History rewritten by hateful extremists

Advertisement

Advertise with us

We often think of the past as being immutable, and that sense of what’s done being done carries over to the way we see history. It’s all in the past.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 20/06/2020 (2241 days ago), so information in it may no longer be current.

We often think of the past as being immutable, and that sense of what’s done being done carries over to the way we see history. It’s all in the past.

But as Amy S. Kaufman and Paul B. Sturtevant point out in their new book on how extremists leverage that sensibility to their own ends, it may be true that the past doesn’t change — whereas history, which is the story we tell ourselves about the past, can change a great deal.

And as they argue forcefully with wide-ranging examples, extremist ideologues can play on people’s fuzzy, or stereotypical (and inaccurate) ideas about a particular era to craft dangerous propaganda. These days, that seems to be particularly true for a period that was often looked down upon: the Middle Ages.

Writing in an accessible, engaging style, Kaufman — a scholar of medieval studies and pop culture — and Sturtevant — editor of The Public Medievalist — first explode many myths commonly held about the era, focusing on European history.

As they show, with many examples and sources, medieval Europe was not the sole domain of white Christian men, in which an all-powerful patriarchal Church held sway over everyone’s lives. In fact, over the many centuries dubbed the “Middle Ages” (named after the fact by Renaissance thinkers), European life was a mix of cultures, beliefs, traditions and people.

Women such as Eleanor of Aquitaine wielded formidable political power; Joan of Arc, though later martyred, commanded a military force; and non-Christian peoples including Jews, Muslims, and non-Abrahamic traditions of all kinds lived, traded and sometimes fought with each other. And while medieval conceptions of what we think of as race, gender and sexuality differ from ours, the authors show numerous examples of people from the time who were homosexual, transgender or far from the stereotypical “white” European of modern popular conception.

Why are our current myths about the Middle Ages a problem? As Kaufman and Sturtevant show, they make it easy for modern extremists — whether that be the Ku Klux Klan, Nazis or the Islamic State (IS), among others — to point to an apparently long, proud tradition for their hateful, xenophobic beliefs.

“Using the Middle Ages this way is not only wrong, it is also wrong,” they write. “By that, we mean it’s not just morally reprehensible — it’s also historically inaccurate.”

A supposed progenitor in the so-called “Aryan” race gave the Nazis a pretext for imagining they were superior to, and could therefore wipe out, anyone who was not descended from them. A romanticized, predominantly white and patriarchal vision of the Middle Ages underpinned the formation of the Ku Klux Klan. The Islamophobic England Defence League uses the cross of St. George on its emblem and wear pins featuring the saint as a crusader. Vladimir Putin erected a statue of Prince Vladimir the Great for nationalistic purposes while inciting hatred against immigrants. And recalling a “purer” time gives IS its framework for calling for a new caliphate.

Fortunately for modern society — and unfortunately for single-minded hateful groups — the medieval world was complex, nuanced, diverse and intellectually robust. The Devil’s Historians makes a compelling case for the era as fascinating and worth exploring, for the expert as well as the layperson.

And that kind of truthful, critical exploration of the era is clearly the best antidote against propagandists who would misrepresent it for dangerous, even fatal, purposes.

David Jón Fuller is a Winnipeg writer and copy editor.

 

David Jón Fuller

David Jón Fuller
Copy editor

David Jón Fuller is a copy editor with a lifelong love of writing and working in newspapers.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Champion curler Meleschuk never lost his passion for the game

Joshua Frey-Sam 9 minute read Preview

Champion curler Meleschuk never lost his passion for the game

Joshua Frey-Sam 9 minute read Yesterday at 3:00 AM CDT

At the height of his curling career, Orest Meleschuk balanced ferocity and finesse like almost no one else.

The Winnipeg product was a fierce competitor skilful enough to thread a rock through a window and find the button.

Known as “The Big O,” he curled competitively for over six decades, finding success at the local, provincial, national and global level, and his longevity on the pebble was notable before lengthy careers became the norm.

Meleschuk is still tied with his good friend John Usackis for the most appearances in the Manitoba men’s provincial playdowns, at 30.

Read
Yesterday at 3:00 AM CDT

News briefs for Sunday, August 9, 2026

1 minute read Updated: 10:22 AM CDT

A collection of breaking news briefs filed on Sunday, August 9, 2026

Thompson under boil-water advisory owing to water line work

10:22 AM

The City of Thompson has put in place a precautionary boil-water advisory while crews work to replace a water line.

Puzzles Palace

1 minute read Monday, Jul. 27, 2026

To solve our puzzles, please subscribe with this special offer: |

Fish go cold as Saltdogs put end to franchise record win streak

Staff 1 minute read Preview

Fish go cold as Saltdogs put end to franchise record win streak

Staff 1 minute read Yesterday at 9:17 PM CDT

The Goldeyes went cold for the first time in 13 games Saturday night in Lincoln.

The Saltdogs grabbed a 12-2 win over the visitors, stopping the club’s franchise win streak record at 13.

The Fish still boast a 40-32 record with 27 games left in the regular season. Last year represented a major step back, with a 41-58 record, which led to missing the playoffs entirely. This season, the club has its sights set on first place in the division.

The Goldeyes wrap up the road series on Sunday, with first pitch scheduled for 1:05 p.m. The Fish are back at Blue Cross Park on Tuesday, hosting the Sioux Falls Canaries to begin a six-game homestand.

Read
Yesterday at 9:17 PM CDT

A measure of hope a decade after senseless death, injustice

Niigaan Sinclair 5 minute read Preview

A measure of hope a decade after senseless death, injustice

Niigaan Sinclair 5 minute read Friday, Aug. 7, 2026

I’m a few hundred kilometres from the farm near Biggar, Sask. — the place where 22-year old Colten Boushie from Cree Red Pheasant First Nation was shot and killed by farmer Gerald Stanley precisely 10 years ago.

“You need to remind people about the 10-year anniversary,” a nearby, rural school principal tells me at the education conference I just finished speaking at.

“That death is a wound that continues to bleed in all of us,” a principal from Regina adds. “I hear about it from our students all the time.”

On Aug. 9, 2016, Boushie’s death entered the Canadian consciousness, representing what then-Saskatoon mayor Charlie Clark declared “a defining moment for this community and this country.”

Read
Friday, Aug. 7, 2026

The view from here: Phyllis Green. Boob Tree, 1975

2 minute read Preview

The view from here: Phyllis Green. Boob Tree, 1975

2 minute read Yesterday at 2:01 AM CDT

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.

Read
Yesterday at 2:01 AM CDT