Crowds pack Dublin’s streets for national St. Patrick’s Day parade

Fish go cold as Saltdogs put end to franchise record win streak

The Goldeyes went cold for the first time in 13 games Saturday night in Lincoln.

The Saltdogs grabbed a 12-2 win over the visitors, stopping the club’s franchise win streak record at 13.

The Fish still boast a 40-32 record with 27 games left in the regular season. Last year represented a major step back, with a 41-58 record, which led to missing the playoffs entirely. This season, the club has its sights set on first place in the division.

The Goldeyes wrap up the road series on Sunday, with first pitch scheduled for 1:05 p.m. The Fish are back at Blue Cross Park on Tuesday, hosting the Sioux Falls Canaries to begin a six-game homestand.

The true costs of your pet — for everyone

Pets are a problem, but few will discuss the downsides of pet ownership.

New lab a win for Winnipeg’s long game

It would be easy to overlook the announcement this week that the federal government was green-lighting a quarter-billion-dollar expansion of the National Microbiology Laboratory’s Canadian Science Centre for Human and Animal Health on Arlington Street.

Easy to overlook, in part, because it will take a decade to build the new 140,000-square-foot laboratory specializing in medical countermeasures.

But make no mistake, this latest investment from Ottawa galvanizes Winnipeg’s reputation as a global leader in the research of the world’s most infectious diseases. It also confirms that a wager made by Manitoba political leaders nearly 40 years ago is paying off in spades.

The existing NML was, to be frank, hastily conceived compensation for one of the most egregious examples of political pork-barrelling ever seen in Canada.

City puts Osborne Village lot up for sale third time

The city is making a third attempt to sell a seemingly prime Osborne Street property, after an offer for the surface parking lot fell through earlier this year.

The 772-square-metre space at 145 Osborne St., which formerly operated as an official paid city parking lot, has been posted for sale once again.

It may puzzle some Winnipeggers to see the site in the heart of Osborne Village remain empty so long after the city declared it surplus in 2020.

However, a few different challenges may limit its appeal to potential buyers, alocal real estate agent said.

Lac du Bonnet slowly healing from devastating fire

LAC DU BONNET — Fifteen months after devastating wildfires ripped through Lac du Bonnet, claiming two lives and destroying more than a dozen homes, residents are trying their best to build back better.

Along the winding gravel path that is Wendigo Road outside Lac du Bonnet, new timber peeks through patches of charred forest. Homes and cottages are beginning to take shape after fire raced through the neighbourhood at record speed and levelled at least 18 homes on the road.

Table saws and nail guns ring in the distance while Brian Curtis plots out where his new cottage will go. Curtis bought his previous cottage 19 years ago and had recently levelled the foundation.

He and his wife, Pam, had been thinking about long-term renovations when the May 13, 2025 fire swept away all their work and memories.

The view from here: Phyllis Green. Boob Tree, 1975

Staycation: The Art of Being Here feautres more than 100 Manitoba-related artworks from the Winnipeg Art Gallery-Qaumajuq collection, spanning the past 50 years. These pieces reveal how the places around us are layered with memory, story and lived experience. Over the coming weeks, the Free Press will spotlight works from this eclectic exhibition, each one offering a new way of seeing home. Experience it in person and enjoy some staycation time at the gallery, on view until December.

Phyllis Green. Boob Tree, 1975

(Yarn, wood. Collection of the Winnipeg Art Gallery; Acquired with funds from the Estate of Mr. and Mrs. Bernard Naylor, funds administered by The Winnipeg Foundation, 2014-128. Photo: Ernest Mayer.)

The year 1975 was designated International Women’s Year by the United Nations, and in celebration, the WAG staged the show Images of Women, which explored how women had historically been depicted, an impressive selection but by mostly male artists. Amid pushback from the community, Sharron Zenith Corne and Marian Yeo organized a second exhibition, Woman as Viewer, which challenged those portrayals by only featuring works by women. It was called the first Canadian exhibition of feminist art. American artist Phyllis Green’s Boob Tree, a four-foot-tall crochet sculpture of a cluster of breasts, adorned the exhibit posters, which were so popular they were snatched by passersby! The sculpture is playful and unsettling, re-appropriating the objectification of women’s bodies.