Complex dual production 'R+J: Closing Night' brings theatre audience in on panicked process of putting on a show

Theatre Projects Manitoba will attempt to pull off an extraordinary feat of live performance next week with a metatheatrical experiment that walks the tightrope between on-stage drama and backstage chaos.

Argentine court clears return of Nazi-looted portrait to Jewish dealer’s heir

BUENOS AIRES, Argentina (AP) — A long-lost Italian portrait looted from a prominent Jewish art dealer during World War II was set to be returned to his heir after an Argentine court on Friday approved a deal under which the daughter of a fugitive Nazi official agreed to give up her claim rather than face trial.

The agreement paves the way for the long-sought return of “ Portrait of a Lady ” to Marei von Saher, the sole surviving heir of Dutch-Jewish art dealer Jacques Goudstikker, whose celebrated collection was sold under duress to Nazi officials after Adolf Hitler’s Germany invaded the Netherlands in 1940.

Patricia Kadgien, the daughter of the late high-ranking Nazi official Friedrich Kadgien, and her husband, Juan Carlos Cortegoso, were charged with aggravated cover-up last year after authorities said they hid the 18th-century painting despite knowing it was being sought by Argentine and international investigators.

Under the agreement, a copy of which was obtained by The Associated Press, the couple agreed to give up any claim to the work and consent to its return to von Saher in exchange for avoiding a criminal trial and spending two years under court supervision. During that time, they must make payments to a hospital in Argentina's coastal city of Mar del Plata, where they live, and keep authorities informed of their whereabouts.

Comic creator unleashes talent with book bound for festival

For Glenn Hares, comic books — specifically, superhero comics — have always been a refuge, a way to both understand and escape the world.

Now, he’s prepared to release his own into the world.

“When I was in high school, I started creating characters, like this guy here,” says Hares, 40, showing a reporter a copy of the self-published Tytanium No. 0.

“Originally, he was just named Jerry Wolfe. Recently, my aunt suggested I make him neurodivergent because I based him on myself. A lot of superheroes have extraordinary, fantastic, out-of-the-ordinary powers, but they’re also just people. They live imperfect lives.”

Designer building following making models of everyone from celebs to ordinary Winnipeggers

Kevin Takatch was getting groceries in Los Angeles when he stumbled into an art sale celebrating 25 years of Jackass.

The Winnipeg designer behind BeLove suddenly found himself surrounded by famous faces, carrying one of his own jackets and wondering who he could get to wear it.

Then he spotted comedian Eric André, who appears as himself in the reality stunt/prank franchise, and asked him to model the jacket.

“I knew I couldn’t (wimp) out, like I did with the first celebrity I saw,” says Takatch, who declined to give his age.

SOCAN sues Suno, alleges AI company copies Canadian music without paying creators

Canada’s largest member-owned music rights organization is suing U.S. artificial intelligence company Suno, alleging the AI music generator copied songs in its repertoire — including Nickelback’s 2005 hit “Photograph” — without permission or compensation.

Kennedy Center disassembles Blue sculpture from its grounds

The Kennedy Center took down Wednesday a sculpture known as Blue, the latest change to the cultural and performing arts center that stirred some pushback in President Donald Trump's second term.

The sculpture, a tall, blue stick figure poised in action — as if to kick a ball or, from a different angle, having just kicked one — was designed by sculptor Joel Shapiro and installed in 2019.

The removal follows a longer-running saga with the Kennedy Center, where the Trump-aligned board is fighting in court for the right to plaster the president's name on the historic institution. It falls within a broader effort to reshape Washington to Trump's liking, including demolishing the White House's East Wing to build a ballroom, a proposed triumphal arch near Arlington National Cemetery and a renovated golf course.

Shapiro, known for breathing life into otherwise minimalist stick figures, described Blue in a video posted to the Kennedy Center’s YouTube years ago as being “about action and risk and performance and energy. It’s a celebration of possibility.”

Hilroy says sorry for leaving Newfoundland, Cape Breton off notebooks’ Canadian map

Hilroy has apologized for leaving Newfoundland and Cape Breton off the Canadian map on its glossy notebooks, after the mistake led to backlash online.

Hilroy's pastel-coloured paper exercise books are well known across the country for the map of Canada on their covers. But the map on Hilroy's glossy covered notebooks is missing a few parts of the country.

In a post to its Facebook page Tuesday, the company said its team has always been proud of the map, "which is exactly why getting it wrong stings."

The inaccurate map was the result of a production error, the post said. The company has stopped distributing the books and is fixing the cover artwork.

A closer look at five standout Canadian titles headed to TIFF 2026

TORONTO - When writer-director David Bezmozgis set out to adapt his 2014 novel "The Betrayers" for the big screen, he wasn't just changing its format. He also had to adjust to a new geopolitical landscape.

The film, which is set in Ukraine and Israel, is one of 61 Canadian features and shorts programmed at this year's edition of the Toronto International Film Festival.

The Canadian Press spoke to Bezmozgis and four other homegrown directors about their films.

THE BETRAYERSBezmozgis's second novel was an unmitigated hit when it was published. It made numerous best-of-the-year lists — from the Wall Street Journal to the New Yorker — and was shortlisted for the Giller Prize.

Amid backlash, museum cancels planned Met Gala exhibit on fashion designer John Galliano

NEW YORK (AP) — The Metropolitan Museum of Art is canceling its planned exhibit honoring British designer John Galliano — plans that had led to bitter backlash from the Jewish community and beyond because of the designer’s past antisemitic and racist statements.

“John Galliano: Horizons,” the high-profile spring Costume Institute exhibit that was to be launched by the annual Met Gala next May, will be replaced by another exhibit, the museum said Monday.

“Following thoughtful discussions with John Galliano, we have together decided not to proceed with the exhibition,” Max Hollein, director and CEO of the museum, announced in a statement.

The designer joined in the statement, saying: “After much reflection and discussion with The Met and all those involved, I have decided, with great sadness, that it is best for the exhibition not to take place at this time. I remain fully accountable for the pain caused by my words in the past, particularly the hurt I caused to the Jewish and Asian communities, and I remain deeply sorry for it.”

Entrepreneur Willow Wolfe conceived and crafted a better — and cruelty-free — paint brush

NAROL — Talk about a brush with fame.

Fifteen years ago, Willow Wolfe, the founder of Willow Wolfe Painting Courses and Art Supplies, read about American actor/artist Richard Grieco’s experimentations with a style of painting he’d coined as “abstract emotionalism.”

Wolfe, whose personally designed line of synthetic paint brushes and watercolour workbooks are sold at more than 450 retailers around the globe, mailed Grieco (21 Jump Street, Veronica Mars) a set of brushes she felt would suit his needs.

The two have since remained in touch and this spring Grieco contacted Wolfe again, to let her know about a semi-autobiographical movie called The Painter he was directing and starring in.

Emily Wilson’s ‘Odyssey’ became a cultural flashpoint. Now, she’s retranslating the whole thing

NEW YORK (AP) — If you're among the many readers who learned to love “The Odyssey” through Emily Wilson's 2017 translation, you might be surprised that she's going to translate it again.

“It's a complete retranslation. It's not a revision of the old version,” Wilson told The Associated Press during a recent Zoom interview from her home in Philadelphia, where she is a professor of classical studies at the University of Pennsylvania. “I'm about halfway through.”

Regarded as the first major English-language translation of Homer’s epic by a woman, her book was already a bestseller and a culture-wars flashpoint before the release of Christopher Nolan’s blockbuster adaptation. But she says her translation methods have become more sophisticated and that enough time has passed for her to see some flaws in her work — as an example, she overused the word “slave” when ancient Greek had different terms for different categories of enslaved people. The new edition will be longer, she says, and will better reflect the differing social worlds of Homer’s poem.

Fiction writers and poets, from Henry James to Walt Whitman, have revised and reissued early works. But translators rarely start over on a full-length text — especially not within a decade of the original work's completion, and not when the translation has had the success of Wilson's “Odyssey.”

Educating youth major priority for artist Peatr Thomas

It has to be among the biggest skateboard decks in the country, and it hangs in Peatr Thomas’s art studio on Donald Street in the Exchange District.

The four-metre deck’s artwork created by Thomas, depicts Cree skateboarder Joe Buffalo, spirit lines radiating from his airborne figure, as he becomes the first skater to jump over a massive gap (also four metres) in Montreal’s Peace Park.

“I like that idea and practice of falling and getting up again, over and over to achieve something,” says Thomas, 39.

It’s a lesson he applies to his art practice.

Journalling club looking for folks up for a scrap

On any given Monday evening this summer, Katie Borgfjord could be found scrapping and yapping with friends and strangers alike, building community one collage at a time.

Borgfjord is the creative force behind Scrap and Yap, a local journalling club that hosts workshops and drop-in events that launched in January. This summer, she set up shop at the weekly Riverview Community Centre’s Monday Markets, inviting visitors of all ages to pull up a chair and get crafty for a while.

“We have magazines, stickers, scrap paper, glue, scissors, stamps, anything you might want to just let your creativity out,” Borgfjord, 26, says.

“It’s different every time. Usually a few people will drop in, some will stay the whole time. My favourite is when people just drop in who have never heard of us before. I hope that it helps spark some creativity.”

Art gallery ready to play with clay in WAG Studio Pottery Throwdown

For fans of fast-paced reality competition TV shows, there’s no need to keep watching the action through a screen.

Library opera shows let kids take control of the action

Virtually everyone would choose a treat over a mouldy sandwich. But the youngsters attending Rufus and Rita in Winnipeg libraries often choose the latter.

Winnipeg team behind national LGBT monument spent six years bringing it to fruition

The Winnipeg team behind a national monument recognizing the LGBT Purge were in Ottawa to celebrate its official unveiling Friday.

Thunderhead is the work of local artists Shawna Dempsey and Lorri Millan, Liz Wreford and Peter Sampson of Public City Architecture, and knowledge keeper Albert McLeod, who served as cultural adviser for the project.

The team beat out 31 international submissions for the project, which is permanently located at 201 Wellington St. in Ottawa along the Ottawa River, in view of Parliament.

“We are a beacon internationally around the world of what democracies can do about inclusion, about human rights,” McLeod said.

Wooed by wood, Cedarella founder takes pride in handcrafted designs

Marina Bulan is the founder of Cedarella, a two-year-old venture that turns out eye-catching wood products such as jewelry, kitchen decor, children’s toys and, most recently, metre-high outdoor planters that double as home street-number indicators.

Ahead of immigrating to Winnipeg a decade ago from their native Russia, Bulan and her partner thought it would be prudent to conduct some research on their soon-to-be new home, a city they knew next to nothing about.

Imagine their surprise as they were viewing the 2007 surrealist film My Winnipeg, which comically blends historical facts about our burg with what Winnipeg-born writer/director Guy Maddin has termed “mystical hypothesizing.”

(For instance, there is no proof that, as reported in the award-winning flick, Winnipeg is the sleepwalking capital of the world, and that residents keep keys to their former abodes on their person in the event they turn up there during a bout of somnambulism.)

Rural councils work hard, plan big to build local arts scenes

BEAUSEJOUR — Brittany Wurch has always been drawn to art. She fell in love with illustration and animation as a kid, but growing up near Beausejour meant she had to travel elsewhere to satisfy her creative interests.

“I had to go to a different community to take art,” says Wurch, who chose to study in Selkirk, about a 30-minute drive west, for its high school’s superior art program.

As an adult, she’s determined to make art more accessible in her community.

A smiling red barn and a tall water tower greet visitors on the way into Beausejour. The cute, compact town is located 50 kilometres northeast of Winnipeg and is home to 3,300 people. It’s surrounded by farmland and situated within the RM of Brokenhead, where agriculture and sports have historically reigned supreme.

New exhibition offers up 125 different ways to look at Canada

As a curator and head of collections and exhibitions at WAG-Qaumajuq, Riva Symko has been contemplating landscapes in art for a long time. But living in an ever-changing and ever-threatened one has altered her perspective on them.

Before coming to Winnipeg, Symko and her husband lived in Anchorage, Alaska. One day, seven or so years ago, they were out hiking when a sudden thunderstorm rolled through — “which is very unusual in Alaska,” she says — sparking a forest fire that ended up raging out of control. That summer, the whole city, save for the ocean side, was surrounded by fire and blanketed with heavy smoke. Climate change was viscerally visible.

“And since then, I really haven’t been able to look at a beautiful landscape the same,” she says.

With Terra Cognita/Incognita, a new exhibition opening at WAG-Qaumajuq Wednesday night, Symko wants to inspire and challenge viewers to look at landscapes differently, too.

Don’t delete organ concert tickets when scrubbing digital life

We all have digital footprints of varying sizes and, in the future, grandma’s proverbial china set will be replaced by terabyte hard drives and social media accounts.

Célébrer des employés qui mettent la main à la pâte

L’immigration francophone joue un rôle grandissant dans la vitalité de Saint-Pierre-Jolys. À la Boulangerie Saint-Pierre, des employés venus de plusieurs pays contribuent à la croissance de l’entreprise tout en s’intégrant à la vie du village. Une diversité que l’entreprise souhaite célébrer avec une nouvelle murale.

La Boulangerie Saint-Pierre, à Saint-Pierre-Jolys, connaît une importante expansion depuis quelques années. Pour Jocelyn Gagné, propriétaire de l’entreprise familiale, cette croissance repose largement sur le travail de ses employés, dont plusieurs sont des immigrants francophones. C’est pour souligner leur contribution que la boulangerie, en collaboration avec l’artiste franco-manitobain Gérald Laroche, a entrepris la création d’une murale qui ornera bientôt sa façade.

Jocelyn Gagné, qui travaille dans l’entreprise depuis l’âge de 13 ans, alors que ses parents étaient propriétaires, constate bien que la société a changé à travers les années. “On est rendu dans près de 150 magasins, on a grandi pas mal vite dans la dernière année. On a beaucoup plus d’employés que dans le temps de mes parents.” Avec une telle croissance, le besoin d’engager davantage de main-d’œuvre est venu naturellement.

Un Folklorama à l’année longue

Creepy, poignant graphic novel a small-town coming-of-age horror story

If you’ve been to Sackville, N.B., you might have wondered what’s inside the huge, windowless, white steel cube on the edge of this small town of 6,000.

The fact that “the Sackville Cube” is a huge cold storage facility for frozen fruit, and has the unremarkable name of the Atlantic AutoCold facility, does little to diminish the strangeness of this landmark that seems straight out of a science fiction movie.

So when Jon Claytor’s creepy and poignant new graphic novel, Nowhere, begins with the arrival overnight of a giant white cube on the edge of a small town called Beauséjour, it is natural to assume this is a thinly disguised version of his hometown, and that this coming-of-age horror story bears some resemblance to his own experiences of the weirdness of small town life.

Claytor is a U.S.-born, Sackville-based painter, illustrator, graphic novelist and writer and one of the founders of Sackville’s acclaimed SappyFest independent music and arts festival.

An elegy for the smalls

Dad's darkroom was a place of alchemy: dark except for the one red light that wouldn’t spoil the photographic paper, trays of developer and fixer and rinse water, the enlarger with its timer, a quiet darkened patch of peace.

Rainbow Stage’s Legally Blonde a lovely legal musical

Omigod, you guys! Rainbow Stage kicked off its penultimate summer production Thursday with a high-octane joy machine bathed in a sea of pink.

Inspired by the 2001 Hollywood film starring Reese Witherspoon, and Amanda Brown’s same-titled novel, the award-winning Legally Blonde: The Musical — featuring a book by Heather Hach, with music/lyrics by Laurence O’Keefe and Nell Benjamin — opened on Broadway in April 2007, followed by a subsequent West End run.

The tale — equal parts cheesy rom-com and potent siren call for female autonomy and empowerment — focuses on quintessential Cali-girl Elle Woods (a pitch-perfect Claire Mac Master). A proud daughter and president of Delta Nu sorority house, she enrols at Harvard Law School to win back her upwardly mobile ex-boyfriend, Warner Huntington III (Duncan Cox).

Laser-focused on marrying a “Jackie, not a Marilyn,” Warner dreams of becoming an American senator, latching onto uber-preppy fellow pupil Vivienne Kensington (Julie Davis), who becomes Elle’s arch nemesis.