Elementary students share struggles with reading after report reveals education system failing

The Manitoba Human Rights Commission published the long-awaited results of a probe into how schools are teaching children to read — or failing to do so — at the end of October.

The 70-page report represents Phase 1 of a special project that’s become known as “Manitoba’s Right to Read.” A followup on the implementation of investigators’ recommendations is expected in 2026-27.

Local investigators concluded many teachers do not have training in structured literacy, a neuroscience-backed philosophy founded on explicit instruction in phonics, which stresses recognizing the connection between sounds and letters/letter combinations.

The structured-literacy method of teaching had all but lost the so-called “reading wars” by the 2000s, amid concerns memorizing letter-sound associations was repetitive and, as a result, was destroying students’ motivation to learn. Schools pivoted to prioritizing exposing children to a wide variety of interesting and increasingly difficult texts.

Amid bail-reform debate, some argue court orders must suit low literacy levels

Several red flags jump off the page when literacy expert Margaret Banasiak examines a Manitoba provincial court bail form.

It’s never too brisk to bike — once you get in gear with winter

Excerpt from That’ll Never Work Here: Challenging the Myths Around Biking in a Winter City, by Patty Wiens (Great Plains Press). A book launch will be held Nov. 8 at McNally Booksellers. It is the second book in The City Project, which examines ways to create a happier, healthier more sustainable Winnipeg.

When someone asks me, “How did you become a cycling advocate?” I usually say, “I rode my bike in winter one day and now I’m here.” Bicycle stories usually have a gap in the middle. There’s a well-known joke that says that the beginning of your life is all about bikes, then there’s a bunch of BS with cars in the middle, then you get older and get back to bikes.

That’s true for me.

Coming of age in the era of ‘fake news’

‘Let’s get media lit(erate)!” The punny slogan was my attempt to get students excited about fact-checking, current events and finding alternative sources to Wikipedia — a crowd-sourced platform anyone can edit.

Hommage vivant à une pionnière du théâtre franco-manitobain

Du 22 octobre au 1er novembre 2025, le Théâtre Cercle Molière donnera vie à la figure emblématique de la francophonie manitobaine, Pauline Boutal.

Pour le centenaire du TCM, l’ancienne direction a choisi d’inaugurer sa saison avec la programmation d’une pièce “100 % Manitoba,” comme le dit Marie-Ève Fontaine, nouvelle directrice artistique et co-directrice générale de l’établissement.

Il s’agit de Pauline Boutal, entre les toiles et les planches, œuvre de théâtre écrite par l’une des plus importantes figures de la littérature franco-canadienne de l’Ouest actuelle, Lise Gaboury-Diallo, et mise en scène par Simon Miron, également franco-manitobain.

Le spectacle retrace en deux actes les faits saillants de la vie de Pauline Le Goff Boutal (1894-1992), illustratrice, artiste-peintre, costumière, comédienne, metteuse en scène et première directrice artistique du TCM, qu’elle a dirigé pendant 27 ans.

The Orange Notebooks navigate love, longing and a quest for a lost child

He turned. He looked back, precisely when he seemed to have the cosmic solution in his hands — and that was his terrible undoing. That was Orpheus’s mistake.

Susanna Crossman reimagines turning and looking back here, in a kind of experiment in genre. The Orange Notebooks is an adventure story, to be sure, but it is also part aching memoir, part lyrical poetry, part polychromatic kaleidoscope, part surreptitious “found footage” but, most thoroughly, part primordial myth.

Crossman seems to dwell, as her writing does, between worlds. She grew up in the U.K. in a “utopian commune” about 50 years ago but now resides in France, writing (both essays and fiction), lecturing and practising arts therapy. Her 2024 memoir, Home Is Where We Start, set a lingering tone of journeys, nostalgia and psychological reflection.

The Orange Notebooks reprises that tone, beginning with the pretense that we are being handed a set of journal reflections written by our protagonist, “Anna,” who herself lives in liminal spaces. She too was raised in England but grew to adulthood as a server on an English Channel ferry, married a dashing Frenchman with an exotic name, Antton (the two Ts a vestige of his Basque heritage) and eventually settled with Antton in a lovely rural French home, both as teachers.

New truths emerge among sea of orange

No matter where you are, the path towards reconciliation between Indigenous Peoples and Canadians has been very turbulent over the past decade.

In the 10 years since the end of the Truth and Reconciliation Commission and the 94 calls to action, much attention has been placed on the progress — and lack thereof — towards changing the policies, practices and beliefs that embody principles of Indigenous inferiority and Canadian superiority.

The fact is: the Indian Act, the most racist law in Canadian history, is still here.

Virtually all of the Indigenous land stolen during the last 150 years remains stolen.

This is what I want you to know

I sometimes stand on the third floor of the former Portage la Prairie Residential School, where hundreds of children stood before me, and look out over the grounds and the lake beyond.

In praise of messy, unruly free speech

There’s a lot of obnoxious and hypocritical talk about free speech circulating online, in editorial pages and at the family dinner table.

Local filmmaker’s lo-fi feature packs a punch

It feels right that this low-budget, lo-fi experimental feature should be showing as part of We’re Still Here, a slate of programming that marks 50 resilient and resourceful years of the Winnipeg Film Group.

Setting the record straight on Reading Recovery

When I read the op-ed Empire of illiteracy in a recent Winnipeg Free Press (Think Tank, Sept. 9), I wasn’t just frustrated, I was deeply disappointed.

Indigenous stories given wings by peers, playwrights

Six Indigenous storytellers are sharing new works with local audiences this week through Royal Manitoba Theatre Centre’s Pimootayowin: A Festival of New Work.

Li waiyage d’enne langue

A FAMILY Journey, le nouveau livre signé Sherry Dangerfield, raconte le périple d’une famille se rendant à pied au Lower Fort Garry en 1845.

Bien que fictif, ses personnages connaissent les défis réels que les Manitobains d’autrefois devaient relever lorsqu’ils voyageaient d’une communauté de la rivière Rouge à une autre. Et, pour ajouter une saveur encore plus authentique au livre, ses producteurs, Corridor Rivière Rouge, ont choisi de le faire traduire en français, en ojibway et, en michif. (1) “Lorsqu’on m’a demandé de traduire A Family Journey, j’étais profondément touché,” déclare Jules Chartrand. “Je n’avais jamais auparavant traduit un livre, mais l’exercice s’est avéré fort intéressant. Et c’était une façon de faire valoir ma langue maternelle, qui est toujours une langue vivante. Le michif est parlé en région, dans mon village natal de Saint-Laurent, ainsi qu’à Saint-Ambroise, à Saint-Eustache et à Russell, sans parler de Winnipeg où habitent un grand nombre d’anciens résidants de ces communautés. Il est aussi parlé dans l’Ouest canadien.”

Or, comme le rappelle Jules Chartrand, le michif passe souvent inaperçu. D’une part, parce que les Métis, après la création du Manitoba, en 1870, et encore davantage après la pendaison de Louis Riel, en 1885, ont été dévalorisés comme peuple.

“Le michif originel, ou michif mère, était parlé par les Métis de la rivière Rouge avant l’arrivée des Canadiens-Français venus du Québec et la Nouvelle-Angleterre,” relate Jules Chartrand. “Quand les francophones sont devenus majoritaires dans les villages métis, ils ont cherché à assimiler les Métis.”