Three local bands win WCMA hardware

Chrysler refines Pacifica and Grand Caravan as buyers return to practical family hauler

BURLINGTON, Ont. — The mighty minivan — relegated to the scrap heap by the rush to crossovers and SUVs — is making a comeback, and Chrysler hopes to lead the way with its top-selling, Canadian-made Grand Caravan and Pacifica models.

While many manufacturers — Mazda, Ford, GM, Hyundai and Nissan — abandoned the once-popular family hauler, Chrysler has continued to play in the segment since it was launched by Lee Iacocca in 1983.

For 2027, the Pacifica gets a cosmetic refresh and the Grand Caravan is a holdover, but new this year are price savings of up to $7,200, Chrysler product planner Mike Szymkiewicz told journalists assembled here for the launch of the two vehicles.

“It’s primarily that we’re taking less margin, but we’re also adding content,” he said. “So less margin but we hope more volume.”

Three local bands win WCMA hardware

Three Manitoba acts have added Western Canadian Music Awards to their mantelpieces.

Leon’s Getting Larger and their tours are getting longer

Emo music was never just a phase for Nikola Boticki.

“It was people just saying the things I was feeling,” says the 26-year-old vocalist and guitarist. “Growing up, it’s kind of like, ‘I feel that way but I’m not going to say that out loud,’ so it was nice to hear someone say it.”

Boticki got into the punk subgenre near the end of his angsty high school years and his appreciation only grew while in isolation during the COVID-19 pandemic.

The music inspired him to form his own emo band, Leon’s Getting Larger, with friends Luke Penner (vocals/drums) and Noah St Hilaire (bass).

Asian supermarket T&T to open at Polo Park

Live seafood, more than 150 varieties of baked bread and rows of Asian produce are being promised for CF Polo Park — in two years time.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.

Survival guide offers a frightening perspective on life in U.S. prisons

Canadian criminal sentencing guidelines identify “three traditional utilitarian goals — deterrence … incapacitation and rehabilitation.”

In spite of lofty intentions, fiction and film have identified North American incarceration in general as largely negative, incapacitating most inmates only while they are actually behind bars. Prison often leads to more crime, teaching criminal behaviour.

Tom Nelson spent more than 17 years in medium and maximum security facilities in the U.S. for such pasttimes as auto theft, armed robbery and drug dealing. Then he turned that life of crime around and became a successful physical trainer and gym owner in Los Angeles.

Nelson met and formed a friendship with Taylor Sheridan, creator and writer of such series as Yellowstone, Landman and the prequels 1883 and 1923. When COVID devastated the gym business and Nelson’s health was failing, Sheridan suggested turning Nelson’s attempt at a screenplay about prison life into a book.