In the glare of many sons

Identity, family, connection explored in cloning drama 'A Number' at RMTC Warehouse

Advertisement

Advertise with us

‘Can we talk about what you did?”

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 14/11/2025 (330 days ago), so information in it may no longer be current.

‘Can we talk about what you did?”

The question — asked of a father (Victor Ertmanis) by a son (Rodrigo Beilfuss) — is simple enough.

But the answer, like every word spoken in Caryl Churchill’s A Number, is delivered almost as though elicited by the resuscitative power of an electric shock.

Dylan Hewlett / Royal Manitoba Theatre Centre
                                In the cloning drama A Number, Rodrigo Beilfuss, seated at left beside Victor Ertmanis, plays three roles.

Dylan Hewlett / Royal Manitoba Theatre Centre

In the cloning drama A Number, Rodrigo Beilfuss, seated at left beside Victor Ertmanis, plays three roles.

“Yes, of course … I’m not sure… where… what…”

It isn’t quite clear what a typical evening looks like for this pair, but as soon as opening piano chords twinkle and the old man’s apartment — coated in double-helixed wallpaper hung in segments of three — is bathed in a radiating glow, there’s little doubt that complex familial truths will soon be brought to light.

Churchill makes no secret of that: in the opening scene, the son has just learned that he wasn’t daddy’s only little boy — his uniqueness has been damaged, his identity weakened, by means of duplication.

Not just one, not just two, but a number of physically identical doppelgangers are out there.

In just one hour, with no intermission, A Number forces its base pairs — and the actors portraying them — into the eeriest corners of remorse, repressed grief and internal angst, lending hard-earned realism to a conceptual drama that never feels as far-fetched as it should.

That’s a credit to director Alex Poch Goldin’s airy approach to the text, which gives both Ertmanis and Beilfuss the opportunity to massage the play’s most effective drama and its most anxious comedy with expert precision.

No small feat: Churchill’s dialogue interlocks and often moves past itself, with streams of thought abruptly left behind without immediate resolution.

Dylan Hewlett / Royal Manitoba Theatre Centre
                                Ksenia Broda-Milian’s lighting veers from the laboratorial into the supernatural.

Dylan Hewlett / Royal Manitoba Theatre Centre

Ksenia Broda-Milian’s lighting veers from the laboratorial into the supernatural.

The spaces between the words are filled with a well-rounded soundscape designed by Ashley Au with Natanielle Felicitas; their interludes are essential to the characters’ sense of both impending doom and loss of their respective pasts.

Kara Pankiw’s set — a spare, three-tiered apartment loaded with emotional memory — works in perfect tandem with Ksenia Broda-Milian’s lighting, which veers from the laboratorial into the supernatural.

A fixture on local stages, Beilfuss, playing three roles, showcases a broad spectrum of communication styles, alternating between shivering nebbish, brooding ne’er-do-well and round-faced square with ease.

For a sparring partner, Beilfuss couldn’t ask for better than Ertmanis, a veteran of nine seasons with the Stratford Festival who hasn’t appeared with the Royal Manitoba Theatre Centre since 1989, when he played Marco in Arthur Miller’s A View From the Bridge.

While Beilfuss’s characters have the benefit of exits and entrances, Ertmanis’ Salter — a father arrested by regret — remains onstage for the entirety of the production, unspooling himself until he reaches the brink of his own ethical disintegration.

This is made physical by the progressive shedding of his clothes: a well-coiffed man who starts out wrapped in a flush-red suit winds up dishevelled, shaking in his boxer shorts (adorned with sheep, costume designer Daina Leitold’s clever nod to Dolly, the cloned ewe).

In the program, Ertmanis writes that A Number will be his “theatrical swan song” because his “memory is still good, but the body is revolting.”

Dylan Hewlett / Royal Manitoba Theatre Centre
                                In the program for A Number, Victor Ertmanis, left with Rodrigo Beilfuss as father and son, writes this will be his ‘theatrical swan song.’

Dylan Hewlett / Royal Manitoba Theatre Centre

In the program for A Number, Victor Ertmanis, left with Rodrigo Beilfuss as father and son, writes this will be his ‘theatrical swan song.’

A viewer can sense that urgency even without reading about it when Salter assesses his life’s work as a parent: “I did some bad things. I deserve to suffer. I did some better things. I’d like recognition.”

Though A Number is fraught with tense drama, it’s never freighted by it. Instead, the production retains an unexpected and considerable amount of levity, best exemplified by the final of Churchill’s five scenes, set on a park bench, where Salter meets a man with less in common with him than a head of lettuce.

It’s so tragic, life, that we must laugh to understand it. Can we talk about what you did?

ben.waldman@freepress.mb.ca

Ben Waldman

Ben Waldman
Reporter

Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben.

Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Nature doesn’t waste its time

Russell Wangersky 7 minute read Preview

Nature doesn’t waste its time

Russell Wangersky 7 minute read 2:01 AM CDT

Sixteen months in and the black burn from a forest fire somehow transitions from the foreground to the background. I’m not sure if it actually softens, if it really changes, or if is just that your eyes, now used to the background, start seeing less of it.

One thing’s for certain: nature doesn’t waste any time taking its opportunities. In the sheltered ground behind where the shed over our Newfoundland root cellar used to be, a forest of sorrel has arisen, its dark-green leaves with their distinctive double horns at their base crowding in tight amongst each other.

It’s no surprise: sorrel is new beginnings, often the first plant I see recultivating abandoned gardens or disturbed ground and I’m happy to have it around always. Its distinctive lemony bite is a fine addition to salads, though we’re not likely to choose it from that particular root cellar patch. Not with the way the asphalt roof shingles burned right around there. I shovelled up the heavy pats of congealed black tar last spring, right after the fire, bringing them up from inside the cellar in big plastic buckets to send to safe disposal. But there’s probably plenty of tar still in the ground and out of sight — hardly an appetizing thought.

From other areas, maybe we will eventually sample sorrel: it depends on how close they were to the house or shed or anything else that burned. And so very much burned. The province has said gardens are safe from contamination by fire-retardant chemicals as nothing has shown up in tests. But we know what way the wind was blowing — what burned, and where, is always part of the equation. It’s a strange calculation to make: I’m just glad our house wasn’t heated with fuel oil, was too old to contain asbestos, and didn’t have indoor plumbing for decades.

Read
2:01 AM CDT

Crime spree lands accused murderers behind bars

Dean Pritchard 4 minute read Preview

Crime spree lands accused murderers behind bars

Dean Pritchard 4 minute read Yesterday at 6:00 AM CDT

Three men have been sentenced to jail terms for a commercial robbery spree in southern Manitoba launched just two weeks after they are accused of killing a 19-year-old man in Abbotsford, B.C.

Twenty-two-year-old Ravdeep Gill of Winnipeg, pleaded guilty Monday to four counts of robbery and Harmandeep Gill, 27, of Brampton, Ont. and Jaskaran Singh, 21, of Surrey, B.C., each pleaded guilty to two counts of robbery for a 10-day crime blitz that targeted gas bars in Swan Lake, Teulon and St. Laurent, and a meat shop in Winnipeg.

Ravdeep Gill was sentenced to four years custody while Harmandeep Gill and Singh each received sentences of 30 months.

According to B.C. media reports, all three men are charged with first-degree murder in a Feb. 1, 2025 killing in Abbotsford that police there described as a targeted hit.

Read
Yesterday at 6:00 AM CDT

Today’s horoscope

Georgia Nicols 4 minute read Preview

Today’s horoscope

Georgia Nicols 4 minute read Yesterday at 2:00 AM CDT

MOON ALERT: After 3:30 a.m. there are no restrictions to shopping or important decisions. The moon is in Libra.

ARIES (March 21-April 19)

You will have to go more than halfway when dealing with others, which is no biggie. This simply requires you to be present, accommodating and willing to go along to get along. Be aware that a partner, spouse or close friend might surprise you.

TAURUS (April 20-May 20)

Read
Yesterday at 2:00 AM CDT

Identity, family, connection explored in cloning drama 'A Number' at RMTC Warehouse

Ben Waldman 4 minute read Preview

Identity, family, connection explored in cloning drama 'A Number' at RMTC Warehouse

Ben Waldman 4 minute read Friday, Nov. 14, 2025

In just one hour, with no intermission, A Number forces its base pairs — and the actors portraying them — into the eeriest corners of remorse, repressed grief and internal angst, lending hard-earned realism to a conceptual drama that never feels as far-fetched as it should.

Read
Friday, Nov. 14, 2025

Musk’s meddlesome trolling

Editorial 4 minute read Preview

Musk’s meddlesome trolling

Editorial 4 minute read 2:01 AM CDT

It seems obvious the world’s first trillionaire thought he was helping separatists within the Canadian federation when he encouraged three provinces — Alberta, Saskatchewan and Quebec — to leave Canada.

Unfortunately for Elon Musk, a man suffering from a profound deficit of self-awareness, his comments may only help those who want to keep the country together.

Musk entered the national unity debate on Wednesday, two days after the pro-independence Parti Quebecois was returned to power in Quebec with a minority mandate. The PQ has promised to hold a third referendum on separation at some point in its current term.

Musk — who has a Canadian mother and attended university in Ontario — took to X, the social media platform formerly known as Twitter (which he owns) and encouraged Quebec to forge ahead with plans to separate. He said Alberta — which will hold a vote this fall on whether to hold a binding referendum on separation — and Saskatchewan should follow suit.

Read
2:01 AM CDT

A Rocky day on the mayoral campaign trail for Kevin Klein

Malak Abas 12 minute read Preview

A Rocky day on the mayoral campaign trail for Kevin Klein

Malak Abas 12 minute read Yesterday at 12:00 PM CDT

Kevin Klein acknowledges it’s hard to foresee what he’ll wake up to each morning in the final weeks of a mayoral campaign.

But the seasoned politician, who has served as both a city councillor and a provincial cabinet minister, couldn’t have predicted the events — what he describes as “drama” — that unfolded last Sunday.

Fellow mayoral candidate Mike Vogiatzakis accused Klein’s campaign team of offering him a job to drop out of the race, while a guest writer’s column in the Winnipeg Sun that questioned the deaths of Indigenous children at residential schools, just days after the National Day for Truth and Reconciliation, sparked condemnation from a prominent Indigenous organization. (Klein is the CEO of the Klein Group, the company that owns the Sun. He has maintained he is not involved in its operations while running for mayor.)

The Free Press had already been scheduled to join Klein on the campaign trail Monday, intending to document a day in the life of the front-running candidate to unseat incumbent Scott Gillingham, before the controversies hit.

Read
Yesterday at 12:00 PM CDT