Bard’s Dark Lady more than mistress, more than muse

Winnipeg, police and downtown crime

A safer downtown is not much use if people are still afraid to walk there.

That is the uncomfortable message from Winnipeg’s latest police citizen survey, and one city council should take seriously.

Downtown crime has fallen this year, according to the most recent police statistics. Violent crime is down even more. But for most Winnipeggers, the downtown still feels like a place to avoid, particularly after dark.

Only 44 per cent of survey respondents said they feel very or reasonably safe walking alone downtown during the day. At night, that number plunges to just eight per cent. Among women, it is an appalling three per cent, compared with 14 per cent of men.

Teenage e-scooter driver in critical condition after crash

A teenager riding an e-scooter suffered life-threatening injuries when he was struck by an SUV in southwest Winnipeg on Monday night.

Witnesses provided first aid to the injured rider, who police said is under 18, after the collision happened at Waverley Street and Arbour Meadow Gate/Lake Crest Road at about 9:30 p.m.

“It feels like it happened in slow motion,” said driver Audrey Vanderspek, who was waiting at a red light when she witnessed the incident. “Maybe it’s because you’re helpless, that it just feels like everything slows down in the moment.”

Police said the electric scooter rider was crossing Waverley and was hit by a southbound 2010 Honda CR-V. The posted speed limit on that stretch of Waverley is 70 kilometres per hour.

Powerful personal drama provides both bark and bite

Well before playwright Rafaella Marcus’ words have the chance to entangle us in the stickiness of Sap, the performance space initiates the task in director Elio Zarrillo’s staging of this discomfiting and affecting story of restraint and liberation.

Shortly after the audience takes its seats in four segments surrounding a central channel — a shimmering tunnel containing cellist Grace Morningstar — it becomes clear as actors Hera Nalam and Liz Whitbread make their way around the tight corners of David Oro and Hazel Venzon’s set that certain actions will go unseen unless viewers keeps their heads on a swivel: in a production meant to uproot understanding, a fixed perspective will never do.

In this vulnerable and powerful production from Theatre by the River (105 minutes) the actors meet the excellence of Marcus’s twisty script, which calls for emotionally draining and jolting depictions of a relationship headed down a rocky road.

Nalam plays a young communications pro for a women’s aid charity whose dating life is a work in progress. She’s bright and optimistic, taking notice of elements of nature that nobody else seems to recognize. On her daily commute, she looks out from the bus window in awe of a home overflowing with branches and leaves.

MMF walks away from bid to buy Fort Garry Hotel

The Manitoba Métis Federation won’t buy the historic Fort Garry Hotel, President David Chartrand said Monday.

Today’s horoscope

MOON ALERT: Avoid shopping (except food and gas) or important decisions until noon today. After that, the moon moves from Scorpio into Sagittarius.

ARIES (March 21-April 19)

Your idealism is aroused, perhaps because you feel sympathy for the suffering of someone far away. Because you are proactive by nature, you might do something to help in any way you can. Pay attention to what you say and do. Expect detours.

TAURUS (April 20-May 20)

Bard’s Dark Lady more than mistress, more than muse

For more than 400 years, mystery has enshrouded the identity of Shakespeare’s “Dark Lady” as depicted in his sonnets, believed by many to be English poet-musician Emilia Bassano.

One of those believers Canadian powerhouse actor-playwright Jessica B. Hill, whose sophomore play The Dark Lady marked its world premiere by Shakespeare in the Ruins last week. Performed in the round on the leafy banks of La Salle River, the co-production with Saskatoon’s Shakespeare on the Saskatchewan — where the 75-minute (sans intermission) show moves next month — runs locally through July 2.

The Montreal-born Hill, now in her seventh season with the Stratford Festival, has garnered critical acclaim for her electrifying performances, including last year’s All’s Well that Ends Well.

Local theatre buffs will also remember her playwriting debut (another co-pro with SIR), the solo show Pandora, which premièred at Prairie Theatre Exchange in January.