Man writes dog’s rising role as human companion

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For Thomas Wharton, there’s more to a dog’s life than sit, stay, heel. Much more.

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For Thomas Wharton, there’s more to a dog’s life than sit, stay, heel. Much more.

In his latest book, the Alberta author is in familiar territory writing across different historical eras. His first, the award-winning 1994 literary novel Icefields, bridged the 19th and 20th centuries; his 2023 sci-fi tale The Book of Rain dealt with disruptions to time and space.

Here, he begins in prehistory with the first wolf to check out a human campfire and give these strange two-legged creatures a chance. The wolf-to-dog’s spirit returns over the ages, from ancient Greece and Egypt, to 13th-century China, to late medieval France, to 19th-century England, as well as the modern era and an imagined future.

Wolf, Moon, Dog

Wolf, Moon, Dog

The emerging theme is that we not only turned wolves into dogs, they made us more fully human.

Wharton takes the reader to canine incarnations both familiar and surprising. He casts three-headed Cerberus, guardian of the Greek underworld, as a rescue. He illuminates the thoughts, feelings and confusion of Laika, the first living creature to orbit the Earth.

Wharton also deftly switches tone and style in different genres, not surprising given he’s also the successful YA fantasy author of the Perilous Realm trilogy.

A 15th-century trial is shown via court proceedings. It’s clear the defendant, a dog named Wolf, has no idea what’s going on. After the magistrate elucidates the serious crimes of “wanton murder” of hens and a rooster, and biting a stonemason on his posterior, we see the judge doesn’t understand the dog either.

WOLF: Hello! I need to pee.

MAGISTRATE: Court Clerk, have it entered into the record that the hound named Wolf just growled menacingly at this bench. Advocate for the accused, restrain your client.

ADVOCATE BARTHÉLMY: That was not a growl, Your Honour. It was more of an excited whine.

A different “story” consists entirely of disconnected things humans say to dogs, regardless of whether the latter could possibly understand. Interrogative: “What have you got in your mouth? What is that? Drop it right now!” Diplomatic: “I would appreciate it if you would stop arranging the pillows.” Candid: “Honestly, if it wasn’t for you I’d be lying dead in a ditch somewhere.” Unnerved: “When you stare at the wall like that it really freaks me out.”

Although many narratives are leavened with humour, not all are lighthearted or satirical.

Wharton doesn’t gloss over the worst uses to which we’ve put dogs. The microfiction piece Good Dog is a gut-punch. “Here there was one rule above all, and though it went against his deepest instinct, he learned to act on it without hesitation. The humans who worked in the fields were not humans.”

Wharton’s belief that we cultivated something gentler in wolves is balanced by his argument that they encouraged the cooperative and generous aspects of our species — though it’s clear he sees human kindness and morality as a struggle in progress.

In one story, a dog from our time is told by those from the far-flung future: “We wouldn’t have existed without them, and without us they never would have grown past (their primitive selves).” And in millennia of using dogs for hunting, herding, war, experimentation, “Over and over again, humans reinvented the dog, and the meaning of the dog for themselves.”

Wharton doesn’t end on a down note, however; he picks up the first tale (tail?) once more at the end, prodding the reader to consider this timeless interspecies bond.

This is a book for the avowed the dog-lover, yes, but also for those who just don’t “get” dogs — it makes a strong case why the two species are better off together.

David Jón Fuller is a Winnipeg writer, editor and “dog person.” His debut novel, Venue 13, is forthcoming in 2026 from Turnstone Press.

David Jón Fuller

David Jón Fuller
Copy editor

David Jón Fuller is a copy editor with a lifelong love of writing and working in newspapers.

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