WEATHER ALERT

Poignant lead performances anchor tense Aussie horror

Advertisement

Advertise with us

Bleak, beautiful and sad, this small Australian film combines art-house horror with a queer coming-of-age story. This is a monster movie in which the monster is homophobic hatred.

Read this article for free:

or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Bleak, beautiful and sad, this small Australian film combines art-house horror with a queer coming-of-age story. This is a monster movie in which the monster is homophobic hatred.

Naim and Ryan (Joe Bird and Stacy Clausen) are two teenage boys first seen doing teenage-boy stuff — breaking into an abandoned factory and goofing around.

We sense almost at once that all their wrestling and grappling is displaced desire. Ryan is a popular kid and Naim is a wary outsider, but a relationship grows between the two — tentative at first, then tender and passionate.

These adolescent feelings are complicated by the fact their families belong to a fundamentalist religious sect that dominates their tough small town.

A man identified only as “the deliverance healer” (Nicholas Hope) is called in to perform a kind of exorcism ritual, and in its supernatural aftermath, Naim and Ryan are stalked by a mysterious, malevolent force that takes the form of the thing they most crave — each other.

In this assured, economical and very understated feature debut, writer- director Adrian Chiarella relies on evocative visual images and an eerie soundscape. He finds minimalist, monochromatic poetry in industrial waste grounds, empty nighttime streets and flat fields of humming hydro lines.

Brief bursts of dialogue sketch in characters and their motivations. We meet Naim’s struggling single mother (Mia Wasikowska) and the church’s pastor (Ewen Leslie), whose Christian-rock, down-with-the-kids services mask something more controlling. We get a sense of the corrosive conformity that surrounds Naim and Ryan — the demonic entity that threatens them can be seen as a metaphor for conversion therapy — but very little is explicitly spelled out.

Leviticus relies on the basic mechanics of the horror genre, including some brief scenes of violence and gore and a couple of jump scares. But its unrelenting effect comes from an atmosphere of dread and psychological tension: Naim must fight for his life never knowing whether the Ryan he sees is his truest friend or a murderously destructive doppelganger.

Neon via the Associated Press
                                Ryan (Stacy Clausen, left) and Naim (Joe Bird) develop a tender, passionate relationship just in time for a malevolent entity to arrive and attempt to wield it against them in Leviticus.

Neon via the Associated Press

Ryan (Stacy Clausen, left) and Naim (Joe Bird) develop a tender, passionate relationship just in time for a malevolent entity to arrive and attempt to wield it against them in Leviticus.

“It’s what they wanted,” Naim says forlornly at one point. “For us to be scared of each other.”

Chiarella’s work is part of a wave of recent Australian frighteners such as The Babadook and Talk to Me (which also featured Bird). There will be comparisons to such films as It Follows and Obsession, where intimacy becomes dangerous, and to the pointed political commentaries of Jordan Peele’s horror trilogy (Get Out, Us and Nope). And there are nods to classic queer horror.

Ultimately, though, the film is its own thing. While functioning just fine as a horror flick, it works best as a delicate, closely observed love story, thanks to the young leads. Clausen’s work is fascinating to watch, with the initially self-assured Ryan changing before our eyes, but it’s Bird, who’s in almost every scene, who bears the film’s emotional weight on Naim’s heartbreakingly vulnerable shoulders.

Horror movies that end as well as they begin are rare, with things often falling apart once the monster gets out of the box. Leviticus is an exception, with Bird and Clausen’s poignant performances and palpable onscreen connection convincingly carrying the film to an intelligent, ambivalent conclusion.

winnipegfreepress.com/alisongillmor

Neon via the Associated Press
                                Marnie (Tyallah Bullock) comes up against a demon’s wrath in Leviticus.

Neon via the Associated Press

Marnie (Tyallah Bullock) comes up against a demon’s wrath in Leviticus.

Neon via the Associated Press
                                Naim (Joe Bird, left) and Ryan (Stacy Clausen) grow suspicious of each other when an evil entity begins acting as their doppelgangers in Leviticus.

Neon via the Associated Press

Naim (Joe Bird, left) and Ryan (Stacy Clausen) grow suspicious of each other when an evil entity begins acting as their doppelgangers in Leviticus.

Alison Gillmor

Alison Gillmor
Writer

Studying at the University of Winnipeg and later Toronto’s York University, Alison Gillmor planned to become an art historian. She ended up catching the journalism bug when she started as visual arts reviewer at the Winnipeg Free Press in 1992.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Ethics isn’t about big scandals it’s about little decisions made each day

Tory McNally 6 minute read Preview

Ethics isn’t about big scandals it’s about little decisions made each day

Tory McNally 6 minute read 2:01 AM CDT

I’m determined to enjoy summer, but even while trying to unplug, I can’t help noticing just how often workplace ethics are making headlines. For instance, Bell Canada made headlines after terminating employees who allegedly manipulated office attendance records by swiping into the building and immediately leaving.

Ethical failures don’t always involve millions of dollars or make international headlines. Sometimes, they look like an employee manipulating attendance records, exaggerating an expense claim or taking credit for someone else’s work. The dollar value may be small, but the damage to trust can be enormous.

As an HR consultant, I spend a surprising amount of time talking about ethics. Not because organizations are filled with bad people, but because good people sometimes make poor decisions when they are stressed, feel misplaced entitlement or are convinced “everyone else does it.”

That’s one of the biggest dangers. Once questionable behaviour becomes common, it starts to feel normal.

Read
2:01 AM CDT

Fringe reviews #5: Power up!

Free Press review team 9 minute read Preview

Fringe reviews #5: Power up!

Free Press review team 9 minute read Yesterday at 3:10 PM CDT

Dan's Inferno, Great & Powerful Tim, Hapalochlaena, Jean-François, Letters, No Worries If Not, One Human Being Toy Story, Onwards!, Quintland, Meat Machine

Read
Yesterday at 3:10 PM CDT

Fringe reviews #6: Side quests highly recommended

Free Press review team 9 minute read Preview

Fringe reviews #6: Side quests highly recommended

Free Press review team 9 minute read Yesterday at 3:07 PM CDT

The Golden Boys, A Magician, Our Father, The Power of Ignorance, Surprise!, Strange Things, Sweat, Tony Wrestles a Stranger, La Vie Parisienne, A Woman's Guide to Romance Novels.

Read
Yesterday at 3:07 PM CDT

Fringe reviews #3: You have died of too much theatre

Free Press review team 10 minute read Preview

Fringe reviews #3: You have died of too much theatre

Free Press review team 10 minute read Yesterday at 2:40 PM CDT

100mls Or Less, Could Kill but Creates, Cults, (Dad) Stuff, El Diablo of the Cards, D&D Improv Show, Escape Reality, The Funny Thing About Men, House of Gold, The Knights of Durathor

Read
Yesterday at 2:40 PM CDT

Suspect sought, four charged in catalytic converter thefts

Tyler Searle 4 minute read Preview

Suspect sought, four charged in catalytic converter thefts

Tyler Searle 4 minute read Yesterday at 11:17 AM CDT

The Winnipeg Police Service property crime unit jumped into action after 13 incidents of catalytic converter thefts in six weeks this spring.

Sgt. Randy Lofto and fellow officers in the property crime unit launched a probe that culminated in the arrests of four suspects last month.

On Friday, investigators said they need the public’s help to track down a fifth man — 43-year-old Jay Heckert — who is believed to be hiding in Manitoba.

“When we put names out to the public, we get a lot of tips and we get a lot of information from that,” Lofto said. Police issued a news release bearing Heckert’s photo and information about the incidents.

Read
Yesterday at 11:17 AM CDT

Soccer game days treated as religious events by some

John Longhurst 5 minute read Preview

Soccer game days treated as religious events by some

John Longhurst 5 minute read 2:01 AM CDT

The World Cup concludes Sunday with the final match to determine the winner. It’s not a religious event, but it has religion-like elements. This includes things like pilgrimages to matches, shared songs and rituals, “saints” like Messi and Ronaldo and, for many, a deep devotion to a team.

Religion has been evident during games, too. Some players from the Christian tradition crossed themselves after scoring goals. After Germany’s win over Curaçao, players from both teams stood together on the field in a prayer circle after the final whistle. Some Muslim players performed sujood, the Islamic act of bowing down in submission and gratitude to God, after scoring, while others did dua, raising their hands in grateful prayer.

Outside of the World Cup, football has even been used as a way to explain faith. Pope Francis, an avid football fan, did that in his homilies and speeches. Football, he said, can teach Christian virtues such as community, cooperation and teamwork over individualism.

Pope Leo XIV feels the same way. “Soccer reminds us of something we must not forget,” he said before the World Cup kicked off. “Life is not a race to show off on our own, but a path we learn to walk together. Anyone who does not know how to pass the ball, even if they have talent, has not yet understood the game. Anyone who does not know how to live with and for others has not yet understood life.”

Read
2:01 AM CDT