Helicopter pilot helping Alaska firefighters dies in crash

Tenants slam Alta.-based landlord, protest rent increases

Charlie Medd wasn’t ready for another adventure last October, when she moved out of the Wolseley Avenue apartment she had called home for 15 years.

Medd said life at Lincoln Apartments began to change after Wingspan Properties, an Alberta-based landlord, bought the building, made minor cosmetic changes and increased rent. She felt the changes were intended to push renters — many of them on fixed incomes — out the door.

“At some point, I got scared. I’d been there 15 years,” Medd said about the threat of rent increases. “I’d just painted my whole apartment. But when I heard that there’s going to be that many people homeless, I thought, ‘I’m too old for another adventure.’

“It felt like you were getting a nudge out the door. Like, ‘Yeah, we’re going to be doing this, and your rent is going to go up every year.’”

Unhappy Dynacare staff refuse OT shifts; doors could be closed at clinics with Saturday hours

Some Winnipeg Dynacare sites normally open on Saturday were closed last week, and may continue to be because staff are refusing to pick up overtime shifts after they were forced back to work amid a labour dispute with the company.

Positive anticipation is growing about major housing developments underway in Winnipeg’s downtown

If traffic is light and the wind is down, Somia Sadiq is able to hear the roar of Winnipeg Jets fans twice: first through her window, then on TV.

From her apartment view high above downtown, she can look out at Graham Avenue’s painted pedestrian landscape, see construction cranes and hear the heavy equipment at work as massive housing projects take shape at The Forks, at what used to be Portage Place shopping centre and at the former Hudson’s Bay building.

Sadiq has lived at 300 Main for 2 1/2 years, a few steps from the city’s famous, windy and reopened-to-pedestrians Portage Avenue intersection. At 42 storeys, it’s the tallest building in Winnipeg.

She is among 18,000 downtown residents who will soon be joined by thousands of others attracted to the city’s core by the new wave of major construction projects.

Portage Avenue stabbing victim staggered into nearby store for help

A 46-year-old man stabbed on Portage Avenue Wednesday afternoon is in hospital after staggering, bloodied, into a nearby dollar store.

Police said the man was confronted by several people on the 300 block of Portage shortly before 6 p.m. and was stabbed with an unknown weapon. He was helped by people inside the store until police and paramedics arrived.

The man was rushed to hospital in unstable condition but was later upgraded to stable, the Winnipeg Police Service said.

WPS Const. Claude Chancy said Friday that police were still attempting to speak with the victim, and it was not yet clear if the attack was random. No arrests have been made.

Klein wants city-run, maintained ‘bridge’ space for homeless people

Mayoral candidate wants city to set up a 24-hour community space pilot project for homeless Winnipeggers

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.