Mark Carney among finalists for $30K National Business Book Award

Mark Carney shortlisted for business book prize

30,000 or so in a ballpark watching basketball, what a wild ride Nov. 3, 1995 started. Seems like yesterday and a century ago, doesn't it?

Time for the PUB to review Winnipeg water rates

We take you now to just over a month ago, to the Public Utilities Board and its decision about water and sewer rates for Russell, Binscarth, Angusville, Rossburn and Gambler First Nation.

Why? Just wait.

The area is supplied with water and sewage services by the Russell-Binscarth Water and Wastewater Utility, which has a total of 1,014 customers.

As the PUB noted in an Aug. 27, 2026 order on the utility’s rates, “The [water treatment plant] gets water from two groundwater wells that were upgraded in 2016 and the raw water main was installed in 1984. The water distribution system is primarily cast iron pipe. The raw water line will need to be upgraded in the near future to keep up with demand.”

WSO kicks off season pairing Beethoven, Tchaikovsky

French fries and milkshake, watermelon and feta cheese … Beethoven’s Fifth and Tchaikovsky’s Fifth?

Few events mark the beginning of the classical concert season like the Winnipeg Symphony Orchestra’s season-opener and this year they kick things off with an unusual but satisfying pairing.

“I think that for me, the combination of these two pieces is, first of all, a celebration of great masterworks that have withstood 100 years of being probed by time for their relevancy,” says conductor Daniel Raiskin, the WSO’s music director. “It’s the quality of music, it’s the quality of narrative that attracts us to these masterworks again and again.”

Both symphonies are so hefty and canonical, one might have expected half of the concert would be devoted to a concerto, tone poem or something smaller or lesser known.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.