Lin-Manuel Miranda and Eisa Davis set ‘Warriors’ musical for Broadway in 2027

NEW YORK (AP) — Lin-Manuel Miranda and Eisa Davis are turning their concept album “Warriors” into a full-length Broadway show.

The story — originally a 1965 novel that was made into a cult, dystopian 1979 film — follows a street gang called the Warriors as they make their way from the Bronx to their home turf of Coney Island in Brooklyn while being hunted by rivals gangs and cops. It will be the first full musical from Miranda since “Hamilton.”

The musical of “Warriors” is expected to begin previews next March and open next April at the Lunt-Fontanne Theatre. “Warriors” will be directed by Jenny Koons with a book by Miranda and Davis. No casting was announced.

“Musicalizing such a vibrant world for the concept album has been a thrill, and now we’re coming out to play on Broadway at the Lunt-Fontanne. We can’t wait,” Miranda and Davis said in a statement Tuesday.

Thousands celebrate Indigenous Peoples Day

Drums and song filled Winnipeg’s downtown Sunday as thousands gathered at The Forks to celebrate Indigenous Peoples Day and while festivities continued late into the evening, some in attendance said the event’s importance spans generations.

Braiding her daughter Sofia Ducharme’s hair in preparation for the Wáhkóhtowin Powwow — one of the day’s numerous celebrations — Alea Elliott said the powwow was one of the first for the 11-year-old. Watching his daughter get ready was Derek Ducharme, who is originally from the Waywayseecappo First Nation.

“It’s nice she gets to do this, because Derek didn’t get to learn about his culture,” said Alea, saying the family came into the city from Landmark.

Wearing a stunning jingle dress that shines in the summer sun, both Alea and Derek said they were proud to see their daughter participate in Sunday’s celebration, as Derek’s father was a victim of Canada’s colonial systems that separated Indigenous families from their children.

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Winnipeg’s Joshua Henry was on top of the musical theatre world Sunday at Radio City Music Hall, winning the Tony Award for best performance by an actor in a leading role for his performance in the Broadway revival of Ragtime.

You should be dancing, yeah. Moving to music offers all kinds of benefits as you age

TUCSON, Ariz. (AP) — Carol Ross can’t stop smiling at dance practice as she shouts out the steps of a routine to members of her tap and jazz troupe for women age 50 and older.

“I’ve been dancing my whole life, it’s the best,” said Ross, who founded the Rodeo City Wreckettes group 23 years ago at an age when many people are getting ready for retirement.

Now 87, Ross and her husband and lifelong dance partner John, also 87, have long known what more older adults are now discovering: Moving to music is one of the best ways to stay healthy. Medical professionals say it doesn’t matter if it’s Western line dancing, ballroom steps, salsa, tap, Zumba at the gym, or with a group like the Wreckettes.

“Dancing is one of the most powerful activities for older people,” said Julio Loya, a nurse and geriatric program coordinator at the Tucson Medical Center.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

New dance work explores life’s tensions

The pressures of modern life have a way of piling up.

Piles of work. Piles of debt. Piles of laundry. Piles of information and memes and media to parse. Piles of expectations. Piles of physical stuff added to cart during late-night shopping binges because we think it’ll make the piles of stress and worry (about the cost of groceries, about war, about aging parents) easier to manage, lighter to carry.

We become surrounded by these metaphorical and literal piles until, one day, it all becomes too much.

Accumulation, a new work choreographed by artistic director Jolene Bailie that will close Winnipeg’s Contemporary Dancers’ 2025/26 season, lives in the tension before the breaking point.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

RWB turns classic 'Sleeping Beauty' fairy tale into waking dream

The Royal Winnipeg Ballet unveiled its dreamy new production The Sleeping Beauty Thursday, with the beloved ballet throwing more sparks than a spray of pixie dust.

Considered one of the pillars of the classical ballet canon, the lushly romantic story ballet features Tchaikovsky’s masterful score. American guest conductor Ming Luke crisply leads the Winnipeg Symphony Orchestra throughout the production, with the maestro officially stepping onto the podium as RWB music director this fall, taking over the baton from outgoing conductor Julian Pellicano.

The Sleeping Beauty, composed of a prologue and three acts, is essentially an archetypal tale of goodness triumphing over evil. Its protagonist, Princess Aurora, is doomed by evil fairy Carabosse to die on her 16th birthday, until the benevolent Lilac Fairy of Wisdom saves the day by switching the curse to a 100-year slumber.

Only a tender kiss by Aurora’s true love, Prince Desire/Florimund, can awaken her, as they all live happily ever after.

RWB presents reimagined version of Tchaikovsky classic The Sleeping Beauty

The classics tend to be the classics for a reason, and The Sleeping Beauty, the classical fairy-tale ballet choreographed by French-Russian master Marius Petipa to Tchaikovsky’s masterwork score, is no exception.

But that doesn’t mean they have to be done the way they’ve always been done.

The version the Royal Winnipeg Ballet will perform at the Centennial Concert Hall this week is an adaptation by the company’s new artistic director, Christopher Stowell, which was created for the Oregon Theatre Ballet in 2010 and is now part of three other companies’ repertoires.

“Part of my mission, I think, in keeping this art form that I love relevant, alive and on people’s minds and appealing to people, is to take a work that has been part of the repertoire for a long time, like Sleeping Beauty,” he says. “It’s 100-and-something years old, and I love it, and I value it, and it has an important place in our history.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Belated Lunar New Year party a feast of Korean culture

For the last month, Andrea Kitano has been spending her weekends hosting hanbok fashion shows at shopping centres across Winnipeg.

‘Anti-social’ dancer fell in love with metal, ‘community’ at WECC

Dammecia Hall is an artist, and for her that means spending a lot of time by herself.

“I’m extremely anti-social,” says the dancer, choreographer and educator. “But as soon as you put me in a social environment, I come alive.”

One of the social environments Hall finds herself in these days is the West End Cultural Centre, the non-profit performance venue inside a former church at the corner of Ellice Avenue and Sherbrook Street.

While attending an event at the WECC, a friend of a friend encouraged Hall to volunteer at the venue. The 43-year-old Wolseley resident applied soon after, and has been volunteering at the WECC for more than a year.

Harlequin Costume seeks to sell building, ‘staggering’ collection; dancewear store to continue under same name

Looking to buy a building in downtown Winnipeg? Get in touch with the owners of Harlequin Costume.

If you’re interested in purchasing thousands upon thousands of costumes, you’ll want to talk to them, too.

Scott and Jan Malabar are selling their building at 375 Hargrave St., where the husband and wife have operated their costume, dance and formal wear business since the 1980s.

The asking price for the building, which sits a few blocks south of the Exchange District and a short walk from Central Park, is $995,000.

Thousands mark Truth and Reconcilation Day

As a sea of thousands clad in orange waited, Helen George braids her son’s long, straight hair.

They’re at the RBC Convention Centre, preparing for the grand entry ceremonies hosted by the Southern Chiefs’ Organization to mark the fifth annual National Day for Truth and Reconciliation Tuesday afternoon.

Originally from Ochapowace Cree Nation in Saskatchewan but living in Winnipeg, George is helping her son, Houston, get dressed for the upcoming powwow. For her, seeing so many families coming together to recognize the impact of the residential school system and celebrate Indigenous resilience is touching.

“It’s meaningful,” she said.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

A Lebanese dancer defies extremist threats and social norms with his sold-out performances

BEIRUT (AP) — Alexandre Paulikevitch put on his white dress and wig and danced his way to center stage, knowing that the extremist groups who had threatened him before his controversial recital might be waiting for him outside the theater.

The Lebanese dancer’s sold-out performance to a cheering crowd at a popular Beirut venue had angered fundamentalist movements ranging from the right-wing Christian Soldiers of God to Sunni Islamists.

The fundamentalists say Paulikevitch is “promoting homosexuality" because he wears dresses and corsets and undulates to classical Arabic music in a way which society largely sees as exclusive to women.

Paulikevitch says he’s breaking social norms and reintroducing forms of dance that were commonplace for men as recently as the early 20th century.

Hotel-weary evacuees guests at powwow

SIOUX VALLEY DAKOTA NATION — Evacuees displaced from their communities in northern Manitoba were invited to Sioux Valley Dakota Nation on Friday for what the chief called a mental health day.

A hundred people were at the afternoon event when the Brandon Sun visited.

The event, which included live music, games and children’s entertainment, was a way to give a day of fresh air to evacuees, Chief Vince Tacan said.

“We thought we’d give our relatives from the north a mental health day, because staying in hotels gets hard after a while,” Tacan said.

A show inside a cathedral featured raw chickens in diapers. The German president was in the audience

BERLIN (AP) — A performance inside a Catholic cathedral in Germany earlier this month that featured raw, plucked chickens wrapped in diapers onstage — and the country's president and the local archbishop in the audience — has prompted the church and municipal leaders to apologize that the show “hurt religious feelings."

The show, "Westphalia Side Story,” was part of a May 15 celebration to mark the 1,250th anniversary of Westphalia, a region in northwestern Germany.

Video footage shows one woman and two shirtless men singing “Fleisch ist Fleisch” (“Meat is meat”) — apparently spoofing Austrian band Opus' 1984 pop song “Live is Life” — with scythes and dancing with the dead chickens on a stage in front of Paderborn Cathedral's altar.

Performance company bodytalk said in a statement Friday that the show featured work-in-progress excerpts from “Westphalia Side Story" — which references the American musical "West Side Story."

Big Ocean breaks new ground as K-pop’s first deaf group

SEOUL, South Korea (AP) — Big Ocean, a three-member K-pop group composed entirely of artists with hearing disabilities, is redefining the limits of music and performance — one beat at a time.

When Big Ocean takes the stage, they seamlessly incorporate sign language into their performances. But their polished shows are built on extensive preparation using high-tech tools born from necessity — vibrating smartwatches that pulse with musical beats and LED visual metronomes that flash timing cues during practice sessions. This technological approach represents significant progress in South Korea’s entertainment industry, where career opportunities for people with disabilities have historically been limited.

The trio, PJ, Jiseok and Chanyeon, made their debut in April 2024 and recently wrapped a solo European tour marking their first anniversary. The band performed in four countries, including France and the U.K., while promoting their second mini-album, “Underwater,” which dropped on April 20.

PJ rose to prominence as a YouTuber who educated viewers about hearing disabilities. Chanyeon previously worked as an audiologist. Jiseok was a professional ski racer.

Miss Shakespeare turns gender bias on its ear

Winnipeg Studio Theatre kicked off its season with the guts and glory of female empowerment in its all-women-led local premiere of Miss Shakespeare.

The two-hour musical — directed by company artistic director Erin McGrath and presented by Rainbow Stage — runs through Oct. 5 at the University of Winnipeg’s Asper Centre for Theatre and Film. Saturday night’s crowd eagerly lapped up its feminist ethos.

Its quasi-historical protagonist, Judith Shakespeare (played by a spunky Rhea Rodych-Rasidescu), is the Bard’s real-life daughter “born with a poetic soul.” Judith lives in the shadows of her famous father during the repressive 1600s, when women were relegated to becoming wives and mothers, rather than pursuing their own passions.

Judith yearns for her own identity as a self-actualized creative powerhouse, and cobbles together the “Gossips,” a merry band of like-minded women who surreptitiously meet each week in the bowels of The Cage tavern to create a play. They spar, share stories, and dream, risking public humiliation if they’re discovered treading the boards like their male counterparts.

Satirical musical tackles health-care woes in bite-sized chunks

They say laughter is the best medicine. Throw a little song-and-dance into the mix and you get Larry Saves the Canadian Healthcare System — an 11-part web microseries that humorously addresses Canada’s ailing medical system through music and satire.

Sara Kreindler, a professor of community health sciences at the University of Manitoba, spearheads the show, drawing from her extensive research.

“It’s about starting a conversation,” says writer-composer Kreindler, who has a PhD in social psychology. “Whether you’re a health-care provider or just someone curious about the system, I want viewers to come away feeling empowered to hold our elected leaders accountable for addressing the underlying issues.”

Through the character of Larry, played by Winnipeg actor Toby Hughes, viewers embark on a journey navigating the complexities of health-care policy.

Danser à 95 ans

L

E 9 avril dernier, la Franco-Manitobaine Hortense Sabourin a célébré ses 95 ans.

Un âge avancé qui ne l’empêche pas de poursuivre sa passion, la danse, malgré la perte de sa vue depuis plus de 15 ans.

“Quand, vers l’âge de 75-80 ans, mon médecin m’a dit que je devenais aveugle, c’était une triste nouvelle mais je n’ai jamais pensé abandonner la danse,” affirme Hortense Sabourin. “C’est un bon exercice et c’est bon pour le moral. On n’a pas besoin des yeux pour danser, mais des oreilles.”