Halifax court approves settlement in Dell class action over data breach: lawyer

Two U.S. presidents, and America’s decline

“Let us have faith that right makes might, and in that faith, let us, to the end, dare to do our duty as we understand it.” — Abraham Lincoln in his Cooper Union address, given in New York City in 1860.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

Klein wants city-run, maintained ‘bridge’ space for homeless people

Mayoral candidate wants city to set up a 24-hour community space pilot project for homeless Winnipeggers

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.