Local food lore on book club menu tonight

Winnipeg Book Festival starts a new chapter

Once known as Thin Air, the 2026 Winnipeg Book Festival marks a new chapter heading into its 29th year celebrating fiction, non-fiction and poetry with a new name, new staff and a shorter, more streamlined fest based at The Forks.

Thursday kicks off with a festival blessing and two events with Indigenous authors. Story Lodge (noon to 2 p.m.) features two videos from the new series by Rosanna Deerchild and Kim Wheeler profiling Indigenous authors working in a range of genres. From 3 to 4 p.m., a quartet of children’s authors will discuss the importance of storytelling and Indigenous languages and culture. The Love Local event on Thursday at 6 p.m., brings together a trio of Winnipeg authors — C.C. Benison, Philipp Schott and Margaret Sweatman — all working in different genres.

On Friday at noon, Niigaan Sinclair, Noé Préfontaine and Anna Dewar will discuss author Elaine Dewar’s posthumously released Oblivious, which explores the dark legacy of Canada’s residential schools and segregated hospitals. That event will be followed at 1:30 p.m. by a panel including Samantha Beiko, Ericka Fiddler and Kirsten Wurmann talking about a forthcoming graphic novel from the Prison Libraries Committee.

Aspiring writers will want to attend the 7x7 event Friday at 3 p.m., featuring seven speakers (including author Zilla Jones, publisher Kyla Neufeld and Chris Hall of McNally Robinson) each offering seven-minute presentations about writing and publishing. Both Saturday and Sunday kick off with river walks with writers at 10 a.m.

What does the PC stand for in party’s name? Seems to be Pretty Confused

It should have been obvious from the beginning that the Manitoba Progressive Conservative party was going to have trouble holding itself together under Obby Khan.

Obsessed stalker who shot, killed young woman at bus stop in 1993 dies behind bars at age 74

A Winnipeg man who stalked a woman for several years before shooting her dead in the street in 1993 has died in Stony Mountain prison.

On Monday, 74-year-old Ronald Edd Bell died of apparent natural causes at the federal prison just north of Winnipeg, the Correctional Service of Canada said.

Bell had been in prison since May 30, 1994, when he was given a life sentence with no chance of parole for 18 years for killing Terry-Lyn Babb, 25, on Jan. 21, 1993.

Bell walked up behind an unsuspecting Babb, who was waiting at a bus stop at Sherbrook Street and Wolseley Avenue, and shot her in the head with a pistol in front of horrified witnesses, says the Free Press report of his sentencing hearing.

Acquisition of former residential school grounds will help educate future generations: premier

Premier Wab Kinew says a former Brandon-area campground acquired by the province will help educate future generations about the horrors of residential schools.

“We live in an era where people are trying to deny what happened in residential schools,” Kinew said during a Tuesday afternoon visit to Turtle Crossing Campground, near the former Brandon Indian Residential School. “It’s an important part of our national history, and keeping that truth alive.”

Kinew officially announced the province’s plan Tuesday, in partnership with the City of Brandon, to acquire and protect the site where the bodies of more than 50 Indigenous children are located.

The premier said the property has “huge national significance” for education about residential school history because it is one of the “most documented” in the country. He carried photographs, and some 20th century newspaper clippings from the Brandon Sun around the site Tuesday.

Psychological drama pairs parables to ask big questions

The Bloody Theatre is an apt title for playwright Steven Ratzlaff’s latest work, a twisty parable of faith, fortune and consequence that required the crew to familiarize themselves with several tools of torture.

Some of those implements have been Frankensteined together by sound designer and musician Jesse Krause, including a “torture cello,” whose warping wails serve as a sonic stand-in for creaking floorboards, swinging doors and instances of suffering that director Bill Kerr knew would be too visceral to be shown onstage.

The Bloody Theatre isn’t necessarily a Halloween story, but with its blend of religious parable, historical martyrdom and psychological drama, it fits right into spooky season.

Produced by local collective Untimely Theatre, Ratzlaff’s script examines principles of communal responsibility, juxtaposing the present-day journey of an unhoused — by choice — Winnipeg woman named Heidi (Sarah Constible) with a verbatim staging of Martyr’s Mirror of the Defenseless Christians, a 17th-century Dutch text that includes heresy trial transcripts detailing the suppression of Anabaptist beliefs under Lutheran, reform or Catholic majorities in Europe.