Rural councils work hard, plan big to build local arts scenes

BEAUSEJOUR — Brittany Wurch has always been drawn to art. She fell in love with illustration and animation as a kid, but growing up near Beausejour meant she had to travel elsewhere to satisfy her creative interests.

“I had to go to a different community to take art,” says Wurch, who chose to study in Selkirk, about a 30-minute drive west, for its high school’s superior art program.

As an adult, she’s determined to make art more accessible in her community.

A smiling red barn and a tall water tower greet visitors on the way into Beausejour. The cute, compact town is located 50 kilometres northeast of Winnipeg and is home to 3,300 people. It’s surrounded by farmland and situated within the RM of Brokenhead, where agriculture and sports have historically reigned supreme.

Rainbow Stage’s Legally Blonde a lovely legal musical

Omigod, you guys! Rainbow Stage kicked off its penultimate summer production Thursday with a high-octane joy machine bathed in a sea of pink.

Inspired by the 2001 Hollywood film starring Reese Witherspoon, and Amanda Brown’s same-titled novel, the award-winning Legally Blonde: The Musical — featuring a book by Heather Hach, with music/lyrics by Laurence O’Keefe and Nell Benjamin — opened on Broadway in April 2007, followed by a subsequent West End run.

The tale — equal parts cheesy rom-com and potent siren call for female autonomy and empowerment — focuses on quintessential Cali-girl Elle Woods (a pitch-perfect Claire Mac Master). A proud daughter and president of Delta Nu sorority house, she enrols at Harvard Law School to win back her upwardly mobile ex-boyfriend, Warner Huntington III (Duncan Cox).

Laser-focused on marrying a “Jackie, not a Marilyn,” Warner dreams of becoming an American senator, latching onto uber-preppy fellow pupil Vivienne Kensington (Julie Davis), who becomes Elle’s arch nemesis.

Rainbow Stage star relates to Elle Woods’ perseverance

Nearly 9,000 aspiring barristers and solicitors cross their fingers and send in their LSAT scores to Harvard University each year, but less than 10 per cent of applicants wind up on campus in Cambridge, Mass.

In Legally Blonde, the musical opening tonight at Rainbow Stage, Elle Woods (Claire Mac Master) defies the undercutting judgment of her blue-blood boyfriend Warner (Duncan Cox) to earn a spot in the Ivy League, leaving her doubters aghast and crimson-faced.

“What?” asked Elle — played by Reese Witherspoon in the 2001 film version — “Like it’s hard?”

The New York-born Mac Master never had any aspirations to pursue a law career, but can relate to her character’s plucky self-determination based on her experience at Toronto Metropolitan University’s undergraduate acting program, which accepts 25 applicants each year from an international pool of hundreds.

‘Sewing angels’ come to Folklorama pavilion’s rescue after Ghana dancers’ costumes stolen

Parents and volunteers had tears in their eyes when dozens of young dancers took to the stage for their opening performances at Folklorama’s Ghana pavilion Sunday night.

Climate change threatens events we wait for all year

I can’t be the only one feeling some existential dread about our summers, and the things that make them special, in the face of a changing climate.

On eve of Folklorama, Ghana pavilion scrambles to replace stolen outfits

Volunteers from Folklorama’s Ghana pavilion scrambled to replace cultural costumes for about 40 young dancers after the outfits were stolen in Winnipeg days before the annual festival begins.

Two plastic storage bins containing the costumes, to be worn by children and teenagers, were taken from the trunk of a parked car on Banning Street, near Notre Dame Avenue in the West End, likely late Wednesday or early Thursday.

“I felt sad that this has happened. I felt completely devastated for the mother who had them in her car,” said pavilion co-ordinator Abigail Larson. “The initial feeling of sadness changed to, ‘OK, how do we make this a positive?’”

The costumes belong to the Ghana Union of Manitoba Dancers, whose members have rehearsed for months for Folklorama, which begins Sunday.

Sea Bears Dance Crew takes athleticism to the next level

Many grow up believing dance can only be a hobby and never a career. The Sea Bears Dance Crew defies the notion by showing there can be a professional side of dance in Winnipeg.

Tasha Farmer and Kersey Sarao lead a team of 18 dancers from different backgrounds and styles. Together, they create a high-energy game-day experience — one that encourages everyone in the arena to get up and boogie.

Farmer started dancing at a young age, experimenting in all that was offered.

“I trained in ballet, lyrical, hip hop, musical theatre — every single style you can think of,” she said.

Lin-Manuel Miranda and Eisa Davis set ‘Warriors’ musical for Broadway in 2027

NEW YORK (AP) — Lin-Manuel Miranda and Eisa Davis are turning their concept album “Warriors” into a full-length Broadway show.

The story — originally a 1965 novel that was made into a cult, dystopian 1979 film — follows a street gang called the Warriors as they make their way from the Bronx to their home turf of Coney Island in Brooklyn while being hunted by rivals gangs and cops. It will be the first full musical from Miranda since “Hamilton.”

The musical of “Warriors” is expected to begin previews next March and open next April at the Lunt-Fontanne Theatre. “Warriors” will be directed by Jenny Koons with a book by Miranda and Davis. No casting was announced.

“Musicalizing such a vibrant world for the concept album has been a thrill, and now we’re coming out to play on Broadway at the Lunt-Fontanne. We can’t wait,” Miranda and Davis said in a statement Tuesday.

Thousands celebrate Indigenous Peoples Day

Drums and song filled Winnipeg’s downtown Sunday as thousands gathered at The Forks to celebrate Indigenous Peoples Day and while festivities continued late into the evening, some in attendance said the event’s importance spans generations.

Braiding her daughter Sofia Ducharme’s hair in preparation for the Wáhkóhtowin Powwow — one of the day’s numerous celebrations — Alea Elliott said the powwow was one of the first for the 11-year-old. Watching his daughter get ready was Derek Ducharme, who is originally from the Waywayseecappo First Nation.

“It’s nice she gets to do this, because Derek didn’t get to learn about his culture,” said Alea, saying the family came into the city from Landmark.

Wearing a stunning jingle dress that shines in the summer sun, both Alea and Derek said they were proud to see their daughter participate in Sunday’s celebration, as Derek’s father was a victim of Canada’s colonial systems that separated Indigenous families from their children.

Winnipegger earns Tony for leading role in Broadway production of Ragtime

Winnipeg’s Joshua Henry was on top of the musical theatre world Sunday at Radio City Music Hall, winning the Tony Award for best performance by an actor in a leading role for his performance in the Broadway revival of Ragtime.

You should be dancing, yeah. Moving to music offers all kinds of benefits as you age

TUCSON, Ariz. (AP) — Carol Ross can’t stop smiling at dance practice as she shouts out the steps of a routine to members of her tap and jazz troupe for women age 50 and older.

“I’ve been dancing my whole life, it’s the best,” said Ross, who founded the Rodeo City Wreckettes group 23 years ago at an age when many people are getting ready for retirement.

Now 87, Ross and her husband and lifelong dance partner John, also 87, have long known what more older adults are now discovering: Moving to music is one of the best ways to stay healthy. Medical professionals say it doesn’t matter if it’s Western line dancing, ballroom steps, salsa, tap, Zumba at the gym, or with a group like the Wreckettes.

“Dancing is one of the most powerful activities for older people,” said Julio Loya, a nurse and geriatric program coordinator at the Tucson Medical Center.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

New dance work explores life’s tensions

The pressures of modern life have a way of piling up.

Piles of work. Piles of debt. Piles of laundry. Piles of information and memes and media to parse. Piles of expectations. Piles of physical stuff added to cart during late-night shopping binges because we think it’ll make the piles of stress and worry (about the cost of groceries, about war, about aging parents) easier to manage, lighter to carry.

We become surrounded by these metaphorical and literal piles until, one day, it all becomes too much.

Accumulation, a new work choreographed by artistic director Jolene Bailie that will close Winnipeg’s Contemporary Dancers’ 2025/26 season, lives in the tension before the breaking point.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

RWB turns classic 'Sleeping Beauty' fairy tale into waking dream

The Royal Winnipeg Ballet unveiled its dreamy new production The Sleeping Beauty Thursday, with the beloved ballet throwing more sparks than a spray of pixie dust.

Considered one of the pillars of the classical ballet canon, the lushly romantic story ballet features Tchaikovsky’s masterful score. American guest conductor Ming Luke crisply leads the Winnipeg Symphony Orchestra throughout the production, with the maestro officially stepping onto the podium as RWB music director this fall, taking over the baton from outgoing conductor Julian Pellicano.

The Sleeping Beauty, composed of a prologue and three acts, is essentially an archetypal tale of goodness triumphing over evil. Its protagonist, Princess Aurora, is doomed by evil fairy Carabosse to die on her 16th birthday, until the benevolent Lilac Fairy of Wisdom saves the day by switching the curse to a 100-year slumber.

Only a tender kiss by Aurora’s true love, Prince Desire/Florimund, can awaken her, as they all live happily ever after.

RWB presents reimagined version of Tchaikovsky classic The Sleeping Beauty

The classics tend to be the classics for a reason, and The Sleeping Beauty, the classical fairy-tale ballet choreographed by French-Russian master Marius Petipa to Tchaikovsky’s masterwork score, is no exception.

But that doesn’t mean they have to be done the way they’ve always been done.

The version the Royal Winnipeg Ballet will perform at the Centennial Concert Hall this week is an adaptation by the company’s new artistic director, Christopher Stowell, which was created for the Oregon Theatre Ballet in 2010 and is now part of three other companies’ repertoires.

“Part of my mission, I think, in keeping this art form that I love relevant, alive and on people’s minds and appealing to people, is to take a work that has been part of the repertoire for a long time, like Sleeping Beauty,” he says. “It’s 100-and-something years old, and I love it, and I value it, and it has an important place in our history.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Belated Lunar New Year party a feast of Korean culture

For the last month, Andrea Kitano has been spending her weekends hosting hanbok fashion shows at shopping centres across Winnipeg.

‘Anti-social’ dancer fell in love with metal, ‘community’ at WECC

Dammecia Hall is an artist, and for her that means spending a lot of time by herself.

“I’m extremely anti-social,” says the dancer, choreographer and educator. “But as soon as you put me in a social environment, I come alive.”

One of the social environments Hall finds herself in these days is the West End Cultural Centre, the non-profit performance venue inside a former church at the corner of Ellice Avenue and Sherbrook Street.

While attending an event at the WECC, a friend of a friend encouraged Hall to volunteer at the venue. The 43-year-old Wolseley resident applied soon after, and has been volunteering at the WECC for more than a year.

Harlequin Costume seeks to sell building, ‘staggering’ collection; dancewear store to continue under same name

Looking to buy a building in downtown Winnipeg? Get in touch with the owners of Harlequin Costume.

If you’re interested in purchasing thousands upon thousands of costumes, you’ll want to talk to them, too.

Scott and Jan Malabar are selling their building at 375 Hargrave St., where the husband and wife have operated their costume, dance and formal wear business since the 1980s.

The asking price for the building, which sits a few blocks south of the Exchange District and a short walk from Central Park, is $995,000.

Thousands mark Truth and Reconcilation Day

As a sea of thousands clad in orange waited, Helen George braids her son’s long, straight hair.

They’re at the RBC Convention Centre, preparing for the grand entry ceremonies hosted by the Southern Chiefs’ Organization to mark the fifth annual National Day for Truth and Reconciliation Tuesday afternoon.

Originally from Ochapowace Cree Nation in Saskatchewan but living in Winnipeg, George is helping her son, Houston, get dressed for the upcoming powwow. For her, seeing so many families coming together to recognize the impact of the residential school system and celebrate Indigenous resilience is touching.

“It’s meaningful,” she said.

Artists, performers open their doors, and their souls, for Culture Days

Culture Days, a national celebration of local arts and culture, kicks off today and runs through Oct. 12.

There are hundreds of free public events taking place across Manitoba over the next three weeks, including in Winnipeg, Morden, Gimli, Flin Flon and beyond. Nuit Blanche Winnipeg, the city’s annual late-night art party, also falls under the Culture Days umbrella and takes place Sept. 27.

Find a sample of the fun below and visit culturedays.ca for more information.

Central Park Moves: Weekend BeatsCentral Park, 367 Ellice Ave.

A Lebanese dancer defies extremist threats and social norms with his sold-out performances

BEIRUT (AP) — Alexandre Paulikevitch put on his white dress and wig and danced his way to center stage, knowing that the extremist groups who had threatened him before his controversial recital might be waiting for him outside the theater.

The Lebanese dancer’s sold-out performance to a cheering crowd at a popular Beirut venue had angered fundamentalist movements ranging from the right-wing Christian Soldiers of God to Sunni Islamists.

The fundamentalists say Paulikevitch is “promoting homosexuality" because he wears dresses and corsets and undulates to classical Arabic music in a way which society largely sees as exclusive to women.

Paulikevitch says he’s breaking social norms and reintroducing forms of dance that were commonplace for men as recently as the early 20th century.