Attendance numbers down at fringe festival

Advertisement

Advertise with us

The 2019 edition of the Winnipeg Fringe Theatre Festival wrapped Sunday with an overall drop in attendance numbers compared to previous fests. This year, ticketed attendance came in at 98,673, compared to 103,251 in 2018 and more than 105,000 in 2016, the highest Winnipeg fringe attendance yet.

Read this article for free:


By clicking the button above, an account will be created and you will begin to receive some of our recommended newsletters. You may opt out of any newsletter by visiting your Email and Communication Preferences page or by clicking "unsubscribe" at the bottom of any email.

or

Already have an account? Log in here »

To continue reading, please subscribe:

Digital Subscription

One year of digital access for only $1.44 a week*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*Billed as $5.77 plus GST every four weeks. After 52 weeks, price increases to the regular rate of $19.95 plus GST every four weeks. Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 31/07/2019 (2635 days ago), so information in it may no longer be current.

The 2019 edition of the Winnipeg Fringe Theatre Festival wrapped Sunday with an overall drop in attendance numbers compared to previous fests. This year, ticketed attendance came in at 98,673, compared to 103,251 in 2018 and more than 105,000 in 2016, the highest Winnipeg fringe attendance yet.

Not counting the free outdoor performances, the festival had 178 shows in 30 venues over its 12-day run. Sold-out performances numbered 209 out of 1,511 total indoor performances.

Outdoor attendance totalled between 60,000 and 70,000, with close to 5,000 in Kids Fringe attendance.

SASHA SEFTER / WINNIPEG FREE PRESS FILES
A crowd gathers to watch hula-hoop artist Lisa Lottie perform during the Fringe Festival on the Cube stage in the Exchange District on July 20.
SASHA SEFTER / WINNIPEG FREE PRESS FILES A crowd gathers to watch hula-hoop artist Lisa Lottie perform during the Fringe Festival on the Cube stage in the Exchange District on July 20.

The drop came despite consistently good weather; some rain fell, but no day was rained out.

Festival executive director Chuck McEwen attributed the drop to fewer returning five-star-rated shows, such as Josephine.

In previous festivals, “there could be between 25 to 30 five-star returning shows,” McEwen said.

That number dropped to a handful this year, he said. In addition, he said, some hit shows, such as I Lost on Jeopardy at the 90-seat Cinematheque (Venue 7) were limited due to the comparative smallness of the venues, and could have beefed up the attendance numbers if they had played in larger venues.

The festival ran into some problems, with the Red River College and Pantages Theatre venues being unavailable this year.

The fringe compensated with the addition of three new venues, including two utilizing the Portage Place Cinemas. Next year, McEwen said, those venues might not be available as the mall at Portage Place is scheduled to come under new ownership.

At the conclusion of the fest, the Manitoba Association of Playwrights presented the 2019 Harry S. Rintoul Memorial Award for best new Manitoban play to The Cause, by Connor Joseph, Cuinn Joseph and Jacob Herd.

The 2020 Winnipeg Fringe Theatre Festival will run from July 15-26.

randall.king@freepress.mb.ca

Twitter: @FreepKing

Randall King

Randall King
Writer

Randall King writes about film for the Winnipeg Free Press.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

History

Updated on Wednesday, July 31, 2019 9:05 AM CDT: Adds photo

Updated on Wednesday, July 31, 2019 9:58 AM CDT: Removes subhead

Report Error Submit a Tip

More Stories

NDP expects crypto, data centre electricity levy to shave about $50 annually off residential Hydro bills

Chris Kitching 5 minute read Preview

NDP expects crypto, data centre electricity levy to shave about $50 annually off residential Hydro bills

Chris Kitching 5 minute read Updated: Yesterday at 8:36 AM CDT

Revenue from the province’s new electricity levy on cryptocurrency businesses and large AI data centres will go toward offsetting residential bills, rather than the coffers of cash-strapped Manitoba Hydro.

Read
Updated: Yesterday at 8:36 AM CDT

Austen adaptation a handsome, delicate cinematic dance

Alison Gillmour 5 minute read Preview

Austen adaptation a handsome, delicate cinematic dance

Alison Gillmour 5 minute read 4:00 AM CDT

Marianne (Esmé Creed-Miles) can look rather bedraggled in this new version of Jane Austen’s first published novel, which has once again ignited the “loose hair” controversy that has raged among Janeites since the casually coiffed 2005 reimagining of Pride & Prejudice.

Purists might be vexed, possibly even discomfited or discomposed by some of the details in this take on Sense and Sensibility, part of a wave of Austen adaptations and Austen-adjacent material released to mark the 250th anniversary of the writer’s birth.

Would prudent Elinor (Daisy Edgar-Jones) be penning letters to a man to whom she is not engaged? Would even spirited Marianne be running barefoot through the woods?

Possibly not. But if director Georgia Oakley (Blue Jean) and rookie screenwriter Diana Reid don’t adhere to the strict letter of Austen’s work, they catch much of its spirit. This is a vivid and deeply felt examination of the enduring power of sisterhood, which is at the core of not just the 1811 novel, but of Austen’s own life in the profound importance of her relationship with her sister Cassandra.

Read
4:00 AM CDT

A Life's Story: Musician made great contributions, advocated for fellow artists

Conrad Sweatman 7 minute read Preview

A Life's Story: Musician made great contributions, advocated for fellow artists

Conrad Sweatman 7 minute read 6:00 AM CDT

When a University of Manitoba dean came to inform Victor Davies that he was booted from pre-med in the late 1950s, it was — to permit a cliché — music to his ears.

“In his mind, what he heard was much more encouraging. He heard, ‘Follow your own dream. Listen to your own melody. Speak with your own voice,’” says Davies’s daughter, Heather.

Davies, who died at 87 from pancreatic cancer and PLS in late September, was nevertheless about to take a major gamble, one that would eventually earn him an honorary doctorate from the University of Manitoba and a nomination to the Order of Canada.

Few careers are as uncertain as music, and at a time when the composition departments were saying au revoir to tonality, embracing the heavily dissonant styles of France and Germany, Davies was about to go against the grain. He would soon find a new home across the border in Bloomington, Ind., where for four years he studied at Indiana University Jacobs School of Music.

Read
6:00 AM CDT

Puzzles Palace

1 minute read Updated: Yesterday at 12:30 PM CDT

To solve our puzzles, please subscribe with this special offer: |

Convicted harasser accused of targeting old, new victims, including judge

Dean Pritchard 6 minute read Preview

Convicted harasser accused of targeting old, new victims, including judge

Dean Pritchard 6 minute read Thursday, Oct. 15, 2026

Agnieszka Ciochon-Newton, who was sentenced to six years in prison for mercilessly harassing two people she believed had wronged her, as well as other crimes, wasted no time when her sentence ended to launch fresh attacks on victims new and old, including the judge who convicted her, court documents allege.

The 58-year-old former nurse was arrested last month after Winnipeg police “became aware that (Ciochon-Newton) was engaging in aggressive and harassing behaviours again, starting almost immediately upon the expiry of her parole conditions” on May 13, Det. Sgt Kylie Case wrote in search warrant documents obtained by the Free Press.

Ciochon-Newton is charged with seven counts of criminal harassment, two counts of uttering threats and one count each of fraud, breaking and entering, attempting to obstruct justice, intimidation of a justice official, mischief and defamatory libel. She remains in custody.

Search warrant documents say provincial court Judge Keith Eyrikson learned in late August that Ciochon-Newton had emailed CBC Manitoba days earlier and threatened him.

Read
Thursday, Oct. 15, 2026

Attendance numbers down at fringe festival

Randall King 2 minute read Preview

Attendance numbers down at fringe festival

Randall King 2 minute read Wednesday, Jul. 31, 2019

The 2019 edition of the Winnipeg Fringe Theatre Festival wrapped Sunday with an overall drop in attendance numbers compared to previous fests. This year, ticketed attendance came in at 98,673, compared to 103,251 in 2018 and more than 105,000 in 2016, the highest Winnipeg fringe attendance yet.

Not counting the free outdoor performances, the festival had 178 shows in 30 venues over its 12-day run. Sold-out performances numbered 209 out of 1,511 total indoor performances.

Outdoor attendance totalled between 60,000 and 70,000, with close to 5,000 in Kids Fringe attendance.

The drop came despite consistently good weather; some rain fell, but no day was rained out.

Read
Wednesday, Jul. 31, 2019