Rihanna delivers unapologetic performance
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Hey there, time traveller!
This article was published 25/03/2013 (4909 days ago), so information in it may no longer be current.
The opening minutes of the concert came late, very late for such an important date, but if this brought any stress to a superstar’s life she kept it hidden behind a ferocious gaze. See, Rihanna’s latest album is called Unapologetic, and so Rihanna did not apologize.
Instead, the 25-year-old megastar pursed her mulberry-painted lips to the crowd. They greeted her with a rolling cheer mixed with equal parts excitement and relief, and she smiled. “I just want everybody to say, ‘f–k customs,’” Rihanna said, and the crowd kind of roared.
See, the trucks carrying the luxurious stage for Rihanna’s Diamonds Tour were late, held up — the singer Tweeted earlier in the day — at the border. Because the stage was late, the show was late, and 13,000 people waited at the MTS Centre for almost 90 extra minutes for the feisty pop diva to take the stage.
Opener ASAP Rocky knocked out his set, and fans had a little hope, and then at 10:51 p.m. the lights finally went out. And there she was, clad in an embroidered Givenchy cloak and standing alone at the front of the stage, and she started to sing: a little intro, and then Phresh Out the Runway, and all the sauce and sass that tune could bring.
So it was on, then, it happened, just a little less as planned. “Right off the top, your energy is f—ing incredible,” Rihanna said, after wrapping up Talk That Talk. “It’s 11 o’clock at night… every last one of you showed up, and you stayed, you make this s—t possible. Thank you so much, I love you… Winnipeg’s always so special to me. This next song is just for you.”
It wasn’t just for us, really — Pour It Up is a regular song on the tour — but the logistics of big pop spectacles don’t lend themselves to spontaneity. Or to authenticity, and maybe it’s the late night talking, but it seemed that fans who waited so long deserved better than to see her standing with her eyes closed, half-singing 2007 hit Umbrella while a vocal track shouldered most of the load.
It wasn’t the only time that happened, though the singer battled laryngitis earlier this month and is likely still fighting to get her voice back to its top and sparkling form.
There was the way her hips, clad in a costume parade of leather and red stretch fabric and sometimes nothing at all, undulated to the beat. There were the jets of flame that exploded up from the faux-marble stage during the wrenching ballad What Now. She sang that song beautifully, sweat arcing down a brow contorted from the passion of it all.
There were many of these striking little moments. Robyn Rihanna Fenty is a powerful woman, and a born performer; she knows how to be seen.
Here’s something interesting, though: for all the eye candy on the stage and on her wardrobe rack, for all the dancers twisting and thrusting around the edges of her spotlight, she came most alive in the closing minutes of the show, when she plunged down into the crowd during party-starter We Found Love. She stayed there deep into the throbbing beats of S&M.
There, in the heart and the heat and sweat of it all, she shimmied her hips and grinned. It was the first time in over 70 minutes that nothing in that smile seemed to hint that it was just for show. Surrounded by her fans, she looked the most exquisitely free.
That moment, it was worth waiting for.
As was this: after a hit-mix dance party to close the main set, Rihanna returned to the stage in a glittering silver outfit, and stood alone at the microphone. Her voice purred through a pretty and perfect rendition of Stay, and then she turned to the crowd and spoke to them again: still no apologies, but just a sweet farewell.
“I can’t thank you enough for just staying here and making the show possible,” she said, and her voice caught a little bit as the lights came up on 13,000 glowing faces. “I won’t forget you for this. Thank you so much. You are a unique group of human beings. I love you.”
Fans in Winnipeg greeted superstar Rihanna with deafening cheers when she hit the stage at the MTS Centre on March 25.
Melissa Martin
Reporter-at-large
Melissa Martin reports and opines for the Winnipeg Free Press.
Every piece of reporting Melissa produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
Melissa Martin
Reporter-at-large
Melissa Martin reports and opines for the Winnipeg Free Press.
Every piece of reporting Melissa produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.
Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.
Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.
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History
Updated on Tuesday, March 26, 2013 12:49 AM CDT: updates with full review
Updated on Tuesday, March 26, 2013 10:29 AM CDT: adds slideshow, replaces photo
