright laws. If I buy a book, and lend it to a friend, should I be charged because they haven't paid for the book themselves? No, because it is considered fair use. What if instead of having to walk over and lend the book, I allow my friend to make a copy of it to keep? This is now considered copyright infringement, although the consequences of both situations are virtually the same. If I decided then to make copies of the book, and sell them -- that would be a blatant violation and considered theft. No P2P user is making money from file sharing. Whether it's one degree of separation or 1,000, if sharing is morally justifiable in one case why isn't it also justifiable in other similar cases? What about lending a CD or a DVD, or using PVR? As soon as something is released into the public realm, it is considered "shared," and if I am able to share with one friend, what makes it wrong for me to share with many?
A critic might argue that borrowing is different from keeping -- yet this claim rests on a mere technicality. If I can access the material whenever I want it for free, what difference does it make whether it's in my possession, or with a friend? Perhaps the critic would reply by arguing that sharing a physical possession with a close friend is completely different from putting it online for an unknown number of strangers to access. But is file sharing really the only way this is possible? YouTube allows users to post movies in fragments and entire songs, for an audience of strangers -- entirely free of charge.
Society has benefited overall from file sharing. People without much money are now able to enjoy music and movies. Unknown artists have found an audience. Famous artists still make lots of money from touring. And if the industry would adapt then they would benefit, too.
So, the legal ban on file sharing won't work and it's also unfair, inconsistent and irrational.
Kamal Dhillon, a Grade 12 student at Balmoral Hall School, is the 2010 Glassen Ethics Competition winner.
This year's essay topic was: "Is it OK to download music, movies and games without paying?" There were about 80 entries from high schools in Winnipeg and across the province. The contest, held annually since 2007, is jointly sponsored by The Centre for Professional and Applied Ethics and The Department of Philosophy at the University of Manitoba. The winner receives $1,000. The Winnipeg Free Press publishes the winning essay.
Republished from the Winnipeg Free Press print edition February 13, 2010 H11
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8 Comments
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Posted by: thomastvivlarenDOTse
February 18, 2010 at 8:45 AM
@Andrew Bonner: To hypothesize, if we succeed in rendering The Internet useless and turn it into a cable-network and if we somehow succeed in "banning", "controlling" "normal" computers, we still have to deal with all these small devices that have functionality that indeed is likely to be used for kopimi. I see cafées, parks, buses and subway stations filled with kopimists bluetoothing (or more likely "whatevertoothing") away like there was no tomorrow.
Considering the trend of democratic anomalies like ACTA and the data retention directive of the EU perhaps we should really question whether we at all want tomorrow?
Posted by: thomastvivlarenDOTse
February 18, 2010 at 8:44 AM
@Andrew Bonner: This also has it's roots in the practical implementation of the typical democratic system. Simply put, the judicial system in a free and democratic society must be based on citizens being law-abiding without intervention of the upholder's of law. That enables our societies to put money where money should go, i.e. respecting the process of law and hopefully other attributes of the common good. We respect the judicial system and the law simply because they are compatible parts of the big picture. If we start treading the path of not repecting that essential core of our judicial systems we as societies are - yet again - neither free nor democratic. It is also a step towards the police-state.
Fourth, we need also acknowledge the broader aspects of the paradigm of the Information Era. Sony/BMG et al (via their copyright lobbies) work hard on blocking the Internet ignoring the fact that it will not be enough. Bear in mind that not only has every aspect of computer hardware improved in a stellar way for a long while but Moore's law as well as Kryder's law indicates that the improvement will continue. To make things "worse" - from the sole perspective of the copyright dinosaurs - Internet (or "whatevernet") devices are getting smaller as well as more advanced, e.g. iPhone and Android-based cellulars.
Posted by: thomastvivlarenDOTse
February 18, 2010 at 8:43 AM
@Andrew Bonner: First, the DNA of the information era is "kopimi". Everything digital will be copied. Again and again and again. The Internet, being a defense project from the start, is borderline impossible to control or censor in the context of our free societies. Any attempt in that direction will be considered a bug and then bug-free working paths are used instead. That is simply how the Internet works and should work. Information wants to be free, if you prefer that.
Second, in order to re-establish "control" à la the way things used to be, efforts to stop infringement of copyright is likely to result in infringement on the essentials of our free and open democratic societies. Democratic fundaments like free speech, messenger freedom, freedom of the press, the right to privacy and personal integrity is what will suffer. Copyright reform in that context alone is of course a necessity.
Third, law is not the norm. Yes, you read that completely right. Our representative decision makers and politicians are not the norm. Police are not the norm. Courts are not the norm. The people are the norm! If the values of the people are not respected by the law, the police and our representatives in the political system - so called flag bearers of our democracies - we can not anymore call ourselves free nor democratic.
Posted by: thomastvivlarenDOTse
February 18, 2010 at 8:42 AM
@Andrew Bonner: The use of the word "consumers" in itself is indicative of an old understanding of this entire discussion. In the context of music we need to understand that music is likely to be listened to instead of "consumed". People use free music outlets like Jamendo and occasionally and hopefully show appreciation not by paying for the music per se but in visiting concerts, donating, buying something original (for instance a CD is not original but a CD with an autograph is) etc.
The term "consumers" also misses out on the general aspect of the Internet and today's reality. Bear in mind that the megaphone paradigm is of the past and we are now replacing simplex with not only duplex but multiplex communication. Peer2Peerism instead of ClientServerism. Hence, we are all potential "consumers", listeners, fans, remixers, producer, composers, music journalists etc.
To reiterate, a nice way to go - without using a predefined understanding of what is "acceptable" originating in the way we used to approach the music industry, is a combination of Jamendo and up-and-comer Flattr. The latt(e)r seems extremely promising in my humble and slightly biased opinion.
Your use of the term "legal access" also indicates - no offense intended - a lack of understanding of the bigger picture.
Posted by: thomastvivlarenDOTse
February 18, 2010 at 8:42 AM
@Andrew Bonner: No offense intended but your reasoning signals to me that you have not fully understood the "debate".
As already mentioned, yes, Spotify is a step forward but it is by no means the solution. If for nothing else it is a good example of making money in the land of "free".
I triggered on your last sentence: "A solution acceptable to artists, record companies, and the consumer alike."
I don't understand the grounds of that claim. Artists are making very little on Spotify as the dinosaurs of the past are still playing man-in-the-middle despite them being more of obstacles than requirements these days. Also, artists are not dependent on record companies to reach their audience so who really cares what is "acceptable" to the latter? I don't understand why the baker should get paid when I buy a car, neither do I understand why the record companies should be judicially guaranteed an income when their services have been rendered obsolete.
I get a feeling that this is more an issue of capitalism only being good when applied to the benefit of the big business... Having said that, please let's keep this discussion on track and in relation to the information era and the reality of today. I apologize in advance in regards to this side-tracking of mine.
Posted by: Andrew Bonner
February 17, 2010 at 6:58 AM
Thomas - I'm not certain what it is you're disagreeing with me about. I hadn't suggested Spotify is a whole solution, but in the right direction.
The streaming sites sell more than simply convenience. The sheer volume of music on offer is staggering. When you build your own music collection, you're forced to make choices about what to acquire. The collector is limited by money, or time, or both. A streaming site - while perhaps only having 80% of the music a discerning person might search for - gives you the freedom to listen to things you might not have chosen to acquire, and this ability will broaden a listener's perspectives.
I take it from your post that your main problem is with the idea of "intellectual property", as it is currently defined under the law. I agree entirely that it constricts creativity, and wrongly limits access to art based on the ability to pay. What would you say to a format in the future in which music, books and films are held on central repositories available online to everyone free at point of access? Such a system could be paid for by an internet subscription fee, which would cover the cost of holding the data, and royalties to the artists themselves.
Posted by: thomastvivlarenDOTse
February 16, 2010 at 2:27 PM
@Khamal Dillon: On behalf of The Pirate Party of Sweden I prolong my sincerest appreciation. Excellent, excellent work!
@Andrew Bonner: I beg to differ. While services like Spotify and Grooveshark (and Voddler for movies) is a nice complement it is not the whole solution. What streaming-sites like the forementioned are selling is convenience. Convenience of not having to deal with setting up networks, buying storage, handling backups etc. That is all fine and for many people that is all they need.
That does not deal with the fact that to be able to maintain the antiquated copyright laws we also need to turn our societies towards an Orwellian path. Copying is the foundation of the Information Era. If we at all want to make the best of this time - and I reckon we do - we need to get around the thoughts of the past. Bear in mind that Spotify, Grooveshark etc are doing just fine despite filesharing has flourished ever since the early days of Napster.
We need to realize that Information Era brings a new paradigm. It is just absurd to relate to this new time with "solutions" of the past. We simply need to get over that and make the best of today and the future. The future is indeed looking bright!
Cheers from Sweden!
P.S. Services like Jamendo are perhaps a better alternative than Spotify or Grooveshark generally speaking considering they enable you to really make new artists benefit and not only the one's with yachts and palaces'. D.S.
Posted by: Andrew Bonner
February 14, 2010 at 5:51 PM
Spotify is an example of a way beyond this debate. You register and pay a small monthly fee, and in return have legal access to a database of streamed music larger than anything you could personally amass - by downloading or buying - over a lifetime. This music can be put into as many advertisment-free playlists you like, and be played over your computer, laptop, or iphone. A solution acceptable to artists, record companies, and the consumer alike.