DNA match leads to conviction 22 years after B.C. sexual assault

Portage Avenue stabbing victim staggered into nearby store for help

A 46-year-old man stabbed on Portage Avenue Wednesday afternoon is in hospital after staggering, bloodied, into a nearby dollar store.

Police said the man was confronted by several people on the 300 block of Portage shortly before 6 p.m. and was stabbed with an unknown weapon. He was helped by people inside the store until police and paramedics arrived.

The man was rushed to hospital in unstable condition but was later upgraded to stable, the Winnipeg Police Service said.

WPS Const. Claude Chancy said Friday that police were still attempting to speak with the victim, and it was not yet clear if the attack was random. No arrests have been made.

Unhappy Dynacare staff refuse OT shifts; doors could be closed at clinics with Saturday hours

Some Winnipeg Dynacare sites normally open on Saturday were closed last week, and may continue to be because staff are refusing to pick up overtime shifts after they were forced back to work amid a labour dispute with the company.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.