Don’t downplay your dog’s stress over daycare

Multiple factors add up to difficult harvest

Earlier this month, farmers sent agriculture publications some heartbreaking photos showing how heavy rains across the Prairies had pummelled a promising harvest.

An idled combine up to its axles in a flooded Saskatchewan field, straw bales surrounded by water and field equipment stranded on the far side of a washed-out section told the obvious story.

The Sept. 6-7 event was just the latest in a series of heavy rainfall events that have plagued this year’s growing season. Similar deluges hit different regions July 15-17, Aug. 14, and Aug. 31 — some of which were accompanied by tornadoes.

“What’s made this season challenging is the intensity of these rainfalls,” said Manitoba Agriculture ag meteorology specialist Alison Sass as she reviewed the summer’s weather patterns on an extension webinar.

Artist’s inspired work brings Red River Métis story back to Portage and Main

Jennine Krauchi calls them the “grandmothers.” “They speak to you very silently. You never hear a word, but they speak,” Krauchi says, referring to the antique pieces of Métis needlework she’s carefully studied for years. But there are few precedents for her latest art project: a 85-foot-wide by 32-foot-high chain curtain of Métis needlework that drapes over the historic Bank of Montreal’s neoclassical facade.

Retired sportscaster Scott Oake determined as fundraising for women's addictions treatment facility enters home stretch

For now, the patch of land just east of the Victoria Hospital doesn’t look like much: just a field of rocks, mounded dirt, and concrete piles driven into the earth. Yet when Scott Oake looks over the site, he can already imagine how it will look in just over a year’s time, when the new Anne Oake Family Recovery Centre is expected to open.

It’s easier to picture this time around. In 2020, when the recently-retired CBC sportscaster and his late wife, Anne, were building their first labour of intermingled grief and love, the Bruce Oake Recovery Centre for men, it was hard for him to wrap his mind around how a raw construction site could transform into a welcoming addictions treatment facility.

When that centre opened in 2021, Oake found it looked “almost identical” to the architect’s renderings. So it’s easy to hope the Anne Oake Centre will be the same. It will be the first facility of its kind, its founders believe, not only in Canada but in North America: a place where 50 to 70 women can pursue sobriety while staying with their children.

“At Bruce Oake there’s a culture of love, and most of all a culture of hope,” Oake said, speaking at the site Thursday after a media conference to announce the final push of the centre’s fundraising campaign. “I can feel it every time I walk into that building. And I know it will be the same here.”

Chrétien says Canada bows to no one in fiery address at 9/11 commemoration

GANDER - Former prime minister Jean Chrétien drew a standing ovation inside a Gander, N.L., hockey arena on Friday as he delivered a pointed message to American leaders during a ceremony marking the 9/11 terrorist attacks in the United States, 25 years ago.

The 92-year-old warned Americans never to mistake Canadian generosity for weakness, nor its kindness for softness.

U.S. Ambassador Pete Hoekstra looked on as Chrétien insisted his pointed words were a sign of friendship. Friends tell each other the truth, he said.

“We embraced our friends and we helped them in their moment of need, but we bow to no one,” Chretien said, as the crowd erupted again.

Goodness alive, well in N.L.-set musical

I first saw Come From Away — the true-story musical about the incredible efforts of the residents of Gander, N.L. on Sept. 11, 2001, who welcomed nearly 7,000 travellers diverted to their remote town after the attacks on the World Trade Center and the Pentagon — in 2022, when Broadway Across Canada brought it to the Centennial Concert Hall.

I went in cold, but with blunted expectations; it seemed, on premise alone, like it could tilt too far into shmaltzy sentimentality, that it would be too earnest in its goodness.

So, when I wept until my face was as wet and salty as though it had been slapped by the waves of the North Atlantic, I was pleasantly surprised. I loved it. It’s emotional, yes. It’s sentimental, yes. But you can’t help but feel both buoyed — and, dare I say, patriotic — by the end of it.

Written by Canadians Irene Sankoff and David Hein, Come From Away seemed an unlikely hit when it opened on Broadway in 2017. But there was, by then, an appetite for it.