NASA hit by fuel leaks during a practice countdown of the moon rocket that will fly with astronauts

Portage Avenue stabbing victim staggered into nearby store for help

A 46-year-old man stabbed on Portage Avenue Wednesday afternoon is in hospital after staggering, bloodied, into a nearby dollar store.

Police said the man was confronted by several people on the 300 block of Portage shortly before 6 p.m. and was stabbed with an unknown weapon. He was helped by people inside the store until police and paramedics arrived.

The man was rushed to hospital in unstable condition but was later upgraded to stable, the Winnipeg Police Service said.

WPS Const. Claude Chancy said Friday that police were still attempting to speak with the victim, and it was not yet clear if the attack was random. No arrests have been made.

NASA hit by fuel leaks during a practice countdown of the moon rocket that will fly with astronauts

CAPE CANAVERAL, Fla. (AP) — NASA ran into exasperating fuel leaks during a make-or-break test of its new moon rocket Monday, calling into question how soon astronauts could take off for a trip around the moon.

The leaks — reminiscent of the rocket's delayed debut three years ago — sprang just a couple hours into the daylong fueling operation at Kennedy Space Center.

Launch controllers began loading the 322-foot (98-meter) rocket with super-cold hydrogen and oxygen at midday. More than 700,000 gallons (2.6 million liters) had to flow into the tanks and remain on board for several hours, mimicking the final stages of an actual countdown.

But excessive hydrogen quickly built up near the bottom of the rocket. Hydrogen loading was halted at least twice as the launch team scrambled to work around the problem using techniques developed during the previous Space Launch System countdown in 2022. That first test flight was plagued by hydrogen leaks before finally soaring without a crew.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.