Books
Shanghai Gothic novel a delight
4 minute read Saturday, Mar. 21, 2026A change in circumstances can help people reinvent themselves — or reveal who they really are. In The Fourth Princess: A Gothic Novel of Old Shanghai, Janie Chang uses the genre of a Gothic novel to show how people’s choices can affect not only their own lives, but also those of the people around them.
Chang is the author of historical fiction novels such as Three Souls, Dragon Springs Road and The Porcelain Moon. She is originally from Taiwan but has lived in the Philippines, Iran, Thailand and Canada (she’s now in B.C.). Her family history and ancestral stories are frequently inspiration for events in her novels.
The Fourth Princess is set in Shanghai, China, mainly in 1907 and 1911. The story begins with a sale notice for Lennox Manor, a house just outside the city, before describing the actions of Lisan Liu, an orphan who has been raised by the kindly but distant guardian Master Liu.
Lisan has no memory of her early life. As the story begins, she is on her way for a job interview — an initiative she has taken without her guardian’s knowledge — with Caroline Vessey, an American. When she returns home after a successful interview, her guardian and his brother hold secret discussions about Lisan before finally allowing her to become Mrs. Vessey’s live-in private secretary at Lennox Manor.
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The short list, revealed March 18, includes On Oil by Don Gillmor and On Book Banning: Or, How the New Censorship Consensus Trivializes Art and Undermines Democracy by Ira Wells, both from the Windsor, Ont.-based publisher’s series of short books.
The other three finalists for the prize are On the Ground: My Life as a Foreign Correspondent by Brian Stewart, Encampment: Resistance, Grace, and an Unhoused Community by Maggie Helwig and Women Who Woke up the Law: Inside the Cases that Changed Women’s Rights in Canada by Karin Wells.
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The boy sees every kind of person, including the sleeper in the corner who no one seems to look at or goes near. The speedy trains blow the passengers’ hair, the wheels screech sharply.
Back home, he feels comforted knowing that “Below the afternoon road, I know my/subway is still running.” Award winner Pierre Pratt’s illustrations capture a child’s perspective of the motion, the crowding and the humour of the underground world.
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