Manitoba’s flag: A symbol of shared heritage at 60

On a fair spring afternoon 60 years ago, the Flag of Manitoba made its debut at the provincial legislature. In what the Winnipeg Free Press called an “impressive ceremony,” then-lieutenant-governor Richard Bowles formally proclaimed the new provincial flag on May 12, 1966.

Some Japanese snack packages are turning black-and-white as Iran war depletes ink supply

TOKYO (AP) — The packaging on some snacks in Japan is turning a somber black-and-white, as the war in Iran disrupts the supply of an ingredient used in colored ink.

Tokyo-based Calbee Inc., which makes potato chips and cereal, said what’s inside remains the same. Calbee's popular snacks are available in Japan's ubiquitous convenience stores and shipped to the United States, China and Australia.

“This measure is intended to help maintain a stable supply of products,” it said in a statement this week.

The change on 14 products in its lineup will start May 25, limiting ink colors to just two, the company said, noting it was necessary to respond flexibly to changing geopolitical conditions.

Fausses histoires, vrais liens

Ce vendredi 1er mai, la finale de la 35e saison de la Ligue d’improvisation du Manitoba (LIM) a fait salle comble une fois de plus au Centre culturel franco-manitobain.

Pour la troisième année consécutive, c’est l’équipe des Verts — Roger Durand, Eric Plamondon, Gilles Lessard, Alexandre McMurray, Avery Wolchuk, Léanne Marchildon, Zara Ramlal — menée par Mathieu Jubinville, qui a soulevé la Coupe Canot après l’avoir emporté sur les Jaunes — Alexandre Normandeau, Dominique Wyrchowny, Jacques de Moissac, Josée Roy, Lynne Connelly, Stéphane Grégoire, Stéphanie Morin-Robert — de Maryse Gagné au terme d’un match très serré.

Pour celles et ceux qui ignorent en quoi consiste un match de LIM, imaginez deux équipes qui partagent une même scène et qui s’affrontent ou collaborent parfois sur un thème donné pour raconter l’histoire la plus drôle possible.

Mathieu Jubinville, capitaine de l’équipe gagnante, donne l’exemple suivant: surveillance de voisinage.

Inclusive, integrated musical theatre company in Winnipeg first of its kind in Canada

With its first public performance — a revue of numbers from family favourites such as Toy Story and Frozen — a new performing arts organization in Winnipeg is aiming at a more accessible, accepting and diverse vision of musical theatre production.

Co-founded by theatre educators Brenda Gorlick, Lois Brothers and Laura Kolisnyk, AIM 4 All brings together performers with and without disabilities to train, practise and perform in full-scale musical productions: AIM stands for “all-inclusive musicals.”

This weekend, 28 Manitobans will take the stage in five stagings of Disney’s Dare to Dream Jr. at the University of Winnipeg’s Asper Centre for Theatre.

With plenty of supportive family and community members excited to see the result of months of preparation, the organizers are pleased to say each show is sold out.

Met gala guests deliver works of art on the human form

New York (AP) — Whether dressed in a jewel-encrusted skeletal form, sculpted breast plates or anatomy-evoking trompe l’oeil, Met Gala guests physically evoked the theme “fashion is art” Monday evening as they masterfully pulled from a kaleidoscope of references to embody living works of art.

“Everyone who attended the Met Gala this year really leaned into fashion is art, using your body as a canvas, and that really came across in some of the best-dressed looks of the night,” said Kevin Huynh, fashion director of InStyle.

Fashionable A-listers gave into the theme and had fun with it. First-time Met Gala attendees included actors Chase Infiniti and Hudson Williams, as well as Olympian Alysa Liu, all of whom commanded the carpet in dramatic ensembles. Infiniti, for example, donned an enchanting Thom Browne sequined gown using trompe l’oeil to depict the female form.

Meanwhile, Met Gala mega stars and repeat attendees rose to the occasion: Vogue red-carpet correspondent Emma Chamberlain playfully dressed in a dramatic long-sleeved gown that appeared dipped in a rainbow of color from indigo to the brightest yellow-gold. And after 10 years of skipping the Gala, Beyoncé arrived to reclaim her throne, wearing a glittering crown and radiant Olivier Rousteing silver gown designed in the shape of a skeleton.

Stars on Ice skaters embrace high fashion with designer dresses

If anyone knows how to make a statement, it’s Canadian Olympian Deanna Stellato-Dudek.

Not only did the 42-year-old make history in February as the oldest female figure skater to compete at the Olympic Games in almost a century, Oscar de la Renta dressed her for the occasion — in Milan, Italy, one of the great fashion capitals of the world.

“I think a partnership between haute couture and figure skating is a match made in heaven,” says Stellato-Dudek, who won three Canadian titles and the 2024 world championship with pairs partner Maxime Deschamps.

Her collaboration with the New York fashion house marked the luxury brand’s first foray into figure skating costume design.

RMTC's Rubaboo: A Métis Cabaret is a musical mélange of jazz, folk, roots

You’ve probably had sirop d’érable and pemmican, but have you tried rubaboo?

A scoop of peas or corn, a dash of flour and onions, bison meat if you have it, a maple syrup garnish — and suddenly you’re cooking with bear grease (which you shouldn’t forget to add, either).

In a pinch, you might substitute grouse for bison meat, and throw in some extra turnip and parsnip plus wild vegetables to thicken your rubaboo stew.

Cooking and fusion metaphors are never far from how we talk about cultural blending, but in Canada, we’ve tended to resist America’s more assimilationist image of the melting pot. Instead, we talk of mosaics, or sometimes salad bowls, to emphasize eclecticism.

Stirring oratorio pays homage to Indigenous veterans

‘My war wasn’t in Europe. My war was when I came back to Canada and I couldn’t vote until 1962,” says composer Andrew Balfour. He’s paraphrasing a quote by an Indigenous veteran and the inspiration for his oratorio notinikew (i went to war).

Most fashion mannequins are about a size 2. The Met Gala exhibit is making room for diverse bodies

NEW YORK (AP) — On a sultry summer day in Brooklyn last year, artist and couture designer Michaela Stark found herself in a studio surrounded by 175 cameras, for a photo shoot unlike any she’d done before.

Clad only in her signature corsetry that binds the flesh, Stark stood in the midst of a circle as the cameras captured all angles of her body, simultaneously — part of an intricate process known as photogrammetry. The goal: to scan her body and build a mannequin — three, actually — for display in one of the world’s top museums, the Metropolitan Museum of Art. And at the Met Gala, no less.

“It was definitely a bit nerve-wracking,” recalls Stark of the “intimate and vulnerable” experience. But, she quips, “something about being naked on a 40-degree (Celsius) day in a corset that isn’t hiding anything kind of takes the awkwardness away from the situation, actually.”

The mannequins, and others based on real-life models like Stark, will be featured in “Costume Art,” the upcoming spring exhibit at the museum’s Costume Institute that's launched by the starry May 4 gala. It’s part of an effort to add an element of body positivity to a show that examines the dressed body in art over the centuries, says curator Andrew Bolton.

North End vocational school opens ‘cultural learning lab’ creative design studio

A North End warehouse has been converted into a multi-purpose design studio where students can sew ribbon skirts, print 3D models and launch businesses.

The Winnipeg School Division celebrated the grand opening of its Waabishkaa-Makwa Lab last week.

The first-of-its-kind “cultural learning lab” embeds Indigenous teachings into project-based learning activities.

For more than a decade, the 4,500-square-foot space inside R.B. Russell Vocational School had been collecting dust and housing broken equipment.

New dance work explores life’s tensions

The pressures of modern life have a way of piling up.

Piles of work. Piles of debt. Piles of laundry. Piles of information and memes and media to parse. Piles of expectations. Piles of physical stuff added to cart during late-night shopping binges because we think it’ll make the piles of stress and worry (about the cost of groceries, about war, about aging parents) easier to manage, lighter to carry.

We become surrounded by these metaphorical and literal piles until, one day, it all becomes too much.

Accumulation, a new work choreographed by artistic director Jolene Bailie that will close Winnipeg’s Contemporary Dancers’ 2025/26 season, lives in the tension before the breaking point.

Jury finds that Ticketmaster and Live Nation had an anticompetitive monopoly over big concert venues

NEW YORK (AP) — A jury found Wednesday that entertainment giant Live Nation, which hosts tens of thousands of concerts a year, and its Ticketmaster subsidiary had a harmful monopoly over big venues.

The ruling, in a lawsuit brought by dozens of states, won’t immediately bring relief for concertgoers who have long complained about high ticket prices. But it could cost Live Nation hundreds of millions of dollars and perhaps force the company to sell some of its concert venues when the judge hands out penalties later.

Among other things, the jury found Ticketmaster's anticompetitive practices led to people in 22 states paying an extra $1.72 per ticket, which the judge could order the companies to pay back.

A jury in New York deliberated for four days before reaching its decision. State attorneys general who sued Live Nation said the verdict could potentially lead to lower ticket prices for music fans.

From chants on trams to a parliament rave, young Hungarians provided a soundtrack for Orbán’s defeat

BUDAPEST, Hungary (AP) — Many of the young Hungarians who came of age during Prime Minister Viktor Orbán’s 16 years in power have never known life outside his political system. Yet it was they that were at the forefront of Sunday's earthquake election that ejected him from office.

As hundreds of thousands of people took to the streets to celebrate the historic win by pro-European candidate Péter Magyar, music from some of Hungary's most popular — and most Orbán-critical — performers filled the air. Teenagers scaled Budapest’s iconic Chain Bridge and blasted revolutionary anthems by artists whose songs captured young people’s frustrations with the regime.

On the city’s trams, buses and subway cars, young people led chants and played AI-generated fan music dedicated to Magyar.

In front of Hungary's neo-Gothic parliament building, a group called “More Techno to Parliament!” celebrated Orbán's defeat with a rave.

Hand-drawn 1884 map captures Winnipeg at moment when frontier hadn’t fully given way to a metropolis

At first glance, the map is still. Ink on paper, streets drawn neatly in place, buildings rendered by a careful hand. Look more closely and it begins to loosen. Step into the image, between the lines, and immerse yourself in a city of movement.

In pictures: Artemis II crew captures eclipse, Earthrise, far side of moon during lunar flyby

NASA released new photos Tuesday captured by the Artemis II astronauts.

Artemis II’s lunar fly-around and intense observation period lasted seven hours.

A total solar eclipse greeted the three Americans and one Canadian as the moon temporarily blocked the sun from their perspective.

Venturing as close as 4,067 miles (6,545 kilometers) to the gray dusty surface, the astronauts zipped through a list of more than two dozen photo targets, using powerful Nikon cameras as well as their iPhones to zoom in on impact craters and other intriguing lunar features.

C’est l’amitié qui a gagné

Lors de la finale de la 30e saison de la Ligue d’improvisation secondaire tellement époustouflante (LISTE), un moment historique s’est joué: les Grenouilles grotesques et les Extra-terrestres rocambolesques, deux équipes du Collège Louis-Riel, ont remporté ensemble la victoire, partageant le trophée.

La soirée du 17 mars, une quinzaine de jeunes joueurs d’improvisation de la Division scolaire franco-manitobaine (DSFM) se sont rencontrés pour la finale de la trentième saison de la LISTE. Accueillies par une foule passionnée d’environ cinquante personnes, les deux équipes finalistes se sont rencontrées dans la Salle Pauline-Boutal du Centre culturel franco-manitobain (CCFM).

D’une part, en chemises vertes et représentés par des cartes de vote vertes, on retrouvait les Grenouilles grotesques, du Collège Louis-Riel (CLR). L’équipe s’est ralliée sous la houlette de leur capitaine Gabrielle Pagé, élève de 12e année.

De l’autre, en chemises noires et représentés par des cartes de vote jaunes, il y avait les Extra-terrestres rocambolesques, également du CLR. Cette équipe était dirigée par Nathan Perkins, lui aussi en 12e année.

An AI-rendered Val Kilmer will posthumously appear in a new film

NEW YORK (AP) — A year after the actor's death, a generative AI version of Val Kilmer will co-star in an independent film, in one of the boldest uses yet of artificial intelligence in moviemaking.

First Line Films announced Wednesday that Kilmer has posthumously joined the cast of a film titled “As Deep as the Grave.” The producers said that, before his death, Kilmer had signed on to perform in the movie but was unable to because of his health.

Kilmer's estate gave permission for his digital replication, and is being compensated for it. Mercedes Kilmer, the actor's daughter, said the role resonated with her father.

“He always looked at emerging technologies with optimism as a tool to expand the possibilities of storytelling,” she said in a statement. “This spirit is something that we are all honoring within this specific film, of which he was an integral part.”

L’impro’ manitobaine rencontre le monde

Du 18 au 21 mars, André Vrignon-Tessier, propriétaire des monuments Brunet et figure connue de la Ligue d’Improvisation du Manitoba (LIM), se rendra dans la ville de Québec pour y représenter le Manitoba.

À l’occasion de la journée internationale de la francophonie, ce 20 mars, le club d’improvisation de Québec, en partenariat avec le ministère des Relations internationales du Québec, organise la fête internationale de la francophonie.

Parmi les célébrations, une soirée d’improvisation à laquelle participeront plusieurs acteurs en provenance de plusieurs horizons francophones.

Ces derniers feront le déplacement depuis l’Acadie, la France, la Belgique, Haïti et finalement le Manitoba.

First-time playwright’s social work training helps craft horror drama In the Shadow Beyond the Pines

The type of writing that thriller aficionado Rhonda Apetagon does on a day-to-day basis isn’t anyone’s idea of creative fun: as a trained social worker, the first-time playwright is accustomed to filing reports about “the real scary stuff” in life: loss, addiction, violence and the abuse and maltreatment of children.

“That’s way scarier for me than ghosts,” says the director of Kinosao Sipi Minisowin Agency, which provides child and family services to members of Apetagon’s community, Norway House Cree Nation.

Apetagon’s debut play, In the Shadow Beyond the Pines, premièring tonight at the Tom Hendry Warehouse, takes place at the intersection of those two strains of horror stories, sending three grieving men (Daniel Knight, Jeremy Proulx and James Dallas Smith) into the forest to light a sacred fire for their recently departed friend, Warren, who was the quartet’s “glue” since childhood, holding the group together even as the joys, pressures and traumas of adult life pulled them apart.

Apetagon wanted the play, set on the outskirts of an unnamed northern community, to highlight the double-edged nature of living in a remote environment, where the combination of intense togetherness and relative isolation presents both threat and opportunity.

RWB presents reimagined version of Tchaikovsky classic The Sleeping Beauty

The classics tend to be the classics for a reason, and The Sleeping Beauty, the classical fairy-tale ballet choreographed by French-Russian master Marius Petipa to Tchaikovsky’s masterwork score, is no exception.

But that doesn’t mean they have to be done the way they’ve always been done.

The version the Royal Winnipeg Ballet will perform at the Centennial Concert Hall this week is an adaptation by the company’s new artistic director, Christopher Stowell, which was created for the Oregon Theatre Ballet in 2010 and is now part of three other companies’ repertoires.

“Part of my mission, I think, in keeping this art form that I love relevant, alive and on people’s minds and appealing to people, is to take a work that has been part of the repertoire for a long time, like Sleeping Beauty,” he says. “It’s 100-and-something years old, and I love it, and I value it, and it has an important place in our history.

Une 5e édition, et une incorporation pour Noir et Fier

Lors du gala de clôture de Noir et Fier, tenu le 26 février au Musée canadien pour les droits de la personne (MCDP), le festival conclut le mois de février avec l’annonce d’une incorporation. L’organisation franchit donc une étape structurante importante en devenant un organisme à but non lucratif à part entière.

“Le bilan que je fais de cette cinquième édition est très positif.”

En cinq ans, Noir et Fier est passé d’une exposition de portraits pour le mois de l’histoire des Noirs, à un festival qui occupe désormais tout au long de février et qui franchit aujourd’hui une nouvelle étape avec son incorporation.

“Chacune des activités a rassemblé beaucoup de personnes. Ça a été des moments de discussion très intenses, de très bons moments d’échange, de partage, de sensibilisation et d’éducation. Nos statistiques sont assez frappantes,” assure Wilgis Agossa, directeur artistique et fondateur de Noir et Fier.

Drumming program connects Southeast Asian students with traditional instrument, heritage

For many young musicians at Arthur E. Wright School, tabla class begins with a bow and tapping their music teacher’s toes.

Amjad Sabir isn’t all that fussy about formalities, but he recognizes his students’ families have taught them these gestures are important to show respect towards their Indo-Canadian elders.

“I just want to spread this art,” said Sabir, who is affectionately known as “guruji” — meaning esteemed teacher in Hindi and Punjabi — inside the kindergarten-to-Grade 8 building in the Maples.

The art in question? A pair of hand drums, known as tabla, that create a wide range of tones.

Churchill s’expose à l’Hôtel Fort Garry

À peine franchi le seuil de la passerelle arrière de l’emblématique Hôtel Fort Garry, le visiteur est happé par un regard. Immense. Blanc. Perçant. Celui d’un ours polaire saisi à Churchill par le photographe manitobain Jean-Pierre Parenty. Depuis quelques jours à peine, 46 de ses clichés transforment le couloir vitré de l’hôtel en une véritable immersion arctique.

Photographe animalier, Jean-Pierre Parenty s’est spécialisé depuis une dizaine d’années dans la faune canadienne. “Je suis Canadien et j’aime chercher, photographier et représenter la faune canadienne,” confie-t-il.

Né et élevé au Manitoba dans une ferme, Jean-Pierre Parenty nourrit depuis l’enfance une passion pour les animaux et la photographie. “La partie qui m’intéresse et que j’adore, c’est être en nature, chercher des animaux, les trouver et puis essayer de les capturer dans mon appareil photo,” dit-il. S’il a longtemps parcouru le monde, c’est désormais vers le Nord qu’il tourne son objectif, et plus particulièrement vers Churchill, cette localité de la baie d’Hudson capitale mondiale de l’ours polaire.

L’idée de l’exposition est née d’un appel de l’hôtel, il y a environ un an. “L’Hôtel Fort Garry m’a appelé pour créer une galerie dans la passerelle arrière de l’hôtel. Et ils ont demandé que ce soient des photos d’animaux de Churchill,” explique-t-il. Une demande sur mesure pour celui qui fréquente régulièrement la région. “Je vais à Churchill très souvent, donc j’ai beaucoup de photos que j’ai prises là-bas,” souligne le photographe.

Exhibit connects traditional and contemporary Métis beadwork artists

Suspended from the ceiling in Gallery 1C03 at the University of Winnipeg is an octopus bag, created by Métis visual artist Claire Johnston.