Jacked up: Actor best known for dramatic work survives move to comedy

Advertisement

Advertise with us

It takes a tough guy to deliver tough love.

Read this article for free:

or

Already have an account? Log in here »

To continue reading, please subscribe with this special offer:

All-Access Digital Subscription

$1.50 for 150 days*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Continue

*Pay $1.50 for the first 22 weeks of your subscription. After 22 weeks, price increases to the regular rate of $19.00 per month. GST will be added to each payment. Subscription can be cancelled after the first 22 weeks.

Opinion

Hey there, time traveller!
This article was published 27/03/2014 (3063 days ago), so information in it may no longer be current.

It takes a tough guy to deliver tough love.

That’s the sentiment that drives Surviving Jack, a new comedy from the guy who brought you $#*! My Dad Says. The series, which premières March 27 on Fox and CTV, is a sort-of-retro sitcom (it’s set all the way back in 1991) that stars a guy more known for stone-faced drama than slapstick hilarity.

Christopher Meloni (Law & Order: SVU, Oz, True Blood) stars as Jack Dunlevy, a successful physician who decides to cut back on medical-practice hours in order to support his wife Joanne (Rachael Harris) as she pursues a long-held dream of studying law.

Christopher Meloni stars as Jack in Surviving Jack.

That means Jack will take over primary parenting duties, which doesn’t sit well with teenage offspring Frankie (Connor Buckley) and Rachel (Claudia Lee). Jack, you see, is a former military type who has very specific, no-nonsense, results-oriented ideas about right and wrong — which, basically, boil down to this: Jack is right; everybody else is wrong.

This makes for an awkward but moderately effective kind of TV comedy because Jack is one of those annoying know-it-all dads who also happens to be correct more often than not. His methods and messages are blunt, but his heart — if, in fact, he has one — is in the right place.

In the series opener, Jack walks in as Frankie is attempting to circumvent circa-1990 cable-box technology to get a quick glimpse of partially scrambled premium-TV porn. After posing a few necessarily embarrassing questions, Jack sends his son out for three quick middle-of-the-night laps around the block.

Later, when Jack learns that Frankie is afraid to ask out the girl who’s the object of his adolescent crush, his fatherly attempt to force the matter involves sneaking a bundle of extra-large condoms into Frankie’s lunch bag, which leads to a rather humiliating revelation in the school cafeteria.

Jack’s handling of Rachel’s revelation that she has a new boyfriend is even more traumatic. Keeping his own son on the straight and narrow is one thing; keeping someone else’s son from putting his hands where they don’t belong requires some serious scare tactics.

Based on $#*! My Dad Says creator Justin Halpern’s autobiographical book I Suck at Girls and produced by TV veteran Bill Lawrence (Scrubs, Cougar Town), this new comedy offering is very much a hit-and-miss affair. When it works, it’s mostly because it’s so much fun watching Meloni — who has made a few sitcom guest appearances (including Scrubs) but hasn’t tackled an ongoing comedy role since the best-forgotten 1990-91 series The Fanelli Boys — throw himself completely into the role of a hard-ass dad with a soft heart buried deep beneath the bluster.

Harris is likable as the wife who knows how to make her husband reveal his inner marshmallow, while Buckley and Lee hit most of the right notes as the newly terrified teens.

But there’s no doubt: if Surviving Jack does, indeed, survive, it’ll be because of Jack.

brad.oswald@freepress.mb.ca

Twitter: @BradOswald

Brad Oswald

Brad Oswald
Perspectives editor

After three decades spent writing stories, columns and opinion pieces about television, comedy and other pop-culture topics in the paper’s entertainment section, Brad Oswald shifted his focus to the deep-thoughts portion of the Free Press’s daily operation.

Report Error Submit a Tip

Advertisement

Advertise With Us

Columnists

LOAD MORE COLUMNISTS