From soup to Peanuts: MTYP season has it all

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For the first time since before the pandemic began, the Manitoba Theatre for Young People has announced a full seven-show season, set to carry the local institution from 2022 into 2023.

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Hey there, time traveller!
This article was published 01/06/2022 (1603 days ago), so information in it may no longer be current.

For the first time since before the pandemic began, the Manitoba Theatre for Young People has announced a full seven-show season, set to carry the local institution from 2022 into 2023.

Artistic director Pablo Felices-Luna could hardly contain his excitement, given the difficult circumstances the past two years have presented to the theatre world. Over that stretch, the company trepidatiously announced a few shows here and there, facing unrelenting uncertainty. Now, a whole season of planned programming, announced all at once.

The season kicks off in October with an adaptation of Margery Williams’ classic story The Velveteen Rabbit, written by Purni Morell with music by Jason Carr. Felices-Luna calls it a magical tale of friendship, playfulness and imagination.

Tall Stories
The Gruffalo is based on the children’s book by Julia Donaldson.
Tall Stories The Gruffalo is based on the children’s book by Julia Donaldson.

An annual highlight for the theatre is the holiday show, which this year will be a revival of a past favourite, A Charlie Brown Double Bill, featuring excerpts from the hit shows You’re A Good Man, Charlie Brown and A Charlie Brown Christmas; nobody is allergic to Peanuts when served up by Charles M. Schulz.

It’s Okay to Be Different, produced by Windsor, N.S., company Mermaid Theatre, uses innovative puppetry to tell writer Todd Parr’s stories of self-confidence, mindfulness, and commitment to the planet. The Mermaid Theatre’s productions of children’s classics such as Goodnight Moon by Margaret Wise Brown and The Very Hungry Caterpillar by Eric Carle have been performed in front of more than six million people.

Other productions include The Gruffalo, adapted from the children’s picture book about the terrifying and wonderful creatures in an enchanted wood, and Zooom, produced by Adelaide, Australia’s Patch Theatre. Felices-Luna says the show has nothing to do with virtual meetings; it’s inspired by the classic book Harold and the Purple Crayon, and uses original music, lights, lasers and projections to tell a story of technology, creation and imagination.

Cranked: The Remix is a show for teen audiences about a rising hip-hop MC who struggles with substance abuse. Written by Michael P. Northey, the show debuts in November.

Frozen River — produced and written by Michaela Washburn, Joelle Peters and Carrie Costello — tells the story of two 11-year-olds who meet in a forest, and the children’s descendents, who meet in present-day Manitoba. That show, which debuted at MTYP earlier this year after a pandemic delay, will be reprised in February 2023, followed by a provincial and national elementary school tour.

Leif Norman photo
Frozen River, which shows in 2023, premièred in February of this year starring Krystle Pederson, left, and Kathleen MacLean.
Leif Norman photo Frozen River, which shows in 2023, premièred in February of this year starring Krystle Pederson, left, and Kathleen MacLean.

“That is such an amazing thing, especially considering the last few years we’ve had,” said Felices-Luna.

ben.waldman@winnipegfreepress.com

Patch Theatre
Zooom comes from Patch Theatre in Adelaide, Australia.
Patch Theatre Zooom comes from Patch Theatre in Adelaide, Australia.
Leif Norman photo
A Charlie Brown Double Bill returns to MTYP this holiday season.
Leif Norman photo A Charlie Brown Double Bill returns to MTYP this holiday season.
Ben Waldman

Ben Waldman
Reporter

Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press. Born and raised in Winnipeg, Ben completed three internships with the Free Press while earning his degree at Ryerson University’s (now Toronto Metropolitan University’s) School of Journalism before joining the newsroom full-time in 2019. Read more about Ben.

Every piece of reporting Ben produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

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