No Dark Horse
Winnipeg-Saskatoon co-production nominated for theatre awards
Advertisement
Read this article for free:
or
Already have an account? Log in here »
To continue reading, please subscribe:
Digital Subscription
One year of digital access for only $205*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.
To continue reading, please subscribe:
Add Free Press access to your Brandon Sun subscription for only an additional
$1 for the first 4 weeks*
- Enjoy unlimited reading on winnipegfreepress.com
- Read the E-Edition, our digital replica newspaper
- Access News Break, our award-winning app
- Play interactive puzzles
*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.
Read unlimited articles for free today:
or
Already have an account? Log in here »
Hey there, time traveller!
This article was published 09/01/2024 (972 days ago), so information in it may no longer be current.
Manitoba’s Shakespeare in the Ruins made a splash one province over on Monday, netting three nominations in the Saskatoon and Area Theatre Awards for The Dark Lady, written by Jessica B. Hill and directed by Rodrigo Beilfuss.
An original performance co-produced by SiR and Shakespeare on the Saskatchewan, The Dark Lady had its world première this past summer at Trappist Monastery Provincial Park, earning raves for its writer-star Hill and her co-star, Eric Blais.
After a successful run here, the production — which explores the story of Emilia Bassano, purported to be the “dark lady” in Shakespeare’s sonnets — moved west to Saskatchewan, where it continued to impress, as evidenced by the SATA nods.
Mike Thiessen / Winnipeg Free Press
The Dark Lady, which featured Jessica Hill and Eric Blais, is up for three SATAs.
Hill, a Montreal-born actor who made herself known to Winnipeg audiences in the PTE-SiR co-production of Pandora in the 2022-2023 season, is one of six nominees for the individual artistic excellence award and one of two finalists for the excellence in new work award.
The Dark Lady, meanwhile, is one of five shows in the running for the production excellence award.
Other productions familiar to Winnipeg audiences were recognized by the SATAs with nominations, including the Ben Caplan-starring, Hannah Moscovitch-penned Old Stock: A Refugee Love Story, which featured during the Winnipeg Jewish Theatre’s 2022-2023 season. That show, a klezmer musical produced by 2b theatre company and presented by Saskatoon’s Persephone Theatre, is up against The Dark Lady in the race for production excellence.
Makambe K. Simamba, the playwright and star of Our Fathers, Sons, Lovers, and Little Brothers, is nominated alongside Hill for the individual artistic excellence award. Last winter, Simamba brought that Dora-winning production, a solo performance about race and identity, to Prairie Theatre Exchange.
Other Manitoban artists involved in the Saskatchewan leg of The Dark Lady production included guitarist George Bajer-Koulack, set and props designer Daina Leitold, costume designer Brenda McLean, and assistant director Emma Welham.
The award winners will be announced on Jan. 21 in Saskatoon.
ben.waldman@winnipegfreepress.com
Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben.
Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben.
Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Related Articles
PTE ‘restructuring’ will include layoffs at season’s end
Advertisement Advertise With Us
Advertisement Advertise With Us
