South Korea fights deepfake porn with tougher punishment and regulation

Not much of a race when most of the field can’t find their running shoes

In Winnipeg's mayoral race, there are few truly bad ideas, but hardly any really good ones.

Author Emily St. John Mandel’s Exit Party a story of hope in dark times

If Emily St. John Mandel’s new novel Exit Party is in any way prophetic, Americans should be worried.

The B.C.-born, New York-based author’s bestselling fourth novel, 2014’s Station Eleven, chronicled a performing troupe in a post-pandemic world. The novel experienced a second wave of popularity when the COVID-19 pandemic took hold, and when HBO’s Station Eleven miniseries premièred in late 2021.

Mandel launches Exit Party, her seventh novel, at McNally Robinson Booksellers’ Grant Park location tonight, where she’ll be joined in conversation by Winnipeg novelist Joan Thomas.

Published in September by HarperCollins, Exit Party sees Mandel once again working in the near future, in this case in a novel that features two timelines — one (dubbed the A-side in the novel) where the U.S. has fractured into a number of small countries following a civil war, and another (the B-side) where a singular, autocratic surveillance state has tightened its grip over its citizens.

Austen adaptation a handsome, delicate cinematic dance

Marianne (Esmé Creed-Miles) can look rather bedraggled in this new version of Jane Austen’s first published novel, which has once again ignited the “loose hair” controversy that has raged among Janeites since the casually coiffed 2005 reimagining of Pride & Prejudice.

Purists might be vexed, possibly even discomfited or discomposed by some of the details in this take on Sense and Sensibility, part of a wave of Austen adaptations and Austen-adjacent material released to mark the 250th anniversary of the writer’s birth.

Would prudent Elinor (Daisy Edgar-Jones) be penning letters to a man to whom she is not engaged? Would even spirited Marianne be running barefoot through the woods?

Possibly not. But if director Georgia Oakley (Blue Jean) and rookie screenwriter Diana Reid don’t adhere to the strict letter of Austen’s work, they catch much of its spirit. This is a vivid and deeply felt examination of the enduring power of sisterhood, which is at the core of not just the 1811 novel, but of Austen’s own life in the profound importance of her relationship with her sister Cassandra.

A Life's Story: Musician made great contributions, advocated for fellow artists

When a University of Manitoba dean came to inform Victor Davies that he was booted from pre-med in the late 1950s, it was — to permit a cliché — music to his ears.

“In his mind, what he heard was much more encouraging. He heard, ‘Follow your own dream. Listen to your own melody. Speak with your own voice,’” says Davies’s daughter, Heather.

Davies, who died at 87 from pancreatic cancer and PLS in late September, was nevertheless about to take a major gamble, one that would eventually earn him an honorary doctorate from the University of Manitoba and a nomination to the Order of Canada.

Few careers are as uncertain as music, and at a time when the composition departments were saying au revoir to tonality, embracing the heavily dissonant styles of France and Germany, Davies was about to go against the grain. He would soon find a new home across the border in Bloomington, Ind., where for four years he studied at Indiana University Jacobs School of Music.

Manitoba Hydro to replace dozens of electrical substations over 20 years

Manitoba Hydro is promising fewer power outages in Winnipeg once it replaces or converts 41 electrical substations in a project the utility says will last up to 20 years and cost as much as $1.2 billion.

City’s drug, homelessness crises overlooked on campaign trail, front-line groups say

Those on the front lines of coping with the city’s deepening homelessness and drug crises express concern at civic election candidates’ lack of attention to the issues