Adele’s 25: review
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Hey there, time traveller!
This article was published 20/11/2015 (3939 days ago), so information in it may no longer be current.
FROM the start, British singer Adele established herself as more than just a pretty voice. Though she’s blessed with a resonant alto that stretches to gleaming heights, what has made her stand out is her instincts, her willingness to jump into a song heart-first. Where many pop stars are concerned with projecting attitude, Adele understands the value of unfettered emotion.
Judging by 25, the four years since Adele’s last studio album have provided plenty of fodder in this arena. Titled, like her previous efforts, for the age that inspired the record, her third release at first suggests an artist closer to 35, or even a decade older. There’s a recurring sense of youth flying by, or a longing as if it’s already passed.
The stark opening piano chords of first single Hello set an almost funereal tone. “Hello from the other side,” she belts, sounding a tad less husky than in the past, perhaps as a result of her surgery following vocal problems. But she’s as strong and as vulnerable as ever, her voice sometimes threatening to break at the end of a note, only to come back in full, aching force.
On A Million Years Ago, a bit of melancholic nostalgia that could be a lost Jacques Brel tune, she remembers when “life was a party to be thrown.”
The co-writers and producers on 25 craft tracks that sound lush but are also spacious, wisely keeping Adele’s vocals in front — even on more muscular numbers such as the galloping Water Under the Bridge.
The album ends on an uplifting note, with the chiming Sweetest Devotion, a love song to Adele’s three-year-old son. “I’ve been looking for you, baby, in every face that I’ve ever known,” she sings.
Take heart, aging kids: Maturity and responsibility have their rewards as well. ‘Ö’Ö’Ö’Ö
— Elysa Gardner, USA Today