Serious times at play palace Children’s Museum forced to tighten financial belt, fundraise

The Children’s Museum is a home away from home for the Maes family.

Read this article for free:


or

Already have an account? Log in here »

To continue reading, please subscribe:

Subscribe and receive a limited-edition Free Press branded hat or tote.

Digital Subscription

One year of digital access for only $205*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles

*First annual payment billed as $205.00 + GST for one year. This annual subscription will automatically renew at $233.00 + GST every 52 weeks (10% off the regular annual price of $259.35). Offer available to new and qualified returning subscribers only. Cancel any time.

To continue reading, please subscribe:

Add Free Press access to your Brandon Sun subscription for only an additional

$1 for the first 4 weeks*

  • Enjoy unlimited reading on winnipegfreepress.com
  • Read the E-Edition, our digital replica newspaper
  • Access News Break, our award-winning app
  • Play interactive puzzles
Start now

*Your next Brandon Sun subscription payment will increase by $1.00 and you will be charged $17.95 plus GST for four weeks. After four weeks, your payment will increase to $24.95 plus GST every four weeks.

Hey there, time traveller!
This article was published 30/01/2026 (233 days ago), so information in it may no longer be current.

The Children’s Museum is a home away from home for the Maes family.

“We come all the time,” says mom Rachel Maes, while watching four of her six kids explore the centre’s toddler zone on a cold Monday afternoon.

“We’re a Métis family, so we can come for free, which is amazing.”

The young family visits the colourful museum at The Forks several times a month during the depths of winter, but that may soon change.

MIKE DEAL / FREE PRESS
                                Rachel Maes and her 16-month-old son Bruce at the Manitoba Children’s Museum.

MIKE DEAL / FREE PRESS

Rachel Maes and her 16-month-old son Bruce at the Manitoba Children’s Museum.

Next week, the non-profit organization will begin phasing out a popular pilot program that has offered free admission to First Nation, Métis and Inuit visitors since 2023.

“That’s very sad to hear. It would for sure change the amount we would go to budget that in,” Maes says upon learning of the ticketing changes.

Last year, the museum also reduced its hours by two days a week while increasing its daily admission and membership fees to $13.75 and $55 per person, respectively.

The program cuts and price hikes are intended to help stabilize a dire financial situation at the long-running institution, which is set to celebrate its 40th anniversary this year.

“It’s very much an inflection point in the history of the museum,” says new executive director Trevor Clearwater, who took on the role in October following the departure of Sara Hancheruk.

“Belt-tightening measures have been taken to try and bring us to the place we want to be, which is a more sustainable future.”

“Belt-tightening measures have been taken to try and bring us to the place we want to be, which is a more sustainable future.”

The Children’s Museum has reported operating deficits in four of the last six years, including a $320,000 shortfall in 2024.

Attendance numbers have been slow to rebound since the COVID-19 pandemic and the rising cost of living has left families with less discretionary spending for recreational activities, says Clearwater.

Revenue from gift-shop sales and fundraising has also dwindled since 2019, according to annual reports.

Clearwater, previously vice-president of guest services at Assiniboine Park Conservancy, describes the situation as critical, but not catastrophic.

“Catastrophic would mean we would be sitting here talking about us not being able to operate any longer and we’re not in that position,” he says.

Deferred maintenance owing to the cash crunch has taken a toll on the heritage building, which is in need of roof and window upgrades, as well as interior fixes.

MIKE DEAL / FREE PRESS
                                Manitoba Children’s Museum executive director Trevor Clearwater says the financial situation is critical, but not catastrophic.

MIKE DEAL / FREE PRESS

Manitoba Children’s Museum executive director Trevor Clearwater says the financial situation is critical, but not catastrophic.

On Monday, the Splash Lab and Lasagna Lookout, two of the museum’s 12 permanent exhibits, were closed unexpectedly for repairs — an increasingly frequent occurrence that has garnered negative feedback from guests.

“In the last year or so, things have broken and not been replaced,” Clearwater says, adding some of the play structures and interactive elements installed during the museum’s last major $10-million renovation are nearing the end of their lives.

“We need more operating dollars for these issues, we want to inject more value into the guest experience. At some point in the not too distant future, we will likely need to embark on another capital campaign to do a bigger refresh of what you see inside.”

The museum is hosting a 40th birthday celebration in June, bringing back its fundraising gala in September and currently hiring for a part-time sponsorship manager.

The organization has also partnered with United Way Winnipeg to distribute 2,000 free passes to local families who otherwise would not be able to access the museum. Clearwater says priority will be given to First Nation, Métis and Inuit families to fill the gap left by the free admission pilot program, which will be phased out over the next several months.


The Manitoba Children’s Museum was incorporated in 1983 by founding executive director Linda Isitt, a social worker who rallied support from her kitchen table for the creation of a fun and educational indoor space for kids.

The museum opened in the summer of 1986 inside a 4,000-square-foot warehouse on Pacific Avenue, which housed three permanent galleries and welcomed 65,000 guests in its first year.

“That’s where I took my kids and we had lots of fun there,” says Mary Hanson, who chaired the board during the museum’s move to The Forks in 1994.

The former railyard was in the early stages of revitalization and the developers were strict about maintaining the historic elements and esthetics of the ground.

Painting the exterior of the oldest surviving train-repair building in Manitoba — a 1889 roundhouse built by the Northern Pacific and Manitoba Railway Company — was a no-go.

As a compromise, the museum was permitted to install a giant purple snake to the chain link fence of its enclosed outdoor area.

“At least it looked a little kid-like, instead of a brick building with no colour,” Hanson says, adding there was some internal head-scratching when the colourful Manitoba Theatre for Young People venue opened on the grounds five years later.

The new Children’s Museum location, with its iconic train engine and giant oak tree, allowed for more visitors, classes and special programming.

Many of those exhibits were replaced in 2011, the building’s last significant transformation, to create the interactive, open-concept space that exists today.

“The people who were coming to our museum in 1994 are now coming back with their kids, which is awesome. But these people, they need to be on the donor list.”

On Monday, one-year-old Jack was enjoying his first-ever visit to the museum.

“It’s nice to have somewhere to go where I can get out of the house and we can see other kids and parents. We’ll be coming back for sure as he grows,” mom Selina Brewster says.

While watching Jack climb the foam blocks in Tot Spot, aunt Nadine Lowes was fondly reminiscing about her own childhood memories of the Children’s Museum.

“I remember the fox in the beaver dam. It was really nice to have all kinds of different things to explore. It’s great to come to a place that has the nostalgia, but has also been updated,” Lowes says.

Along with fundraising and appealing to corporate sponsors, new and existing, Hanson believes an important part of the museum’s financial future will rely on tapping into that nostalgia.

“The people who were coming to our museum in 1994 are now coming back with their kids, which is awesome. But these people, they need to be on the donor list,” she says, adding that if the museum were to close “it would be a huge loss for Winnipeg. That is where kids can go be kids.”

winnipegfreepress.com/evawasney

Eva Wasney

Eva Wasney
Reporter

Eva Wasney covers environmental issues in Manitoba for The Narwhal in partnership with the Winnipeg Free Press. Read more about Eva.

Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press‘s tradition, since 1872, of producing reliable independent journalism. Read more about Free Press’s history and mandate, and learn how our newsroom operates.

Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber.

Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.

Report Error Submit a Tip

More Stories

Near-future U.S. the setting for surreal dual-world storyline

Reviewed by Morley Walker 4 minute read Preview

Near-future U.S. the setting for surreal dual-world storyline

Reviewed by Morley Walker 4 minute read Yesterday at 2:01 AM CDT

It’s not every day you encounter a seriously intended literary novel that attempts to dramatize a mind-bending physics theory like quantum entanglement.

But then the B.C.-born-and-raised Emily St. John Mandel is not your everyday Canadian literary writer.

In her late 40s, she has lived in the U.S. for her entire writing career. She is best known for her 2014 dystopian novel Station Eleven, about a Shakespearean acting troupe navigating a pandemic-ravaged America.

Her new outing, her seventh, Exit Party, shares DNA with detective and sci-fi genres more than with conventional literary fiction.

Read
Yesterday at 2:01 AM CDT

Former Bombers linebacker Gauthier enjoying career as electrician

Taylor Allen 6 minute read Preview

Former Bombers linebacker Gauthier enjoying career as electrician

Taylor Allen 6 minute read Friday, Sep. 18, 2026

Most professional football players don’t ride off into the sunset on their own terms.

Shayne Gauthier was well aware of that, but it didn’t make it sting any less when the Winnipeg Blue Bombers informed the veteran linebacker that they weren’t bringing him back for 2026.

“I was really hoping to play one more (season) because it would have been my 10th season, so, I’d say it didn’t really end the way I wanted,” Gauthier recently told the Free Press.

“It left a little sour taste in my mouth, but that’s part of pro sports. If everybody got the ending that they wanted, then it wouldn’t really work.”

Read
Friday, Sep. 18, 2026

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read Preview

Family account spiced with magic realism, geopolitical intrigue and a ghost story

Reviewed by Zilla Jones 4 minute read Yesterday at 2:01 AM CDT

Tom Lin’s second novel Babylon, South Dakota moves beyond a historical account of an immigrant family’s struggle, delightfully blending and bending genres.

Lin is a Chinese-born novelist whose family emigrated to the U.S. when he was four years old. His debut novel, The Thousand Crimes of Ming Tsu, won the 2022 Andrew Carnegie Medal for Excellence in Fiction, making him the youngest ever recipient of that award. He earned a PhD in English from the University of California Davis and is currently an assistant professor of English and creative writing at the University of Iowa.

Babylon, South Dakota takes place in an unspecified time period that can be understood to be during the Mao era — likely the 1950s or ’60s. A young Chinese couple, the Hsuis, immigrate to the rural community that gives the book its title. They take the names Saul and Mei and settle on a 160-acre homestead left to them by a distant relative.

Saul’s dream is to breed and sell chrysanthemums from seeds he brought from China, while Mei wants to raise livestock. They speak no English, know nothing of life in the United States, are unprepared for the harshness of winter and the isolation of the farm and bring nothing with them except some gold, which Mei hides around the house for emergencies. Their only link to the outside world is a discarded and marginally functioning TV set, which Saul rescues and rigs up.

Read
Yesterday at 2:01 AM CDT

Today’s horoscope

Georgia Nicols 4 minute read Preview

Today’s horoscope

Georgia Nicols 4 minute read 2:00 AM CDT

MOON ALERT: There are no restrictions to shopping or important decisions today. The moon is in Capricorn.

ARIES (March 21-April 19)

Be aware that people notice you more than usual. In fact, some people will even know personal details about your private life. Consider this in case you have to do some damage control. This is a relaxed day and a chatty one.

TAURUS (April 20-May 20)

Read
2:00 AM CDT

AC/DC fans power up with pre-show pop-up

By Sheldon Birnie 3 minute read Preview

AC/DC fans power up with pre-show pop-up

By Sheldon Birnie 3 minute read Friday, Sep. 18, 2026

Those getting ready to rock on Sunday night at Princess Auto Stadium, can prime their engines at AC/DC’s PWR/UP Pop-Up this weekend.

Fans lined up all the way down Fort Street south of the Pyramid Cabaret for a special preview event on Friday night.

“We’re so excited,” said Marcella Ceron shortly after getting into the Pyramid. Ceron and her husband were hoping to win tickets to Sunday’s concert, one of a number of promotions running throughout the pop-up’s tenure at the downtown bar. “We were in line since 5 o’clock.”

According to organizers, the venues across Canada have been handpicked – including the Commodore Ballroom in Vancouver and Foufounes Électriques in Montreal, among others — owing to their reputations as “places where fans already gather and music culture lives.”

Read
Friday, Sep. 18, 2026

A life’s story: activist, educator, organizer knew the true meaning of community

Janine LeGal 7 minute read Preview

A life’s story: activist, educator, organizer knew the true meaning of community

Janine LeGal 7 minute read Yesterday at 3:00 AM CDT

Somewhere between a love for sharing stories and a love of community connections, Michael (Mike) Maunder lived his life. Giving voice to people and neighbourhoods was a passion for the natural-born community organizer.

An author, teacher and principal, Maunder lived in a one-bedroom apartment in West Broadway and devoted himself to community development, education and neighbourhood renewal.

He maintained a connection with Augustine United Church, whose commitment to social justice he appreciated, volunteered at the Sandy-Saulteaux Spiritual Centre, and found comfort in a Buddhist prayer community.

Maunder died on July 15 at the age of 80.

Read
Yesterday at 3:00 AM CDT