Afghanistan attends U.N. climate talks for first time since Taliban return to power

Gillingham talks trash, pledges big bin boost

Scott Gillingham says he would add hundreds of locked garbage bins downtown to prevent unsightly trash piles if re-elected as mayor.

Gillingham led a program that added about 120 locked garbage bins along Portage Avenue and Main Street last fall, after trash was repeatedly strewn around the area. If he wins a second term, he plans to add at least 200 more of the receptacles.

A look at how one locked Main Street recycle/garbage bin in front of city hall fared offers an example of the bins’ success so far, he said.

“Every day, you would see the lids up, and people had been rifling through it, or someone left the lid up and the wind picked up the garbage and (spread) it everywhere. It’s much more difficult now. Once the garbage is in, the garbage stays in,” said Gillingham.

As political jockeying begins, don’t forget job No. 1

The goal, for all parties in a democracy, is to make the best legislation and bring in the strongest policy forward for voters and citizens.

Transit, roads and city council’s priorities

Did any of you happen to notice that the week of Sept. 14 marked an interesting confluence of events in Winnipeg? First up was the mayoral debate on public transit. Second was an announcement that the city would be undertaking a survey to determine whether their citizens’ “transportation needs” are being met.

The debate on our public bus system, from which our current Mayor Scott Gillingham was tellingly absent, focused primarily on safety rather than the efficiency of the system.

Which, on one level, is no great surprise.

After all unlawful incidents on buses and at transit stops have increased by 280 per cent compared to levels recorded around 2016. Moreover, the candidates were primarily speaking to the bus drivers’ union that organized the event, and bus drivers are often the victims of violent episodes.

Time for AI guardrails is right now

The genie is most definitely out of the bottle.

And while there’s little chance of putting it back in, we should be very concerned that the people who released it from the bottle are now frantically warning us that it has become disinclined to do their — or our — bidding and seems instead to be increasingly intent on following its own whims and granting wishes to itself.

The figurative genie, in this case, is artificial intelligence, or AI, and in recent weeks many of the tech geniuses responsible for its development and introduction into the digital-information realm have begun asking the U.S. government and even the United Nations to impose limits on the pace and breadth of its growth.

Their fear is that, as AI very quickly continues to advance and develops the ability to make independent decisions and essentially think for itself, it will cease to be a tool controlled by its creators and instead will become a species unto itself that might eventually decide it’s better off without humans continually messing things up.

Thriller has steam to spare, but story slogs

Based on a 2018 book by hugely popular, wildly polarizing author Colleen Hoover (whose novels It Ends with Us, Regretting You and Reminders of Him have also been made into movies), this new adaptation is being billed as a sexy psychological thriller.

There is sex — quite a lot of sex. As for those other descriptors, Verity is not only lacking in thrills. It’s almost laughably light on plausible human psychology.

Plausibility can be overrated, of course. Scripter Nick Antosca (2026’s Cape Fear) and director Michael Showalter (The Idea of You) could have thrown plausibility out the window and gone all-in on escapist fun.

But while there is a gorgeous modernist lake house and some excellent knitwear here, and Anne Hathaway, at least, seems to be having a ball with her deliciously two-faced role, Verity is mostly a sloggy mess, with draggy pacing, flat characters and a fatal lack of atmosphere.