Bright lights, small city

Luxury and livability

Those in the market for a new luxury home tend to be looking for two things.

First, the home must be unique — which is to say it possesses defining design characteristics that set it apart from other homes. Second, while the home must be different, it also must be livable.

Problem is, many home builders get too focused on fashion, which often makes for a visually arresting home that, sadly, isn’t as functional as it could be.

Fortunately, that’s not the case in Maric Homes’ stunning bungalow show home at 2 Woodland Lane in Headingley’s Forest Grove Estates.

Gilbert Plains Country Club closes for remainder of season due to flood damage

Scott McCallum has made the trek to the Gilbert Plains Country Club clubhouse countless times.

But this was the first time the golf professional and general manager of the course required hip waders to get to his office.

Walking hand in hand with his wife Lindsay, McCallum didn’t need much time to see the devastation caused by the flash flooding in the Parkland region in late June.

“We’re on a river and it’s a beautiful golf course, but anytime you’re on a body of water you know that you’re taking a chance of events like this happening,” McCallum said in a telephone interview. “To this magnitude, we’ve never seen anything like it before. So, this is new to us.

50 years of rare tall grass prairie celebrated

Kristin Bestvater is always glad when she heads to Winnipeg’s St. James neighbourhood and visits the Living Prairie Museum.

“It’s beautiful,” Bestvater said of the 13-hectare site, which is one of the last remaining tall grass prairies in North America. “I don’t know how many other cities would have something like this.”

The Island Lakes resident and her nine-year-old son were among the hundreds of people who gathered at the museum on Saturday to celebrate its 50th anniversary.

Designated a park in 1974, it officially became the Living Prairie Museum in 1976 with the opening of an interpretive centre which houses a gallery of exhibits, a gift shop and an observation deck.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.

Kinder, gentler drug crackdown finds support, tempered expectations in Main Street area

Drawing a lighter from his pocket, a shirtless man perched on a concrete wall outside United Way Winnipeg’s Main Street headquarters heats a substance in a glass pipe and moves the tube toward his mouth.