On a quiet weekend in theaters, ‘Spider-Man’ is No. 1 again

Advertisement

Advertise with us

NEW YORK (AP) — On a chillingly quiet weekend at movie theaters, “Spider-Man: No Way Home” again topped the box office in its seventh week of release.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 30/01/2022 (1693 days ago), so information in it may no longer be current.

NEW YORK (AP) — On a chillingly quiet weekend at movie theaters, “Spider-Man: No Way Home” again topped the box office in its seventh week of release.

January is traditionally a slow month for moviegoing and that’s been especially true this year, in part because the omicron variant of the coronavirus prompted some postponements. But even before the omicron surge or a blizzard that forced some theaters closed Saturday in the Northeast, the weekend was set to be especially muted.

Sony Pictures’ “Spider-Man: No Way Home” grossed $11 million over the weekend, according to studio estimates Sunday, bringing its domestic total to $735.9 million. The Marvel hit has accounted for a huge percentage of the month’s ticket sales.

This image released by Sony Pictures shows Zendaya, left, and Tom Holland in Columbia Pictures'
This image released by Sony Pictures shows Zendaya, left, and Tom Holland in Columbia Pictures' "Spider-Man: No Way Home." (Sony Pictures via AP)

“No Way Home,” which has topped the box office for six of the past seven weekends, has continued to hold well since opening in December. This weekend, it dropped only 20% from the week prior. In the record books, “No Way Home” is approaching the third-highest grossing film in North America, “Avatar” ($760 million). It also added $21.1 million overseas to pass $1 billion internationally.

But aside from Paramount Pictures’ “Scream,” which stayed in second place with $7.4 million in its third weekend, January has been a dead zone. No new releases opened widely over the weekend. Last week, one of the only films to try to open nationwide was “The King’s Daughter,” a woebegone fairy tale starring Pierce Brosnan that was made in 2014.

While the ups and downs of the pandemic have meant a fluctuating recovery for movie theaters, the dearth of January releases comes on the heels of Hollywood’s biggest pandemic success in “Spider-Man: No Way Home.” At the box office, famine has followed feast.

“Lack of movies is a critical issue for movie theaters,” said Patrick Corcoran, spokesman for the National Association of Theater Owners. “Contrary to some industry thinking, we cannot live on blockbusters alone. A consistent flow of exclusive movies to the movie theater is necessary to serve the range of audiences that go to the movies.”

“We cannot get back to normal and show audiences that movie theaters are safe if the studios don’t give us a normal flow of films,” added Corcoran.

For exhibitors, it’s a potentially worrying sign of what may come. Though there have always been lulls at the box office, such quiet periods could become more regular. Aside from the myriad films that go straight to streaming on platforms like Netflix, Amazon Prime Video and Apple TV+, industry consolidation — and less major studio product — has been a concern for theater owners since Walt Disney Co. acquired 20th Century Fox in 2019.

Whether the theatrical business can weather the changes wrought by streaming is one question. But another, and potentially more pressing one is whether theaters will always have enough movies to subsist in between the biggest hits.

Next week, Lionsgate’s “Moonfall” and Paramount Pictures’ “Jackass Forever” will open and are expected to finally topple “Spider-Man: No Way Home” from the top spot. A large number of blockbusters, including “The Batman,” “Jurassic World: Dominion” and “Top Gun: Maverick,” await in 2022. But some alarmingly thin periods may, too.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Spider-Man: No Way Home,” $11 million.

2. “Scream,” $7.4 million.

3. “Sing 2,” $4.8 million.

4. “Redeeming Love,” $1.9 million.

5. “The King’s Man,” $1.8 million.

6. “The 355,” $1.4 million.

7. “American Underdog,” $1.2 million.

8. “Ghostbusters: Afterlife,” $770,000.

9. “Licorice Pizza,” $691,000.

10. “West Side Story,” $614,000.

___

Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

Report Error Submit a Tip

More Stories

Desperate Poilievre wants Canadians to believe the sky is falling when it’s just cloudy outside

Tom Brodbeck 5 minute read Preview

Desperate Poilievre wants Canadians to believe the sky is falling when it’s just cloudy outside

Tom Brodbeck 5 minute read Yesterday at 12:47 PM CDT

Pierre Poilievre has a problem.

Canadians just don’t seem to be paying much attention to him anymore.

So, naturally, the Conservative Opposition leader has decided to turn up the volume.

At a recent party caucus retreat in Penticton, B.C., Poilievre delivered the familiar message: Canada is in trouble, Canadians are hurting and the Liberal government is making everything worse.

Read
Yesterday at 12:47 PM CDT

Canada must not accept another Iranian autocracy

David Matas 5 minute read 2:01 AM CDT

Iran is a state run by a radical government victimizing its citizens and its neighbours. How do we change that? Any regime change that repeats the mistakes of the past is not a solution.

What went wrong in the past which led to the current regime? One answer is the U.K. and American aided coup which led to the ouster in 1953 of a democratically elected government headed at the time by Mohammad Mossadegh and its replacement with an American friendly autocrat, the Shah of Iran, Mohammad Reza Pahlavi.

The Shah imposed his rule through the Iranian National Intelligence and Security Organization — SAVAK, the acronym of its Persian name. SAVAK systematically inflicted torture, arbitrary killings and extra-judicial killings on perceived opponents of the regime. It was only a matter of time before repression of a regime directed to serving foreign interests would be overthrown.

What replaced the regime of the Shah, in 1979, the current regime of the mullahs, is a regime as intolerant and violent as the regime of the Shah and then some. That was not inevitable. But neither was it surprising. The vicious nature of the current regime, following the example set by the Shah, and its hatred for the United States, reacting to the U.S. aided imposition of the Shah, both echoes and reacts to the past. In 1979, the U.S. reaped what it sowed in 1953.

‘She was looking to destroy me’: convicted harasser faces new charges

Dean Pritchard 6 minute read Preview

‘She was looking to destroy me’: convicted harasser faces new charges

Dean Pritchard 6 minute read Thursday, Sep. 17, 2026

When Agnieszka Ciochon-Newton moved into the 55-plus apartment building on Stradbrook Avenue last year, she came across as “timid, soft-spoken and sensitive,” said building manager Tanya Owen.

Little did Owen know the meek-looking 58-year-old woman would soon turn her life and the lives of many of her tenants upside down and threaten her career and family.

“She was looking to destroy me for a simple tenant disagreement,” Owen said Thursday.

Court records show Ciochon-Newton was arrested earlier this month and charged with seven counts of criminal harassment, two counts of uttering threats and one count each of fraud, breaking and entering, attempting to obstruct justice, intimidation of a justice official, mischief and defamatory libel.

Read
Thursday, Sep. 17, 2026

Grieving child builds backyard rocket ship

Harriet Zaidman 4 minute read 2:01 AM CDT

I Built a Rocket Ship (Kids Can Press, 32 pages, hardcover, $22) by Winnipegger Anna Lazowski is a tender story for children ages 4-8 about a little girl trying to make sense of her mother’s death. The child engages in conversation with her late mom, agreeing and disagreeing about things said as she carries objects (and of course, the cat) to the backyard. There, she is building a rocket ship she will pilot into the skies to find her mom again.

Jennica Lounsbury’s varied perspectives show the range of emotions the little girl experiences.

● ● ●

Northwoods Lullaby by Mary Casanova (University of Minnesota Press, 32 pages, hardover, $25) is a bedtime book for readers up to age eight, perfect to bring a busy, happy day to a close. Just like children who are listening to adults reading the book, all the animal babies are being tucked into their nests and burrows by loving parents: “Thump and scamper,/nimble clover./ Soon it’s time to rest. Baby loon/ nestles in/as Papa floats along.”

Puzzles Palace

1 minute read Monday, Jul. 27, 2026

To solve our puzzles, please subscribe with this special offer: |

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read Preview

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read 2:01 AM CDT

Tom Lin’s second novel Babylon, South Dakota moves beyond a historical account of an immigrant family’s struggle, delightfully blending and bending genres.

Lin is a Chinese-born novelist whose family emigrated to the U.S. when he was four years old. His debut novel, The Thousand Crimes of Ming Tsu, won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making him the youngest ever recipient of that award. He earned a PhD in English from the University of California Davis and is currently an assistant professor of English and creative writing at the University of Iowa.

Babylon, South Dakota takes place in an unspecified time period that can be understood to be during the Mao era — likely the 1950s or ’60s. A young Chinese couple, the Hsuis, immigrate to the rural community that gives the book its title. They take the names Saul and Mei and settle on a 160-acre homestead left to them by a distant relative.

Saul’s dream is to breed and sell chrysanthemums from seeds he brought from China, while Mei wants to raise livestock. They speak no English, know nothing of life in the United States, are unprepared for the harshness of winter and the isolation of the farm and bring nothing with them except some gold, which Mei hides around the house for emergencies. Their only link to the outside world is a discarded and marginally functioning TV set, which Saul rescues and rigs up.

Read
2:01 AM CDT