Screen queen

New TV series continues Winnipeg-raised director's sci-fi streak

Advertisement

Advertise with us

On some level, filmmaker Danishka Esterhazy must have been able to relate to Elida, the heroine of Vagrant Queen, the SyFy-produced series on which she directed two episodes.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 28/03/2020 (2366 days ago), so information in it may no longer be current.

On some level, filmmaker Danishka Esterhazy must have been able to relate to Elida, the heroine of Vagrant Queen, the SyFy-produced series on which she directed two episodes.

Like Elida (played by Adriyan Rae), she had lived too long under the radar, until circumstances put her in the driver’s seat of her destiny. For Esterhazy, the change agent was a 2019 sci-fi horror film she directed, Level 16.

While she lived in Winnipeg, Esterhazy was a filmmaker who struggled unsuccessfully to work in the science fiction or horror genres, always being told: “Women don’t like science fiction. Women don’t go to science fiction. People who do like science fiction would never want to see a story about women.”

In frustration, Esterhazy packed up and left for Ontario, where her career got a conventional-wisdom-defying boost when she directed and saw the release of the dystopian thriller she had dreamed of making since graduating from the Canadian Film Centre.

“We had a great première at Fantastic Fest in Austin (Texas), where we sold out six theatres. It was a big hit at FrightFest Glasgow,” she says. “And Level 16 won four awards at Toronto’s Blood in the Snow film festival — including best director.

The great festival reviews won her an interview at SyFy — an American channel specializing in science fiction, fantasy and horror — which in turn led to a gig on The Banana Splits Movie, a 2019 TV film she directed last year, also for the SyFy network, that perversely layered horror elements on the campy-tacky Sid and Marty Krofft TV series from the 1960s.

That gig led directly to Vagrant Queen, especially since the series showrunner, Jem Garrard, determined that all the directors of the season’s 10 episodes would be women.

“Jem Gerrard made hiring female directors a priority, which really opened that door for me,” Esterhazy says, adding that it helped she was a good fit for the material.

Marcos Cruz photo
The new SyFy TV series Vagrant Queen follows the adventures of Elida (Adriyan Rae, above), who flies all over the galaxy in her junk-heap of a spacecraft called the Winnipeg.
Marcos Cruz photo The new SyFy TV series Vagrant Queen follows the adventures of Elida (Adriyan Rae, above), who flies all over the galaxy in her junk-heap of a spacecraft called the Winnipeg.

“Science fiction is actually my favourite genre,” she says. “I watch a lot of science fiction. I read a lot of science fiction. I’ve been wanting to do science fiction for a long time.”

Vagrant Queen puts its own spin on the genre, Esterhazy says, describing the show’s approach as “nostalgic space-opera action-driven humour” that doesn’t take itself too seriously, but also engages with more contemporary issues.

“The author who wrote the graphic novel is a trans woman and the lead character is a black woman,” she says. “It has a more diverse, more inclusive storyline which I really loved. And there’s definitely more fluidity and inclusiveness in the romance. The humour reminds me of Firefly or Buffy the Vampire Slayer. It’s like Buffy in Space. It’s very snarky and hilarious.”

Anyway, there was another reason she seemed destined to do the series. Elida’s personal spacecraft, her Millennium Falcon, if you will, was named “the Winnipeg.” And no, that wasn’t Esterhazy’s idea. It was in the comic book that inspired the series.

“I’d like to take responsibility for it because it’s so great,” Esterhazy says. “It’s a running joke on the show because the character of Isaac (Tim Rozon, better known as Mutt Schitt on Schitt’s Creek) is from Winnipeg and everybody in this universe thinks he just made that word up.

Marcos Cruz photo
The character of Elida brings together a bit of both Han Solo and Princess Leia.
Marcos Cruz photo The character of Elida brings together a bit of both Han Solo and Princess Leia.

“It’s quite funny,” she says. “There’s a lot of good humour about Winnipeg.”

● ● ●

If you think working on a series is a step down from feature films, Esterhazy corrects that notion.

“I had really been trying to break into episodic television for a few years now,” she says. “I’ve been doing a lot of interviews and getting on some shortlists but not quite getting that first opportunity.

“It’s really hard for a director to get their first TV episode, even though I’ve been directing for years.”

Marcos Cruz photo 
Hath (Colin Moss) and Elida (Adriyan Rae) in Vagrant Queen.
Marcos Cruz photo Hath (Colin Moss) and Elida (Adriyan Rae) in Vagrant Queen.

Esterhazy’s work streak is still going, even in the midst of the COVID-19 pandemic. She is currently at work in her Toronto home doing post-production, remotely, on the Lifetime TV film she recently shot. I Was Loreena Bobbitt tells the grim story behind the sensational 1993 crime that saw Loreena cut off her husband’s penis.

“It was strange going from a very light sarcastic tone (of Vagrant Queen) to going very dark and very serious but a really important story that I really wanted to tell,” she says, adding that although many people are familiar with the basic facts of Bobbitt’s story, there’s a lack of clarity surrounding the circumstances. “It’s a story that a lot of people are familiar with, but had a lot of misinformation about the mitigating circumstances.”

“It’s really exciting to have the chance to correct society’s understanding of what happened,” she says. “Not a lot of people understand the emotional heart of the story and the dark abuse that Loreena Bobbitt experienced in her marriage to John Wayne Bobbitt. So the story is really an attempt to get inside of the emotional experience of what it’s like to be trapped in a situation of domestic abuse.”

Esterhazy hopes the film helps explain why it’s so difficult for women to leave abusive relationships, and why society in the late ’80s and early ’90s was ill-equipped to help those women.

“We didn’t have the emotional vocabulary to talk about these topics,” she says, “but things have changed for the better, though we haven’t completely improved.”

MIKAELA MACKENZIE / WINNIPEG FREE PRESS
Winnipeg-raised filmmaker Danishka Esterhazy directed two episodes of Vagrant Queen.
MIKAELA MACKENZIE / WINNIPEG FREE PRESS Winnipeg-raised filmmaker Danishka Esterhazy directed two episodes of Vagrant Queen.

 

randall.king@freepress.mb.ca

Twitter: @FreepKing

Marcos Cruz photo
Elida (Adriyan Rae) in Vagrant Queen.
Marcos Cruz photo Elida (Adriyan Rae) in Vagrant Queen.
Randall King

Randall King
Writer

Randall King writes about film for the Winnipeg Free Press.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read Preview

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read 2:01 AM CDT

Tom Lin’s second novel Babylon, South Dakota moves beyond a historical account of an immigrant family’s struggle, delightfully blending and bending genres.

Lin is a Chinese-born novelist whose family emigrated to the U.S. when he was four years old. His debut novel, The Thousand Crimes of Ming Tsu, won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making him the youngest ever recipient of that award. He earned a PhD in English from the University of California Davis and is currently an assistant professor of English and creative writing at the University of Iowa.

Babylon, South Dakota takes place in an unspecified time period that can be understood to be during the Mao era — likely the 1950s or ’60s. A young Chinese couple, the Hsuis, immigrate to the rural community that gives the book its title. They take the names Saul and Mei and settle on a 160-acre homestead left to them by a distant relative.

Saul’s dream is to breed and sell chrysanthemums from seeds he brought from China, while Mei wants to raise livestock. They speak no English, know nothing of life in the United States, are unprepared for the harshness of winter and the isolation of the farm and bring nothing with them except some gold, which Mei hides around the house for emergencies. Their only link to the outside world is a discarded and marginally functioning TV set, which Saul rescues and rigs up.

Read
2:01 AM CDT

Cabernet Sauvignon star of wine festival

Ben Sigurdson 6 minute read Preview

Cabernet Sauvignon star of wine festival

Ben Sigurdson 6 minute read 3:00 AM CDT

The Winnipeg Wine Festival will celebrate the king of red wine grapes next weekend — the theme of this year’s festival, which takes place Sept. 25 and 26 at the RBC Convention Centre, is Cabernet Sauvignon.

Cab Sauv, as it’s also known, is the world’s most widely planted wine grape of any colour, first coming to prominence in the 1800s in France’s Bordeaux region, where the grape is still popular. Rather than single-variety wines, Bordeaux reds tend to be blends, with those coming from the left bank of the Gironde estuary being Cabernet-dominant, while right-bank wines are Merlot-dominant, with Cabernet Sauvignon playing a supporting role. Cabernet and Merlot work well together and many other countries have followed suit in blending the two.

A team at University of California Davis put Cabernet Sauvignon through a DNA test in 1996 and discovered its parent grapes are Cabernet Franc and Sauvignon Blanc — it’s likely that at some point the two varieties, planted next to each other in some vineyard, crossed and mutated and became the grape we know today. (Someone growing grapes in the 19th century must have had an inkling of what was up, as the grape has been called Cabernet Sauvignon since long before the DNA test.)

Flavour-wise, most Cabernet Sauvignon wines are big and bold, with a core of deep dark berry flavours, some graphite and spice notes and relatively bright acidity. It’s a grape that is well-suited to barrel aging, with most examples seeing at least some time in wood.

Read
3:00 AM CDT

Jets GM insists club’s not working under any deadline in netminder’s trade request

Mike McIntyre 7 minute read Preview

Jets GM insists club’s not working under any deadline in netminder’s trade request

Mike McIntyre 7 minute read Thursday, Sep. 17, 2026

Connor Hellebuyck and his family were subject to so much post-Olympic vitriol that both the Winnipeg Jets security team and even police had to get involved.

Read
Thursday, Sep. 17, 2026

United Way, other charities fight for dollars as donor base shrinks

Scott Billeck 8 minute read Preview

United Way, other charities fight for dollars as donor base shrinks

Scott Billeck 8 minute read Yesterday at 2:00 AM CDT

Winnipeg’s charitable sector is being squeezed from both sides: demand for help is growing while the pool of donors to meet that need is shrinking.

The imbalance is increasingly being carried by a relatively small group of deep-pocketed donors. Last year, 600 people — about three per cent of United Way Winnipeg’s individual donors — accounted for roughly $8 million, or 55 per cent of individual donations.

The fundraising pitch isn’t getting any easier.

Homelessness and public drug use have become increasingly visible, household budgets remain strained and the problems charities are trying to address can seem so entrenched that donors may reasonably wonder what difference another contribution can make.

Read
Yesterday at 2:00 AM CDT

New TV series continues Winnipeg-raised director's sci-fi streak

Randall King 6 minute read Preview

New TV series continues Winnipeg-raised director's sci-fi streak

Randall King 6 minute read Saturday, Mar. 28, 2020

On some level, filmmaker Danishka Esterhazy must have been able to relate to Elida, the heroine of Vagrant Queen, the SyFy-produced series on which she directed two episodes.

Like Elida (played by Adriyan Rae), she had lived too long under the radar, until circumstances put her in the driver’s seat of her destiny. For Esterhazy, the change agent was a 2019 sci-fi horror film she directed, Level 16.

While she lived in Winnipeg, Esterhazy was a filmmaker who struggled unsuccessfully to work in the science fiction or horror genres, always being told: “Women don’t like science fiction. Women don’t go to science fiction. People who do like science fiction would never want to see a story about women.”

In frustration, Esterhazy packed up and left for Ontario, where her career got a conventional-wisdom-defying boost when she directed and saw the release of the dystopian thriller she had dreamed of making since graduating from the Canadian Film Centre.

Read
Saturday, Mar. 28, 2020

‘She was looking to destroy me’: convicted harasser faces new charges

Dean Pritchard 6 minute read Preview

‘She was looking to destroy me’: convicted harasser faces new charges

Dean Pritchard 6 minute read Thursday, Sep. 17, 2026

When Agnieszka Ciochon-Newton moved into the 55-plus apartment building on Stradbrook Avenue last year, she came across as “timid, soft-spoken and sensitive,” said building manager Tanya Owen.

Little did Owen know the meek-looking 58-year-old woman would soon turn her life and the lives of many of her tenants upside down and threaten her career and family.

“She was looking to destroy me for a simple tenant disagreement,” Owen said Thursday.

Court records show Ciochon-Newton was arrested earlier this month and charged with seven counts of criminal harassment, two counts of uttering threats and one count each of fraud, breaking and entering, attempting to obstruct justice, intimidation of a justice official, mischief and defamatory libel.

Read
Thursday, Sep. 17, 2026