A Canadian story

Kusama embraced dots which crowded her vision

In 2012, just as I was leaving the Tate Modern in London, I noticed an exhibition that I had nearly missed: The Obliteration Room by Yayoi Kusama, the famed Japanese artist with the bright-red bob known for her use of repetition and polka dots.

I had read about this exhibition but had no idea it was on while I was in the U.K. Conceived as an interactive exhibition for children and first put up at the Queensland Art Gallery in 2002, it begins as a monochromatic white room, furnished with all-white furniture and objects that visitors are then encouraged to cover with the multi-coloured dot stickers they are given on entry.

The idea is that, over weeks, the pristine room becomes “obliterated” by dots of colour.

Obviously, I beelined for it. I was handed my sheet of stickers, all different sizes of circles, and sent to add to a work that hundreds of people had already contributed to.

Of frogs, roses, kings and a Great Lake

A rose by any other name would smell as sweet, as the saying goes. Basically, if you change something’s name, you don’t actually change the nature of the thing.

That being said, if even 15 years ago an American president had called an entire news conference to announce he was renaming one of the Great Lakes by writing on a map with a red pen and issuing an executive order purporting to rename Lake Ontario as “Lake America,” all and sundry would question his mental health.

Maybe, after witnessing so much from Donald Trump, we’ve all just been hardened off and the foolish is now expected daily. Perhaps it’s the political equivalent of the fable of the boiling frog.

As the fable goes, drop a frog into a pot of boiling water and it will jump right out. But put the frog in room temperature water and bring the pot to a boil, the frog will stay until its death. (It’s unlikely the frog would actually wait.)

Catch the Devil follows serial con man preying on victims along the Gulf Coast — then repatedly duping law enforcement

The debut book from Pamela Colloff, a Texas-based investigative reporter for ProPublica and staff writer for the New York Times Magazine, complicates romantic notions of the scam artist and invites readers to reflect on the systems that enable them.

Motion seeks to remove longtime head of Southern Chiefs’ Organization due to ‘behaviour’ concerns

For the second time in a year, the leadership of Southern Chiefs’ Organization Grand Chief Jerry Daniels is being called into question.

A motion obtained by the Free Press calls “immediately” for a special summit of the 33 SCO chiefs to consider removing Daniels, who’s been at the helm since 2017.

The Aug. 17 motion, put forward by Lake Manitoba First Nation Chief Cornell McLean and Bloodvein First Nation Chief Lisa Young, cites concerns about “governance, leadership, accountability, transparency, organizational decision-making and confidence of member Nations in the current leadership of the organization.”

McLean would not provide specific examples Wednesday but said the “behaviour” of Daniels is a concern.

Frank Kriz was always willing to lend a hand to someone in need

Frank Kriz never wore a halo or wings, but talk to the many people he helped during his life and you would swear the man was a real-life angel.

For those who were fortunate enough to call him friend, he was always there to lend a hand, whether it was helping fix a wiring issue in someone’s house or organizing a group camping trip.

“He lived for other people, for helping other people,” says close friend Brian Turner.

“He was a very special guy that way. There’s no one like him that I know. Everyone has a little piece of him, in a sense, with how he fixed something for them or helped them out with something. That was his legacy.”

A Canadian story

What makes a Canadian a Canadian? And what makes an immigrant an immigrant? And while it’s possible, and very common, to be both, is there an emotional process that makes a person feel more like one than the other?

For Canadian actor Peter Keleghan, these are vexing questions — not because he’s unsure about where his heart’s loyalty lies, but because he’s spent a lifetime trying to understand why his parents think and feel the way they do.

Keleghan, one of this country’s most recognizable and constantly employed actors with credits that range from The Newsroom, The Red Green Show and Made in Canada to Murdoch Mysteries and Workin’ Moms, steps out of the scripted-TV realm this week to engage in a documentary exploration of his family’s roots and motivations.

Once an Immigrant, which airs Thursday, Jan. 12, at 9 p.m on CBC’s Firsthand, follows the Quebec-born performer as he seeks a deeper understanding of his parents’ very different immigrant experiences in order to more fully appreciate the way they view the country they call home.