Celebrities
Aziz Ansari ready for ‘Good Fortune’ after controversies and a Keanu Reeves injury
5 minute read Updated: 1:30 PM CDTTORONTO - By the time Keanu Reeves suffered an injury on the set of “Good Fortune,” Aziz Ansari had faced enough setbacks to make his film’s title sound ironic.
Ansari’s first stab at directing a feature, “Being Mortal,” was shut down in 2022 after its star Bill Murray was accused of misconduct on set. Then his next attempt, “Good Fortune,” was put on hold during the Hollywood strikes.
And just as production finally picked up again, Reeves took a tumble in the least cinematic way possible.
“He had some bad fortune on set. He broke his kneecap. He fell down going back to his dressing room,” Ansari says during an interview when the film premiered at the recent Toronto International Film Festival.
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3 minute read Preview Updated: 3:08 PM CDTToby Talbot, leading patron of art house film, dies at 96, report says
5 minute read Updated: 6:29 PM CDTNEW YORK (AP) — Toby Talbot, a great patron of art house cinema who with her husband, Dan, helped introduce movie lovers to celebrated works from Jean-Luc Godard,Pedro Almodóvar and hundreds of other international filmmakers and to American favorites old and new, has died at age 96.
Talbot died Sept. 15 at her home in Manhattan, The New York Times reported Monday. The cause was complications from Guillain-Barré syndrome, an autoimmune disease.
The Talbots, through their distribution company, New Yorker Films, and such prominent Manhattan theaters as The New Yorker and Lincoln Plaza Cinemas, were a prolific force behind the transformation of movies in the 1960s and '70s from popular entertainment to an art form regarded with the seriousness of literature or painting. Martin Scorsese, Pauline Kael, Wim Wenders and Susan Sontag were among their many friends and customers, turning up for the latest Godard release, a documentary about Sen. Joseph McCarthy or a double feature of Cary Grant movies.
“The New Yorker was a very special place. It was a place of communion, where the customers, the owners, the programmers, and the filmmakers seemed to be part of the same family,” Scorsese wrote in the foreword to Toby Talbot's memoir, “The New Yorker Theater,” which came out in 2009. “Dan and Toby were right there on the front lines, showing films ... distributing films, sticking their neck out on pictures by Godard and Bertolucci and Fassbinder and Straub and Huillet and Oshima and Sembene.”
Nobel laureate Philippe Aghion says creative upbringing shaped his vision of innovation and freedom
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