Comedy comes out of conflict

Rural venue lets artists shine on more intimate stage

With cooler temperatures on their way, Jocelyne Baribeau wants to break the linguistic ice between musicians with a new concert series at her home near Ste. Geneviève, about 30 minutes east of the Perimeter.

A onetime Western Canadian Music Award winner as best francophone artist, the St. Vital-raised Baribeau intends the Icebreakers series — which has its first concert this Sunday — to provide musicians with an intimate, rural setting to experiment and collaborate with peers with whom they might not otherwise share a bill.

“A goal for me to sort of erase a bit of that invisible line that we put. ‘It’s a French event,’ or ‘It’s an English event,’” says Baribeau, the vice-president of the Canadian Folk Music Awards.

“The more we can do that, the more opportunity there is for everyone. Music is music, and I don’t think it’s a language thing. You can feel a lot of things even when someone is singing in a language you don’t understand.”

Winnipeg-produced podcast Careers Under Construction keeps rolling for Pederson Group

It could have been the CEO’s corner office or a boardroom, but instead it’s a media production studio.

Eight storeys above the corner of Portage Avenue and Main Street, the 300-square-foot room in the Pederson Group’s headquarters at 201 Portage Ave. is outfitted with comfortable chairs, a plant and black drapes that block out natural light and control the acoustics.

There are three video cameras, two computers, a few microphones and a variety of portable video lights. All told, the equipment is worth more than $70,000.

It’s here where two of the Winnipeg recruitment firm’s five staff members — Justis Pederson, president and CEO, and Cassie Bezan, director of creative communications — produce Careers Under Construction, a weekly, hour-long podcast featuring interviews Pederson conducts with Manitoba business people.

Retired sportscaster Scott Oake determined as fundraising for women's addictions treatment facility enters home stretch

For now, the patch of land just east of the Victoria Hospital doesn’t look like much: just a field of rocks, mounded dirt, and concrete piles driven into the earth. Yet when Scott Oake looks over the site, he can already imagine how it will look in just over a year’s time, when the new Anne Oake Family Recovery Centre is expected to open.

It’s easier to picture this time around. In 2020, when the recently-retired CBC sportscaster and his late wife, Anne, were building their first labour of intermingled grief and love, the Bruce Oake Recovery Centre for men, it was hard for him to wrap his mind around how a raw construction site could transform into a welcoming addictions treatment facility.

When that centre opened in 2021, Oake found it looked “almost identical” to the architect’s renderings. So it’s easy to hope the Anne Oake Centre will be the same. It will be the first facility of its kind, its founders believe, not only in Canada but in North America: a place where 50 to 70 women can pursue sobriety while staying with their children.

“At Bruce Oake there’s a culture of love, and most of all a culture of hope,” Oake said, speaking at the site Thursday after a media conference to announce the final push of the centre’s fundraising campaign. “I can feel it every time I walk into that building. And I know it will be the same here.”

Exhibition examines the bonds we make with humanoid objects

For the past few years, Winnipeg visual artist Emilie St-Hilaire has been fascinated by the way humans relate to artificial bodies — dolls, robots, mannequins — through play, care and connection, and how those synthetic relationships can produce very real emotions in humans.

Objects of Fidelity: Barbies, bots, bébés, her solo exhibition on view now at La Maison des artistes visuels francophones, explores this space between object and companion. It’s what she calls the “visual culmination” of work that began with her 2024 PhD dissertation at Concordia University in Montreal, which examined Reborn Dolls — hyper-realistic art dolls that resemble newborns — from a feminist perspective.

But when a robot included in the exhibition started malfunctioning and giving signs that it was at the end of its life, St-Hilaire was given a new question to puzzle: what does it mean for a robot, or any other artificial body, to “die”?

To understand that, one must first understand how these human attachments to humanlike objects form in the first place.

Artist’s inspired work brings Red River Métis story back to Portage and Main

Jennine Krauchi calls them the “grandmothers.” “They speak to you very silently. You never hear a word, but they speak,” Krauchi says, referring to the antique pieces of Métis needlework she’s carefully studied for years. But there are few precedents for her latest art project: a 85-foot-wide by 32-foot-high chain curtain of Métis needlework that drapes over the historic Bank of Montreal’s neoclassical facade.

Hip-hop artist ready to release meticulously constructed album

The techniques of digital music production today are finicky.

Dizzingly so: a little surgical EQ to make your hi-hats less shrill, the subtle boost in the 30-Hz range to get your kick drum thumping just so, drawing out a reverb swell with a visual artist’s meticulousness.

If the artist is visually impaired, the challenge might seem next to impossible.

“It’s so tough. Spending hours on a little piece of audio, or, like, I want the delay on the word ‘home’ exactly — not the syllable after or before,” says Winnipeg-based musician Matthew Monias, whose stage name is Mattmac.