November 16, 2018

Winnipeg
-9° C, Partly cloudy

Full Forecast

Advertisement

Advertise With Us

Laconic, sardonic look at Syrian refugee life

Hey there, time traveller!
This article was published 8/12/2017 (343 days ago), so information in it may no longer be current.

Both melancholy and mordantly funny, if sometimes slightly slack, Aki Kaurismaki’s tale of the unexpected connection between a Syrian refugee and a Helsinki shirt salesman sees the sad-sack Finnish auteur (Leningrad Cowboys go America, The Man Without a Past) operating at peak deadpan.

Kaurismaki’s resolutely minimalist narrative runs in two parallel streams.

The Other Side of Hope (in Finnish, Swedish, Arabic and English, with subtitles) begins with Khaled (Sherwan Haji), a young Syrian man who barely got out of Aleppo alive, rising from a coal heap on a freighter that has just docked in Helsinki. Walking into the city centre, he tells a policeman he wants to apply for refugee status.

Meanwhile, Wikstrom (Kaurismaki regular Sakari Kuosmanen), a beige-looking middle-aged man, is ending his marriage. Placing his keys and his wedding ring on the kitchen table where his wife is drinking her morning vodka, he takes his wordless leave. A nearby cactus seems to comment on the arid state of things.

Get the full story.
No credit card required. Cancel anytime.

Join free for 30 days

After that, pay as little as $0.99 per month for the best local news coverage in Manitoba.

 

Already a subscriber?

Log in

Join free for 30 days

 

Already a subscriber?

Log in

Subscribers Log in below to continue reading,
not a subscriber? Create an account to start a 30 day free trial.

Log in Create your account

Your free trial has come to an end.

We hope you have enjoyed your trial! To continue reading, we recommend our Read Now Pay Later membership. Simply add a form of payment and pay only 27¢ per article.

For unlimited access to the best local, national, and international news and much more, try an All Access Digital subscription:

Thank you for supporting the journalism that our community needs!

Your free trial has come to an end.

We hope you have enjoyed your trial! To continue reading, we recommend our Read Now Pay Later membership. Simply add a form of payment and pay only 27¢ per article.

For unlimited access to the best local, national, and international news and much more, try an All Access Digital subscription:

Thank you for supporting the journalism that our community needs!

We hope you have enjoyed your free trial!

To continue reading, select a plan below:

All Access Digital

Introductory pricing*

99¢

per month

  • Unlimited online reading and commenting
  • Daily newspaper replica e-Edition
  • News Break - our award-winning iOS app
  • Exclusive perks & discounts
Continue

Read Now Pay Later

Pay

27¢

per article

  • Commitment-free
  • Cancel anytime
  • Only pay for what you read
  • Refunds available
Continue

*Introductory pricing schedule for 12 month: $0.99/month plus tax for first 3 months, $5.99/month for months 4 - 6, $10.99/month for months 7 - 9, $13.99/month for months 10 - 12. Standard All Access Digital rate of $16.99/month begins after first year.

We hope you have enjoyed your free trial!

To continue reading, select a plan below:

Read Now Pay Later

Pay

27¢

per article

  • Commitment-free
  • Cancel anytime
  • Only pay for what you read
  • Refunds available
Continue

All Access Digital

Introductory pricing*

99¢

per month

  • Unlimited online reading and commenting
  • Daily newspaper replica e-Edition
  • News Break - our award-winning iOS app
  • Exclusive perks & discounts
Continue

Mon to Sat Delivery

Pay

$34.36

per month

  • Includes all benefits of All Access Digital
  • 6-day delivery of our award-winning newspaper
Continue

*Introductory pricing schedule for 12 month: $0.99/month plus tax for first 3 months, $5.99/month for months 4 - 6, $10.99/month for months 7 - 9, $13.99/month for months 10 - 12. Standard All Access Digital rate of $16.99/month begins after first year.

We hope you have enjoyed your free trial!

To continue reading, select a plan below:

All Access Digital

Introductory pricing*

99¢

per month

  • Unlimited online reading and commenting
  • Daily newspaper replica e-Edition
  • News Break - our award-winning iOS app
  • Exclusive perks & discounts
Continue

Read Now Pay Later

Pay

27¢

per article

  • Commitment-free
  • Cancel anytime
  • Only pay for what you read
  • Refunds available
Continue

*Introductory pricing schedule for 12 month: $0.99/month plus tax for first 3 months, $5.99/month for months 4 - 6, $10.99/month for months 7 - 9, $13.99/month for months 10 - 12. Standard All Access Digital rate of $16.99/month begins after first year.

We hope you have enjoyed your free trial!

To continue reading, select a plan below:

Read Now Pay Later

Pay

27¢

per article

  • Commitment-free
  • Cancel anytime
  • Only pay for what you read
  • Refunds available
Continue

All Access Digital

Introductory pricing*

99¢

per month

  • Unlimited online reading and commenting
  • Daily newspaper replica e-Edition
  • News Break - our award-winning iOS app
  • Exclusive perks & discounts
Continue

*Introductory pricing schedule for 12 month: $0.99/month plus tax for first 3 months, $5.99/month for months 4 - 6, $10.99/month for months 7 - 9, $13.99/month for months 10 - 12. Standard All Access Digital rate of $16.99/month begins after first year.

Hey there, time traveller!
This article was published 8/12/2017 (343 days ago), so information in it may no longer be current.

Both melancholy and mordantly funny, if sometimes slightly slack, Aki Kaurismaki’s tale of the unexpected connection between a Syrian refugee and a Helsinki shirt salesman sees the sad-sack Finnish auteur (Leningrad Cowboys go America, The Man Without a Past) operating at peak deadpan.

Kaurismaki’s resolutely minimalist narrative runs in two parallel streams.

The Other Side of Hope (in Finnish, Swedish, Arabic and English, with subtitles) begins with Khaled (Sherwan Haji), a young Syrian man who barely got out of Aleppo alive, rising from a coal heap on a freighter that has just docked in Helsinki. Walking into the city centre, he tells a policeman he wants to apply for refugee status.

Meanwhile, Wikstrom (Kaurismaki regular Sakari Kuosmanen), a beige-looking middle-aged man, is ending his marriage. Placing his keys and his wedding ring on the kitchen table where his wife is drinking her morning vodka, he takes his wordless leave. A nearby cactus seems to comment on the arid state of things.

Selling up his vaguely 1970s stock of shirts, Wikstrom enters a high-stakes poker game and — Kaurismaki regulars being poker-faced by definition — manages to win a packet of money. He insists on investing the cash in a seedy, rundown restaurant, complete with an old-school jukebox, an incongruous Jimi Hendrix painting and several sad staff members. This very Kaurismakian collection of oddballs includes a lugubrious uniformed doorman, an undermotivated cook who can sleep standing up and a small dog.

SUPPLIED</p><p>Refugee Khaled Ali (Sherwan Haji, from left), Mirja (Nuppu Koivu), Nyrhinen (Janne Hyytiainen), Waldemar Wikstrom (Sakari Kuosmanen) and Calamnius (Ilkka Koivula) discuss restaurant business in The Other Side of Hope.</p>

SUPPLIED

Refugee Khaled Ali (Sherwan Haji, from left), Mirja (Nuppu Koivu), Nyrhinen (Janne Hyytiainen), Waldemar Wikstrom (Sakari Kuosmanen) and Calamnius (Ilkka Koivula) discuss restaurant business in The Other Side of Hope.

Somewhere near the middle of the film, the two narratives meet, when Khaled, denied asylum and forced underground, ends up working at the restaurant. Kaurismaki offers a typically understated vision of a Utopian society, in which mediocre cooking, good music and common humanity offer a temporary refuge from unfeeling officials and roving gangs of neo-Nazis.

The film’s distinctive style has a weird precision. The art direction is eccentric. The performances are low-energy. The dialogue is slow and sparse.

The setting is clearly contemporary, dealing with the Syrian war and the refugee crisis, but there are deliberately archaic touches.

Kaurismaki likes to construct his own little world, where people tap away at manual typewriters and smoke their heads off in public places. (One suspects this is a wry Kaurismakian joke: Finland actually enforces some of the toughest anti-smoking policies in Europe.)

Walking a tricky tonal tightrope between comedy and tragedy, Kaurismaki occasionally falls off. The characters’ ill-fated attempt to reinvent themselves as a sushi restaurant feels like a misfire.

On the other hand, the low-key approach to violence and horror, most of which occurs off-screen, can be very effective. When Khaled speaks of the rocket attack that killed most of his family and destroyed his home, he is reporting dispassionately to an immigration official. Somehow, this restraint makes his account even more devastating.

The Other Side of Hope is also a social-issue film that refuses to be didactic. (The only thing Kaurismaki is doctrinaire about is guitar music, which keeps popping up at the oddest times, in bursts of Nordic rockabilly and old-style country and western.)

Khaled and his friends and family members repeat several times that they have been helped on their way "by good people."

Institutions, organizations and governments in this story are callous, if not outright cruel.

Instead, Kaurismaki places his hope in individuals, his sad but tender story making a modest and much-needed case for the value of simple human kindness.

alison.gillmor@freepress.mb.ca

Alison Gillmor

Alison Gillmor
Writer

Studying at the University of Winnipeg and later Toronto’s York University, Alison Gillmor planned to become an art historian. She ended up catching the journalism bug when she started as visual arts reviewer at the Winnipeg Free Press in 1992.

Read full biography

Advertisement

Advertise With Us

You can comment on most stories on The Winnipeg Free Press website. You can also agree or disagree with other comments. All you need to do is be a Winnipeg Free Press print or digital subscriber to join the conversation and give your feedback.

Have Your Say

New to commenting? Check out our Frequently Asked Questions.

Have Your Say

Comments are open to The Winnipeg Free Press print or digital subscribers only. why?

Have Your Say

Comments are open to The Winnipeg Free Press Subscribers only. why?

The Winnipeg Free Press does not necessarily endorse any of the views posted. By submitting your comment, you agree to our Terms and Conditions. These terms were revised effective January 2015.

Advertisement

Advertise With Us