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An acquaintance that lasted for more than 30 years

This may surprise some of you who no doubt think of me as extremely cool, but there is no band I have seen live more than Barenaked Ladies.

I have seen them in multiple local venues, from the University of Winnipeg’s then-Athletic Centre to the arena. I have seen them in Toronto, Regina, Banff, Minneapolis, Chicago and Grand Forks, N.D.

Although I love them unreservedly, this frequency is not entirely the result of pure fandom; my friends and I struck up an acquaintance with the pop quintet during their first Canadian tour that has lasted for more than 30 years.

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In a way, I owe them my career. The first published article I ever wrote was a Barenaked Ladies interview in Stylus magazine circa 1991. The first concert review I ever did was of the band’s Walker Theatre show in 1990-something, shortly after the Exchange District landmark was restored. It ran in the now-defunct Perimeter magazine; the editor accidentally left my byline off the copy, so it appeared that photographer James O’Connor had written it. (I was at a crowded house party weeks later when I overheard him explaining to someone that he had “nothing to do with that embarrassing piece of s—,” an assessment that stung, largely because it was fairly accurate.)

I don’t think I would ever have had the guts to interview musicians I wasn’t already friendly with; BNL was my gateway to a career that I didn’t really know was a career.

Barenaked Ladies. (Matt Barnes photo)

Barenaked Ladies. (Matt Barnes photo)

Seeing them these days, as I will on Monday at the Burt as part of their Hometown Holiday tour (limited tix available at Ticketmaster), is like a conduit to the past. Those same university friends and I will be in the audience; although they will always be 20 years old to me, listening to songs that made up part of the soundtrack of our youth, in the glow of the stage lights, will take us all back to 1991 — a time of road trips and rock bands, late nights and Labatt 50. And that’s pretty cool.

What are bands that will always hold a place in your heart and why?

 

Jill Wilson

 

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What’s up this week

Free Press arts writers have your back with a roundup that includes Cannes Lions at the WAG, Kane Brown at the arena and Lucky Bird pop-up market at the concert hall.


Canada Life Centre hosts Holiday Dreams: A Spectacular Holiday Cirque on Dec. 10 at 7:30 p.m. The family-friendly show features holograms, projection mapping and lasers along with award-winning acrobats, daredevils and cirque-performers. Tickets are $43.50 to $94 at Ticketmaster.


Prairie Theatre Exchange’s final play of the season promises a different show every night as the improv elves in Outside Joke present A Christmas Carol: Big Dickens Energy. The Winnipeg troupe takes the familiar Scrooge tale as the jumping-off point for an evening of musical festive fun. The show runs Dec. 13-23; bring a new, unwrapped toy or non-perishable food item with you to the show from Dec.13-18 and spread the holiday joy. Tickets are at pte.mb.ca.


Dec. 10 and 11, the Winnipeg Symphony Orchestra presents A Celebration of Nations, two nights of music and dance in collaboration with Folklorama. The show, which is conducted by Julian Pellicano and features Trio Los Laureles, Coffieman, the Chai Folk Ensemble and the Manitoba Korean Dance Group, also includes Ukrainian musicians Yarynka Chepiha and Mariia Balieieva, who were forced to flee their homes as a result of Russia’s invasion of Ukraine. Tickets and info are at the WSO website.


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Music: In order to maintain my indie cred (a real gen-X hallmark), I should mention that the non-local band I have seen live second-most frequently is probably Archers of Loaf. The North Carolina quartet fronted by Eric Bachmann (Crooked Fingers) recently released a reunion album, Reason in Decline, that is middle-aged in the best possible way, spiky with rage but tempered with wisdom. Pitchfork gives it 7.7; I’d go higher.

 
 

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