Sea Bears Dance Crew takes athleticism to the next level

Many grow up believing dance can only be a hobby and never a career. The Sea Bears Dance Crew defies the notion by showing there can be a professional side of dance in Winnipeg.

Tasha Farmer and Kersey Sarao lead a team of 18 dancers from different backgrounds and styles. Together, they create a high-energy game-day experience — one that encourages everyone in the arena to get up and boogie.

Farmer started dancing at a young age, experimenting in all that was offered.

“I trained in ballet, lyrical, hip hop, musical theatre — every single style you can think of,” she said.

Indigenous drum group celebrates sisterhood, solidarity

Aliyah Yellowback wants a seat at the drum circle.

There are differing Indigenous teachings and perspectives on whether women should join in, but the 16 year old has found a spot around a big drum inside a welcoming community at St. John’s High School.

“I automatically get goosebumps and shivers in me — it’s such an empowering feeling,” Aliyah said as she described what it’s like to perform her favourite song with drum group Leading Lynx (Niighani Bezhew in Anishinaabemowin).

“Strong Woman Song really resonates with our drum group because we are strong women. We are resilient, we are powerful and when people hear our voices, I feel like they can feel that, too.”

Winnipeg Beach vinyl boutique helps lake-goers get in the groove

Carlson Teakle is the owner of Beachside Vinyl, a 400-square-foot shop located at 18 Main St., a (Rolling) stone’s throw away from the shores of Lake Winnipeg. The 53-year-old father of four and grandfather of two admits to having fielded the question, “Why Winnipeg Beach?” a number of times since his grand opening earlier this year. His stock reply: why not Winnipeg Beach?

Manitoba documentary focuses lens on environmental defenders, beauty of prairies

Everything We Need Is Here is the latest sumptuously shot Manitoba film rooted in the Prairie landscape.

Though totally unrelated in subject matter, the documentary recalls the 2024 Daughters of the Sun with its saturated and slow-mo sweeps across boreal forests and limestone tinted lakes.

But while Daughters has much murmured narration and arthouse flair, Everything is a plucky film, a can-do sort of doc about the land and its grassroots defenders.

Their voices resonate strong and clear across storylines that weave together the joys of foraging and local environmental protests.

New Folklorama mural rises in Winnipeg’s West End

A Métis sash, Chinese dragon, Japanese lanterns, Scottish bagpipes and an Italian Vespa scooter are just a few of the cultural symbols taking shape on a new Folklorama mural in Winnipeg’s West End, celebrating the annual festival and the communities that have helped define it.

Manitoba firm fills merch tables

Fans of California-based rock band Mammoth who purchase one of the group’s T-shirts tonight at Canada Life Centre will be purchasing clothing that was screenprinted in Manitoba.

Painter honed art of volunteering at Lower Fort Garry historic site

When visitors wandered around Lower Fort Garry National Historic Site in the summer of 2023, they encountered a rather unusual volunteer: artist JD Hawk at his easel, busily working on his live paintings.

Hawk engaged with visitors as he painted, encouraging them to come and ask questions about what he was working on.

The paintings he produced during his tenure were never intended for exhibition, however. They were rough drafts for him to reference later in the year when creating his final paintings.

“There’s no fine detail, they’re not masterpieces. I consider them like a scrapbook, exploring the colours I would need to use for my master paintings,” he explains, adding that when he wasn’t painting he would walk around taking photographs for further reference material.

Quebec municipalities express interest in Samuel de Champlain statue from Ontario

Some Quebec municipalities and organizations are offering to take a controversial statue of Samuel de Champlain from an Ontario city in Simcoe County.

The nearly four-metre-tall bronze monument of the 17th century explorer and founder of Quebec City was removed from a park in Orillia, Ont., and placed in storage in 2017 following debate over its colonial imagery.

Orillia Mayor Don McIsaac said a wave of offers poured in after the city recently raised the possibility of melting the statue down.

“They say it's racist, it's not our history, it is an insult to Indigenous peoples,” McIsaac said in an interview about the controversy over the statue.

Indigenous theatre founder Nova Courchene gets nod for prestigious prize

For her work as the founding artistic director of Oshkagoojin Indigenous Theatre for Youth, Winnipeg’s Nova Courchene has been named the recipient of one of Manitoba theatre’s highest honours for emerging arts leaders.

Since 2023, the Cherry Karpyshin Arts Management Prize has been given out by Prairie Theatre Exchange to early-career or aspiring arts managers. Named for PTE’s longtime general manager, for whom the company’s mainstage is also named, the Cherry Prize is accompanied by professional supports and a $2,500 cash award.

Meaning “new moon” in Anishinaabemowin, Oshkagoojin runs a variety of initiatives in Winnipeg, including the teen-focused Rising Voices, the middle years Growing Voices, and the early years Young Voices programs. Through storytelling, movement, narrative games and guided play, the Young Voices program introduces Indigenous children aged five through nine to the fundamentals of collaborative and co-operative theatre with a curriculum devised through a cultural lens.

“As I continue to grow Oshkagoojin Indigenous Theatre for Youth, I look forward to strengthening the organization’s capacity, sustainability, and national reach so that more Indigenous young people can access theatre, cultural learning, and artistic leadership opportunities in their own communities,” says Courchene in a release. “I believe that when Indigenous youth are empowered to tell their stories, entire communities benefit, and I am excited to continue building these pathways for future generations.

Book review: Spirit of live theatre captured in haunted festival venue

When is a book like a play, or a play like a book — or both? This is the underlying question posed by David Jón Fuller in his debut novel, Venue 13. Considering Fuller’s background as an editor and reviewer for this newspaper, and a longtime part of our city’s theatre community, who better to write a novel that takes place during the Summer Theatre Festival, known locally as Skeeter Fest? (This may sound familiar to any readers who have attended a Winnipeg festival known as the fringe.)

Venue 13 takes the reader behind the scenes of the festival — and not just the actors, directors and sound techs, but the venue owners who mount numerous shows with the hope of attracting large crowds to their BYOV (bring your own venue) location (to use the fringe parlance).

Robert Laliberte has bought an old building that he hopes to resurrect into an arts hub, complete with a fancy fusion restaurant run by his friend, the exotically named Ihor. Winnipeg, and the Exchange District in particular, are well-drawn in the novel, and you can have fun trying to guess which buildings Fuller is referencing.

The novel is a rogue’s gallery of theatre types: the controlling directors, the perfectionist producers, the sensitive actors and even the guy called in to fix the rotting foundation of the theatre.

Colourful folk festival campground a hive of creative activity

The 51st annual Winnipeg Folk Festival had yet to commence, but festivities in the campground were already in full swing.

The festival campground opened early Wednesday morning and provides a temporary home to more than 6,000 residents during the four-day music festival at Birds Hill Provincial Park.

By Thursday afternoon, the area had been transformed into a sea of colourful tents and trailers. A steady stream of campers could be seen hauling wagons from the parking lot loaded with essentials: coolers and tarps, sleeping bags and sunscreen.

Others brought a little more than the basics.

Gem Studio puts new shine on handmade experience

Gem Studio's first franchise location in Western Canada offers an interactive retail concept in which customers design and create personalized jewelry with the help of one of its 14 employees.

Manitoba-shot Netflix series sets beloved Ingalls clan in the actual Prairies

Perhaps it should not have been a significant surprise that Manitoba was chosen as the location for a new iteration of the much-beloved TV series Little House on the Prairie.

Much of the southern part of the province is, after all, authentic Prairie, visually unspoiled by power lines and paved roads.

And there is enough of it to portray a frontier wilderness that matches the source material: a series of books by Laura Ingalls Wilder, set in and around Independence, Kan., in the 1860s. (Manitoba also famously doubled for Kansas in the movie Capote, the Oscar-winning story of Truman Capote’s investigation of a 1959 quadruple homicide on a Kansas farm, culminating in the publication of his book In Cold Blood.)

Perhaps it was more of a surprise that the material would inspire a new interpretation landing on the streaming service Netflix.

The Bird River offers prime kayaking conditions in late spring

A two-hour drive northeast of Winnipeg, the lower Bird River is a popular draw for whitewater enthusiasts.

The water moves fast and the hazards — rapids, rocks and technical drops — are challenging.

This is not a beginner-friendly run. Paddlers need to keep their wits about them as they roll through Class 1 to 4 rapids.

The Bird River, flowing through the traditional territory of the Sagkeeng First Nation, stretches from the Ontario border, through Nopiming Provincial Park, before reaching the Winnipeg River, east of Lac du Bonnet.

New Kevin Walters Plaza graced by art with heart

Tears fill the eyes of an Ojibwa sculptor from Peguis First Nation as he talks about the spiritual journey and deep friendships that came out of creating his first public art piece.

Versatile violinist goes with the bow, from Bach to the Beatles and beyond

Can you hear the drums Fernando? How about the violin?

It’s Friday night at the Stadium Kitchen + Bar, 2935 Pembina Hwy. After delivering spot-on renditions of Neil Diamond’s Sweet Caroline and the Righteous Brothers’ Unchained Melody, solo violinist Allan Palmer polls a small yet enthusiastic audience, asking what they would like to hear next. A couple celebrating a birthday calls out for “some ABBA,” causing Palmer to launch into a medley of Gimme! Gimme! Gimme! (A Man After Midnight) and Fernando, two of the Swedish pop group’s biggest hits.

Moving freely around the room, the 26-year-old, stylishly attired in a black buttoned shirt, dark trousers and polished leather shoes, follows that up with a hip-swaying version of Madonna’s La Isla Bonita before segueing into La Vie en Rose, a plaintive melody popularized 90 years ago by French singer Edith Piaf.

Later, during a short break, Palmer reports that his vast repertoire covers everything from Bach to the Beatles, a major reason why he gets booked regularly for gatherings such as weddings and charity events, not to mention the odd lounge date.

Protesters denounce controversial exhibition at rights museum

More than 200 people demonstrated outside the Canadian Museum for Human Rights Friday evening to protest the exhibition about the mass displacement of Palestinians in the 1940s during the Arab-Israeli war.

Outside the museum at The Forks, the sidewalk was lined with people wearing white and blue clothing while waving Israeli flags and holding placards that denounced the display.

Palestine Uprooted: Nakba Past and Present focuses on the Nakba, in which an estimated 750,000 Palestinians were displaced between 1947 and 1949. The exhibition documents Palestinian Canadians’ experiences through art, photos and text.

One protester said she worries students and other groups who visit the exhibition will get a one-sided version.

Director brings Métis identity, language to silver screen

TORONTO — Métis culture has been around for centuries, but films set in the Métis world remain rare.

The new movie Blood Lines is intended to help fill that gap. Written and directed by Métis actor Gail Maurice (best known in these parts for playing the fiery title character of the locally lensed 2024 drama Aberdeen), it is set in an Ontario Métis community.

Maurice stars as Léonore, a mother who seeks to reconnect with her grown daughter Beatrice (Dana Solomon) after years of alcohol-fuelled neglect.

Beatrice is unforgiving, and is soon distracted by the presence of a new woman in the community. Chani (Derica Lafrance) has come to town searching for her biological family. Clearly enamoured, Beatrice offers to help.

Fish handling tips for fishes’ welfare and better photos

Most of us who spend any appreciable time fishing have encountered those special moments when we want to capture a photograph of the catch that has just made it into the boat.

Numerous circumstances might be driving our desire to get that photo: a neophyte’s first fish, an exceptional catch, the so called “fish of a lifetime,” or any number of other factors that really can be determined only by the angler and the photographer.

Regrettably, many of us have also experienced varying levels of satisfaction with the images captured after we have released the fish to swim free, leaving the angler wishing for more, at which time it’s too late.

The good news is that with a little bit of forethought and planning, we can consistently take great photos of the fish we catch — with the fishes’ welfare of utmost interest, of course.

Palestinian Canadians share keepsakes, memories in CMHR’s Nakba exhibition

Fouad Sahyoun was four years old when his family fled their home in Haifa amid bombardment from encroaching Israeli paramilitary forces in 1948.

“We took a few suitcases and (some) money and we went to Alexandria. We were never allowed to go back,” said Sahyoun, a Palestinian Canadian living in Montreal. “When the money ran out, we became real refugees.”

The 82-year-old is one of an estimated 750,000 Palestinians forcibly displaced in 1948 following the partitioning of Palestine and during the creation of the State of Israel. This event is known as the Nakba, which means “catastrophe” in Arabic.

Sahyoun’s story and the deeds to his family’s seized property in Haifa are included in Palestine Uprooted: Nakba Past and Present, a new exhibition open to the public Saturday at the Canadian Museum for Human Rights.

Exhibit on displaced Palestinians set to open at human rights museum amid criticism

WINNIPEG - The head of the Canadian Museum for Human Rights says it's unfortunate a trustee resigned over an exhibit about displaced Palestinians but she stands by the decision for it to open to the public Saturday.

The exhibit, titled "Palestine Uprooted: Nakba Past and Present," focuses on people affected by the Nakba, Arabic for catastrophe. About 750,000 Palestinians were forcibly displaced in 1948 during fighting over control of what is now Israel.

The exhibit has been in the works for four years, though Palestinian Canadians have been calling for their stories to be told at the Winnipeg museum since it opened in 2014.

Jewish groups have raised concerns that the exhibit could fuel antisemitism by not providing more historical context and that it was created without sufficient consultation and transparency.

One Extraordinary Photo: Mexico goalkeeper Guillermo Ochoa’s special moment

MEXICO CITY (AP) — Silvia Izquierdo is a staff photojournalist with The Associated Press and is based in Rio de Janeiro, Brazil. During her 20-plus year career she has covered World Cup tournaments, the Olympics, breaking news, social issues and political developments.

Why this photo?

During halftime of Wednesday's match between Mexico and Czechia, the stadium lights went dark and thousands of fans illuminated the stands with their cellphone flashlights. When I spotted Guillermo “Memo” Ochoa warming up with his teammates on the field, I knew the moment carried special meaning. This is his sixth and final World Cup after saying he will retire from professional soccer after the tournament. When that happens it will bring to a close an impressive international career.

How I made this photo