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Recalling September 11

This week I’ve been thinking a lot about the Toronto Film Festival, which wraps up Sunday (our Randall King is there reporting on local productions). On Sept. 11, 2001, I was at TIFF; our host woke us up in time to see the second plane fly into the Twin Towers live on television.

All screenings were cancelled, of course, but we headed downtown anyway, spending the day in an Irish pub on Bloor Street, watching events unfold on TV and crying with strangers.

Two days later, the festival made the decision to resume. Our scheduled screening on Sept. 13 was Amélie, and I honestly can’t convey what a balm it was to sit in a dark room and share a life-affirming experience in such a time of sadness. (Cue more crying with strangers.)

There are those who find the film — starring Audrey Tatou as a gamine young woman with a grand imagination who roams a nostalgic version of Paris with a mission to improve the lives of others — too cutesy and whimsical by half. But on that day, it was both the perfect escape and a reminder that love and beauty and empathy still existed.

We could all use a little Amélie in our lives this week.


Thanks to all the Applause readers who wrote in with words of advice and/or support for my De Quervain syndrome; it is much appreciated and very helpful. The struggle continues — I have almost become mouse ambidextrous, which isn’t a bad thing — and I’m hoping my upcoming physio helps with the pain.

 

Jill Wilson

 

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Recommended

TV: My boyfriend and I usually have at least two TV shows on the go — one lighter sitcom and something meatier. We’ve been blasting our way through Brooklyn 99 on Netflix (it leaves the streamer on Sept. 16) and I’ll miss time spent with that goofy crew.

Our current drama is Empathie, a Quebecois production that I cannot recommend enough. Written by and starring Florence Longpré, it follows the travails of a young psychiatrist who works at an institution for patients who have been found not criminally responsible owing to mental illness.

Of course, she has substantial personal issues of her own, including a drinking problem, but this 10-episode series nicely avoids falling into the stereotypes of the Troubled Protagonist. It has profound things to say about psychiatric treatment, human frailty, family and love, and despite the subject matter, it’s both darkly hilarious and sweet.

Longpré is astonishing — sometimes prickly, sometimes painfully vulnerable, sometimes luminous — and watching her is a real roller-coaster ride (witness her full-body blush when she realizes her affection for a co-worker isn’t reciprocated). It’s streaming on Crave, with subtitles.

What’s up this week

Read the latest recommendations from the Free Press Arts & Life team here.

 
 

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