Rock tops hitting the bottom in showbiz-mocking rom-com

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WITH all the timely cultural commentary Chris Rock has been making about Ferguson, Staten Island, police chokeholds and the like while doing interviews ostensibly promoting his new film, it’s actually a relief that Top Five is pretty good.

Decades into an indifferent film career, Rock finally discovers his “first, best destiny,” that he is more a standup comic than an actor. And if he’s going to write, direct and act in a film, he’d be better off playing a standup character not unlike Chris Rock.

Rock is never more at home than in the film’s standup scenes, or its walking-and-riffing moments, with the comic doing killer takes on Planet of the Apes and race relations, Obama and what Tupac Shakur would be doing if he was still alive. “A statesman, a leader,” a relative insists. “Tyler Perry movies,” Rock cracks back.

Rock plays Andre “Dre” Allen, a New York comic who ventured into movies, made a series of popular but forgettable comedies that had him playing “Hammy,” a cop in a bear costume, fell into drugs and recovered.

Top Five follows Dre through the opening day of his new “serious” movie, which is sure to be a flop. He’s playing a Haitian freedom fighter, a leader in the biggest slave rebellion in history, and the day is an endless parade of radio and print interviews promoting the film.

Then there’s his bachelor party. Dre is about to marry Erica (Gabrielle Union), a gorgeous and vapid reality TV star, and their courtship and nuptials will be filmed and broadcast on Bravo.

Shadowing him on this long day is Chelsea, a New York Times reporter (Rosario Dawson) assigned to do a profile of a comic their film critic has been vilifying for years.

We meet Dre’s lifelong bodyguard and fixer (J.B. Smoove), the friends and family he sort of left behind — including Tracy Morgan, Ben Vereen (as his dad) and the irrepressible Sherri Shepherd (as his ex-girlfriend). The alcoholic flashes back to “rock bottom,” a Houston concert date where Dre’s in the care of a gonzo promoter, played to the hilt by Cedric the Entertainer. Clubs, hookers, drugs and the unsanitary orgy that follows put the guy on the path to recovery.

Dawson — a compendium of every ethical violation the Times has admitted to in the past 30 years — confesses her own addictions, flirts, drags her interview subject into her life and hits him with just one hard question.

“How come you’re not funny anymore?”

Rock is more a genial presence here than an actor playing an addict tested by a bad day. He never lets us see the strain that could make him fall off the wagon. He scores laughs, but generously leaves the outrageous stuff to his legion of supporting players. A funny round table of marital advice is hurled at Dre from his comic pals: Adam Sandler, Whoopi Goldberg and Jerry Seinfeld. And the treadmill of Sirius XM radio interviews and repetitive, rude print press conferences are peppered with real radio folk and real newspaper people.

Dawson’s character is a romantic plot contrivance, and her actions are so ignorant of the power relationship between a star and a journalist as to defy belief. The movie has plenty of uncomfortable coincidences — a black man beaten by police and comically put in a chokehold, Dre’s joking attitude toward rape and embrace of Bill Cosby and what may be the last funny performance the injured Morgan may be able to manage in a movie.

But seemingly random encounters with juicy cameos are hilarious (wait for the jail cell serenade), and the heart of the piece — what a funnyman needs to do when “I don’t feel funny anymore” — will be familiar to anyone who knows Woody Allen’s best films or Seinfeld’s career.

The title refers to that common currency of pop culture, your “top five” hip artists, a question everybody in the film can answer — definitively — from Rock and Dawson to Seinfeld. With Top Five, Rock, at 49, has at long last made a movie that will top any list of the five best Chris Rock movies from here on out.

 

— Tribune News Service