Library names Ariel Gordon writer-in-residence

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

U of W marks 10 years of Indigenous education requirement

The University of Winnipeg is collecting course outlines, historic concerns about systemic racism on campus and related records to mark the 10-year anniversary of mandating Indigenous studies.

The unveiling of a new archive drew nearly 200 people to Centennial Hall on Thursday afternoon to reflect on how the Indigenous course requirement, also known as “the ICR,” came to be.

University archivist Brett Lougheed told the crowd its inception is “an amazing story” of student activism that, until now, wasn’t accurately reflected in U of W records.

“What little material we had told the story of administration’s role in developing the ICR as though it was the ultimate driver… and not a student-led response to racism,” Lougheed said.

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.

Prost! Raise a glass to Oktoberfest

As September comes to a close, a pair of local breweries are bringing some serious gemütlichkeit.

For the uninitiated, gemütlichkeit’s a word that doesn’t translate neatly from German to English, but which roughly means friendliness and good cheer.

Both Devil May Care Brewing Co. (155 Fort St.) and Kilter Brewing Co. (450 Rue Deschambault) are hosting Oktoberfest parties this weekend featuring food, music, games and, of course, plenty of beer.

Both breweries are rolling out special releases to coincide with their respective Oktoberfests — expect malty festbiers, marzens, rauchbiers and other German-inspired brews, served up in hefty steins alongside Bavarian-inspired fare. Devil May Care’s festivities run through to Sunday and feature eats by Freebird Kitchen, while Kilter keeps the party going through to Saturday, Oct. 3, and is offering pretzels and Oktoberfest-themed hot dogs. Lederhosen is encouraged.

Husband of rival sex club owner accused in attempted bathhouse bombing

A Winnipeg bathhouse owner says he was shocked to learn the man accused of planting a pipe bomb outside his business is married to the owner of a competing sex and lifestyle club.

Christopher Gregoire, who recently took ownership of AQ Sauna, said a live pipe bomb was found by a “heroic patron” outside the club, formerly known as Aquarius Bath House, in the early morning hours of Sept. 11.

On Thursday, the Winnipeg Police Service announced Erik Lymen Olson, 59, was facing multiple charges in the incident. Olson is the husband of Adonis Men’s Spa owner Doug Pomanski.

“This is wild,” Gregoire said after learning of the charges.

Two U.S. presidents, and America’s decline

“Let us have faith that right makes might, and in that faith, let us, to the end, dare to do our duty as we understand it.” — Abraham Lincoln in his Cooper Union address, given in New York City in 1860.