Sounds of the scenic route

Local duo Mise en Scene's latest project takes a trip on the road to growing up

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Inspiration for Mise en Scene’s new album struck, fittingly, while Stefanie Johnson was on the road.

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Inspiration for Mise en Scene’s new album struck, fittingly, while Stefanie Johnson was on the road.

The pandemic was raging and she was heading up to Gimli, home at the time, when she spotted a church promoting drive-thru confessionals.

“I liked the mixing of metaphors, the idea of fast food and fast cheapness mixed with something vulnerable and secretive and special,” says Johnson, vocalist and guitarist of the local indie-rock outfit alongside drummer Jodi Dunlop.

MATT HORSEMAN PHOTO
                                Drive-Thru Confessional is Mise en Scene’s first full-length release in six years.

MATT HORSEMAN PHOTO

Drive-Thru Confessional is Mise en Scene’s first full-length release in six years.

Drive-Thru Confessional, out March 6, is Mise en Scene’s first full-length release in six years following the band’s 2023 EP, Reality Bites. The record is full of hazy, driving guitar and stories about the long, winding journey of growing up.

While writing the opening track, I Confess, Johnson travelled back in time to imagine a teenager confessing their affection to a crush working the drive-thru window of a burger joint — a scenario involving many laps to retrieve “forgotten” condiments and pop refills. As with fast food, young relationships are rarely healthy.

“You totally would’ve stalked them. ‘Hi, it’s me again, can I get another coke?’” Johnson says, laughing.

“And your number?” Dunlop adds.

The artists recreated the scene — sans declaration of love — while making the album artwork, which required circling the drive-thru of the Junior’s Restaurant on McPhillips Street to get the perfect shot.

The 10-track album covers a lot of ground beyond the messy excitement of first love — from depression (Everything in Gold) to breakups (Leftovers) to a road trip with a random dude in a beige Corolla (Beige Corolla). The focus is on lessons learned along the way, not the destination.

“I picture someone getting in their car and going on all these adventures — they’re getting in a fight at a bar with some douchebag, they’re getting into a car crash in L.A., they’re hanging out with their friends. Each song is a snapshot of a moment and you can really see yourself there,” Dunlop says.

The vignettes are specific enough to feel universal, with a nostalgic arc that moves from past to present, innocence to maturity. Drive-Thru Confessional closes with Remember This Feeling, a retrospective song about savouring the ups and downs of those formative experiences.

“It’s so easy to forget these really visceral feelings we have. Art’s job is to remind you of the human experience and to be unashamed of your own travels,” Johnson says.

MATT HORSEMAN PHOTO
                                Mise en Scene shot the album artwork for Drive-Thru Confessional at Junior’s on McPhillips.

MATT HORSEMAN PHOTO

Mise en Scene shot the album artwork for Drive-Thru Confessional at Junior’s on McPhillips.

The album was recorded in Johnson’s family cabin in Gimli and produced by Micah Erenberg of Secret Beach. The members of Mise en Scene both live in Winnipeg now, but the lakeside town remains close to their hearts — Dunlop was born there and Johnson grew up spending her summers there.

A lot has changed for the best friends and bandmates since their last full album, Winnipeg, California, in 2020. Johnson was pregnant with her second child while recording Drive-Thru Confessional and several months later Dunlop found out she was also expecting a daughter.

“That was a special moment,” Dunlop says of sharing the news.

“It was so cool to be pregnant with your best friend at the same time, and the person you have a musical journey with,” Johnson says.

Motherhood has created necessary lifestyle and career changes for the heavy touring band. It’s also influenced the reflective storytelling of the latest album and the speed at which songwriting is able to happen.

“We’ve got six pairs of little feet we have to watch out for now, everything takes a hundred times longer now,” Johnson says.

Still, music was always going to be part of the equation.

“You don’t have to just be a mom or just be an artist, but there are challenges and we’re starting to figure out what works best for us,” Dunlop says.

“I also think about our kids and my daughter and I want her to have a mom that she sees doing things that she loves.”

Mise en Scene has no plans of touring for this album cycle, but the band is set to throw an album release party on April 18 at Times Change(d), with backing by Ian Lodewyks and Clinton Giesbrecht. Kris Ulrich, who also released a new record last week, opens.

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For his latest LP, songwriter Liam Duncan headed down to Los Angeles, leaving his local comfort zone and relinquishing creative control to producer Robbie Lackritz (Feist, Bahamas). Duncan was nervous to hand off production duties, but not once he got into the studio, and certainly not after he heard the results. “I was able to focus more on my part, not trying to act like every player, the engineer, the mixer and the producer,” he says. “I just got to be the artist, bring the songs, direct the flow of the session, sing and play guitar.”


  • Kris Ulrich — Remainders
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Performing at the Times Change(d) High and Lonesome Club (234 Main St.) on April 18 with Mise en Scene

With his latest EP, Kris Ulrich wanted to get experimental and carefree, so the local rocker spent “almost zero dollars” making it happen, recording Remainders in one marathon home session that wound down at 4 a.m. “It’s these little songs that didn’t really have a home, and I didn’t want them to die in darkness,” says Ulrich, who is repped by local label Birthday Cake. “I wanted them to see the light of day.”


  • Prairie — Fawn
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  • Performing at LoBar (Wolseley house venue) on March 6 with Elio Ugrin

The title of this indie quartet’s (vocalist/guitarist Moss Queen, guitarist Ian Tata, bassist/vocalist Val P. and drummer Dawson Reynolds) debut EP is no mistake, says Reynolds. “These are our baby songs,” he says, written with bleary-eyed optimism and romantic ideals intact. Recorded in the RM of Ste. Anne at Jody Turner’s Studio 23, the collection is peppered with birdsong from the surrounding forest if you listen closely.


  • Tommy Douglas Keenan — Returns to the Moon
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  • Performing at Sidestage (700 Osborne St.) on March 12 with Hera and Son of Dave

Tommy Douglas Keenan is floating through the impossible vastness of space with his guitar, harmonica and a deep sense of yearning. The local indie-rock musician — and prolific theatre performer, who will in Royal Manitoba Theatre Centre’s Waiting for Godot next season — releases his poetic sophomore album next month. Returns to the Moon is a twinkling meditation on human existence.


  • Ariel Posen — Bannatyne
  • Out March 20

With Bannatyne, Ariel Posen eases into his identity as a songwriter. The celebrated Manitoba guitarist has penned an ode to home filled with fuzzy strings and fitting cameos. Dallas Green of City and Colour lends his high-flying vocals to the jammy single Empty-Handed, while Kathleen Edwards appears on the slow-burning love song More Me With You.


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  • Performing at the West End Cultural Centre (586 Ellice Ave.) on March 21 with Amby and the Lady Lumps

Blending old-school harmonies, show-stopping vocals and hilarious lyrics that might make you blush, this nine-piece ensemble has been told that they sing “like naughty angels.” Taking the stage in 1930s house dresses, Fu Fu Chi Chi builds on the feminist folk tradition of 1960s Canadian protest singer Vera Johnson, writing clever songs that get stuck in your head and won’t budge.


  • Tired Cossack — Zima
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An anticipated new album is due next month from Tired Cossack, the Ukrainian-infused industrial shoegaze project led by Steven Levko Halas. “I wrote these songs when I couldn’t sleep because of the drugs pumping in my head,” writes Halas, a cancer survivor. “I wrote these songs when fear paralyzed me and when I thought I would die … I wrote them because I had nowhere to run. I wrote them because I couldn’t stop. I wrote them to scream and to feel beautiful when I felt ugly. I wrote these songs for me and you.”

— with files from Ben Waldman

Eva Wasney

Eva Wasney
Reporter

Eva Wasney is an award-winning journalist who approaches every story with curiosity and care.

Ben Waldman

Ben Waldman
Reporter

Ben Waldman is a National Newspaper Award-nominated reporter on the Arts & Life desk at the Free Press.

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