The Lineup

Letters, Sept. 14

Worth it for who? Our transit system has been undergoing growing pains for the past year, ever since city staff completely messed up the system with their redesign.

Winnipeg venues saying no to AI-made advertisements

Although the days when telephone poles and notice boards across the city were thick with gig posters, either slopped up with wheat paste or wrapped tight with packing tape, are behind us, the art of making an appealing visual ad for live music events is still a vital part of the local creative scene.

However, a widespread backlash against a new kind of slop — the use of generative AI images — has been building, especially among creatives when it comes to promoting live music.

“Live music is and always has been a DIY type of scene, especially locally,” says Evan Simpson, who has been working as a graphic designer for nearly a decade.

“For years people have been making their own flyers, or if they have the budget, hiring a designer or artist to come up with some artwork for their flyers. It’s a whole ecosystem, a scene supporting itself. If you take away the visual side of it, the spark, individuality and uniqueness of each gig poster is lost. What a sad world it would be if all art were made by AI.”

Finding fulfilment as canines’ companion

Tim Campbell loves dogs. He loves them so much that as soon he retired from his job at Panasonic Canada in early 2024 he began volunteering in earnest at the Winnipeg Humane Society (WHS).

He’d started his voluntary career five years prior with another local dog rescue organization. The work was rewarding, he says but the call-outs were unpredictable.

He was looking for a voluntary role which had a bit more structure to it, something he could build a routine around, while spending time with the animals he truly adores.

“In the summer, I’m there two mornings a week, and when the weather turns a little colder, I’m there anywhere from three to four mornings, depending on what’s going on,” Campbell, 59, explains.