Cultural casualties

Hey there, time traveller!
This article was published 03/05/2022 (1604 days ago), so information in it may no longer be current.

The world has seen the horrifying images from Ukraine of people fleeing their homes after cities and towns are bombed mercilessly by Russian forces.

While it appears on our television screens the missile and rocket attacks are random, people who work at museums in the besieged country say there is one underlying target of the invasion launched by Russian President Vladimir Putin: Ukrainian culture.

That includes many of the country’s historic buildings, sacred spaces, memorials and public art installations, many of which have been erected since Ukraine gained its independence in 1991.

“Putin wants to deny our existence, the existence of Ukraine, Ukraine as a country, as a culture,” says Tamara Ivanochko-Havey, administrator of the Ontario branch of the Ukrainian Museum of Canada, one of several Canadian museums that are lending support to their Ukrainian counterparts.

“The museums are scrambling to either hide their stuff away or protect it best they can. There’s photographs from Kyiv and Lviv and some of the other big cities where there are sandbags all the way up monuments to protect them from damage,” she says.

Perhaps the most recognizable of these attacks is the March 1 bombing of the Babyn Yar memorial near Kyiv. The park commemorates the murder of Jews by Nazis during the Holocaust and is the site of one of the largest mass graves discovered in Europe in the waning days of the Second World War.

“From the first days of the war, we understood that there (are) no rules,” Kateryna Chuyeva, deputy minister of culture and information policy for Ukraine, said during a recent Zoom webinar hosted by the Canadian Museum for Human Rights. “(There are) no rules concerning cultural heritage and human rights in this war.”

Chuyeva said Russian troops have looted museums in the eastern Ukrainian cities of Mariupol and Melitopol; the spoils will either will be taken to Russia or could be sold online.

“It’s part of a long process which started at least 300 years ago when the first Ukrainian attempts to be an independent state started,” she said, adding more than 250 cultural institutions or objects have been damaged in the attacks.

The attacks go deeper and are more insidious than just the destruction of buildings and the threat to artifacts and artworks housed in museums.

 

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In 1942, Winnipeg staged If Day, a simulation of what life could be like if Nazi Germany invaded and occupied the city. The event included a military parade, mock bombings, the staged imprisonment of politicians and book burnings, and the issuing of fake German currency, all designed to raise awareness of Canada’s efforts in the war; the day-long demonstration raised more than $3 million in war bonds and brought worldwide attention to the city.

Imagine another military incursion 80 years later, again with Winnipeg as the target. If Day 2022 could mean the levelling of the Manitoba legislature, the destruction of Portage and Main, and damage to the Red River Floodway, mirroring the colossal damage Ukraine is undergoing.

But behind the scenes, hackers would strike, threatening government archives, museum computers and digitized history such as photographs, birth certificates and other vital documents — all vanishing at the press of a button.

It’s difficult to imagine this nightmare happening here, but that’s the situation facing Ukrainian officials this very instant, with museum workers on a virtual front line protecting data the rest of the world so easily takes for granted.

“We also have reports of databases being targeted,” Christophe Rivet, president of ICOMOS Canada, the International Council of Monuments and Sites, says in an interview. “Those databases include thousands of hours of storytelling and songs that are now erased permanently. There is a group out there led by specialists at Stanford (University), and Canadians as well, that are quickly copying as many databases they can to maintain that heritage.”

The council does a portion of its work in conflict zones, and Rivet says the Paris-based organization has helped repair sixth-century Buddhist statues in Afghanistan that were damaged by the Taliban, and spearheaded the rebuilding of a 16th-century bridge in Mostar, Bosnia-Herzegovina, that was destroyed in 1993 during the Bosnian war.

It’s also organizing a coalition of museums and organizations in Canada and around the world to preserve now and rebuild later.

“It’s one thing for these casualties to be collateral damage. It’s another when they are specifically targeted,” Rivet says. “Ideology, a certain view of the world, will lead those forces to target cultural heritage to make a statement and to affect the opposing people’s stability.”

 

alan.small@winnipegfreepress.com