Bloated shark sequel dead in the water
Advertisement
Read this article for free:
or
Already have an account? Log in here »
To continue reading, please subscribe:
Digital Subscription
One year of digital access for only $205*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.
To continue reading, please subscribe:
Add Free Press access to your Brandon Sun subscription for only an additional
$1 for the first 4 weeks*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.
Read unlimited articles for free today:
or
Already have an account? Log in here »
Hey there, time traveller!
This article was published 16/08/2019 (2611 days ago), so information in it may no longer be current.
It just isn’t summer until someone punches a shark. Since Jason Statham is off on Hobbs & Shaw duties, that task falls to Canadian actress Sophie Nélisse, the plucky heroine of 47 Meters Down: Uncaged — the wholly unnecessary sequel to the Mandy Moore vehicle 47 Meters Down. But whereas Moore’s trip to the bottom of the ocean was high-concept yet tightly contained, co-writer and director Johannes Roberts throws all his previous restraint out the window. High school mean girls? Underwater Mayan catacombs? Blind sharks?! You name it, Roberts chums the water with it to see if it draws any bites. The result is a waterlogged late-summer creature feature that doesn’t come close to the previous entry’s minimal pleasures.
Two daughters of Hollywood royalty, Corinne Foxx and Sistine Stallone, make their feature film debut in 47 Meters Down, and one can assume their last names and large Instagram followings helped secure their parts. Foxx stars as Sasha, a popular girl at Modine International School for Girls in Yucatan, Mexico, where she’s just moved with her annoying stepsister, Mia (Nélisse), mom (Nia Long) and underwater architect stepfather (John Corbett).
Hoping to avoid a boat trip with Dad, the girls head out on an adventure with Nicole (Stallone) and Alexa (Brianne Tju). Cliff jumping turns into cave diving, as teen girls in Mexico are wont to do, and the foursome head underwater to explore underground Mayan burial sites tnow underwater due to rising sea levels. Mia and Sasha knowingly embark on the trip despite their father producing a great white shark tooth he found there the day before.
The undersea voyage is sort of like a “Marine Biology for Dummies” trip, and it turns disastrous as the girls destroy a few centuries-old underwater columns and stir up the terrors of the deep — namely, sharks that evolved to live in such dark confines underwater and are therefore blind. The film is a bit like The Descent meets The Meg, as the girls venture into a claustrophobically tight space and don’t like what they find has evolved there.
Roberts, working with a much larger scenic and visual palette this time, seems adrift. There are some very cool settings, like the underwater Mayan passageways and temple statues, and some neat lighting effects with the strobing red light alarms the divers carry, creating a few moments of visually-inspired suspense. But even with such a larger setting, on land and under the sea, everything just seems geographically swirled beyond recognition, especially underwater.
Rather than focusing on what makes the specific aspects of what makes the film unique, 47 Meters Down: Uncaged turns into a rehash of references to other shark movies. Corbett gets his Deep Blue Sea moment, and the final act is like something out of Open Water meets The Shallows. None of the actors are particularly up to the task, with the exception of Nélisse, who goes from a cowering nerd to shark-punching water warrior. Feel free to stay out of the water with this one.
— Tribune News Service