Quebec book prize drops Amazon sponsorship after outcry from literary community

Flammable gas culprit of 2024 Transcona home explosion: police

Flammable gas is believed to be the cause of a 2024 house explosion in Transcona that damaged neighbouring homes and displaced residents.

“As a result of the investigation and upon Crown review, the explosion is believed to be an isolated incident,” Winnipeg Police Service Const. Dani McKinnon said in an email Friday afternoon.

“There are no public safety concerns connected to this incident, and no criminal charges have been laid.”

The sudden blast happened in a bungalow on Camrose Bay on June 26, 2024. It levelled the home and caused significant damage to 22 other houses. At the time, it was described as “catastrophic” by the fire chief at the scene.

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.

Nuit Blanche ready to wow in city’s core

For one night each September, downtown Winnipeg becomes an art gallery — an amusement park, even.

During Nuit Blanche, which takes place tonight, 3D projections spill across the Exchange District, The Forks and St. Boniface, and thousands flood the city core to take in live music, DJs and installations.

“There really isn’t anything like it. I know every promoter probably tells you that, but we are the only event that works at this scale in the fall,” says Nuit Blanche general manager Kurt Tittlemier.

“Culture Days Manitoba is run with the mission statement to make free, accessible artistic programming to all,” he adds, referring to the multi-week national festival, “and Nuit Blanche is our flagship event.”

Happy email debt forgiveness day

There are few things more capable of producing an immediate feeling of guilt than opening your inbox and seeing an email you have not answered.

You know the one. It has been sitting there for three days or three months or perhaps long enough that responding now feels less like answering an email and more like reopening a historical case. You read it, think, “I really need to deal with that,” and then close it again.

The next week you see it, feel slightly worse and tell yourself you will answer it when you have more time. A month later, you are considering whether it would be less embarrassing to change your name and move to another province.

Fortunately, there is a solution: Sept. 30 is Email Debt Forgiveness Day, and I think it may be one of the most compassionate holidays we have invented.

Klein wants city-run, maintained ‘bridge’ space for homeless people

Mayoral candidate wants city to set up a 24-hour community space pilot project for homeless Winnipeggers

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.