Planting boreal beauty onto repurposed palettes Painter Patrick Treacy’s Bushland Series is more than just a visual memory walk through the boreal forest
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Hey there, time traveller!
This article was published 30/03/2022 (186 days ago), so information in it may no longer be current.
Winnipeg painter Patrick Treacy has given the humble palette its due.
A palette is a board or plate where artists usually store the paint they wish to work with that day, where two or three colours of paint are often mixed together to create different hues or tints.
By Patrick Treacy
● Cre8ery gallery, 125 Adelaide St.
● March 31 to April 12
That’s not how the 71-year-old Treacy works. In his latest exhibition of landscapes, Bushland Series, which opens at Cre8ery gallery Thursday and is on display until April 12, the painting is the palette.
The tool he would use for a previous painting has become its own painting.
“In any given painting session I might have 10 (palettes) on the go, and at the end of the painting session I just set them aside and let them dry,” he says.
“When they’re dry, I go back to them and scrape them. I was ignoring that for a while.”
He builds wooden edges around his palettes, like baseboards, to keep the paint from dripping off and making a mess in his West End studio. When he looked back later, he discovered the random results had become something special.
“When I cut that border off, it was a beautiful object, the scraping was too beautiful to ignore,” he says.
“When I go to the boreal forest, I see the rocks and boulders, and they have been there a million years, and they have been scraped too.”
Treacy added some final touches of paint to the scraped palettes to transform the kitchen cutting-board-sized pieces into woodland memories of Manitoba’s boreal forest from his childhood.
He grew up in Anishinaabeg communities such as Little Grand Rapids, following his father who ran Hudson’s Bay Company stores in Manitoba and northern Ontario.
He remembers venturing into the woods near Fishing Lake, about 280 kilometres northeast of Winnipeg, a part of the boreal forest called Pimachiowin Aki, which was named a UNESCO Heritage Site in 2018.
“I always privileged that landscape as perfect, and eternal and forever, and that’s how it existed in my mind,” he says. “The boreal forest is my muse but I’m also learning about the boreal forest and it’s in danger.
“It’s a powerful thing, the boreal forest.”
While he treasures that protected land, his views of it are not the neat and orderly depictions of nature that many landscape artists have made.
He says a friend called his works organic anarchy, where trees come in all shapes and sizes, branches go every which way and vegetation in summer is in full bloom or autumn decay, creating vivid Expressionist scenes.
In Bushland Series, he immerses you into the forest he remembers, as if you were dropped in the middle of it by parachute.
“The landscape lends itself to this. It’s chaos and disorder,” he says. “If you’re Cezanne, you really organize it. If you’re Van Gogh, you go wild with it.”
Treacy’s gone wild with his palette-scraping experiment, and after hanging about 25 of them on Wednesday for the show, he’s wondering what to do next.
“I’m very tempted to start pulling the palettes out of circulation and work with them, but I’m running out of palettes,” he says with a chuckle.
Bushland Series is Treacy’s second exhibition at Cre8ery since 2020, when he was able to unveil Magpie Beauty in between pandemic shutdowns.
That show didn’t get an official opening, and neither does Bushland Series, but Treacy and his show are part of First Fridays at the Exchange on Friday evening.
He’s confident about his woodland paintings, but less so about COVID-19’s status in Manitoba in the spring of 2022, where he says people are left to fend for themselves.
Treacy is a cancer survivor and underwent surgery just prior to the pandemic’s arrival in Manitoba two years ago.
He’s been living a monastic lifestyle in an attempt to keep the virus away from his weakened immune system, which has allowed him to focus more on his painting, and his scraping of old palettes.
“That show came after a stay in hospital,” he says of 2020’s Magpie Beauty. “Now, I pray that I don’t fall into the hands of any hospital. It’s just a nightmare.”
Alan Small has been a journalist at the Free Press for more than 22 years in a variety of roles, the latest being a reporter in the Arts and Life section.
Updated on Thursday, March 31, 2022 9:50 AM CDT: Corrects that Bushland Series does not get an official opening