Despite drama, Megan Thee Stallion happy to release music

Prost! Raise a glass to Oktoberfest

As September comes to a close, a pair of local breweries are bringing some serious gemütlichkeit.

For the uninitiated, gemütlichkeit’s a word that doesn’t translate neatly from German to English, but which roughly means friendliness and good cheer.

Both Devil May Care Brewing Co. (155 Fort St.) and Kilter Brewing Co. (450 Rue Deschambault) are hosting Oktoberfest parties this weekend featuring food, music, games and, of course, plenty of beer.

Both breweries are rolling out special releases to coincide with their respective Oktoberfests — expect malty festbiers, marzens, rauchbiers and other German-inspired brews, served up in hefty steins alongside Bavarian-inspired fare. Devil May Care’s festivities run through to Sunday and feature eats by Freebird Kitchen, while Kilter keeps the party going through to Saturday, Oct. 3, and is offering pretzels and Oktoberfest-themed hot dogs. Lederhosen is encouraged.

Concrete doc befits brutalist Winnipeg

Moviegoers across North America are pounding the pavement and lining up around the block to see The History of Concrete, small-screen documentarian John Wilson’s feature-length debut.

Flammable gas culprit of 2024 Transcona home explosion: police

Flammable gas is believed to be the cause of a 2024 house explosion in Transcona that damaged neighbouring homes and displaced residents.

“As a result of the investigation and upon Crown review, the explosion is believed to be an isolated incident,” Winnipeg Police Service Const. Dani McKinnon said in an email Friday afternoon.

“There are no public safety concerns connected to this incident, and no criminal charges have been laid.”

The sudden blast happened in a bungalow on Camrose Bay on June 26, 2024. It levelled the home and caused significant damage to 22 other houses. At the time, it was described as “catastrophic” by the fire chief at the scene.

New series terrific addition to RWB repertoire

‘See the music, hear the dance,” is a famous quote from quintessential ballet influencer George Balanchine, whose pithy bons mots have defined much of American classical dance since the legendary Russian-born choreographer first blazed a trail with the New York City Ballet.

Local balletomanes were given a golden opportunity to experience both up-close-and-personal Thursday when the Royal Winnipeg Ballet officially kicked off its 87th season with its newly minted Studio Series, which runs until Sunday.

The brainchild of the company’s artistic director, Christopher Stowell, the series features an abridged “concert version” of Balanchine’s seminal Who Cares?, set to a playlist of catchy George Gershwin tunes that make up the backbone of the Great American Songbook.

The Studio Series is the latest initiative taken by Stowell as he settles into his arguably still new position. Some of those endeavours will invariably stumble; others will hit their mark. This venture belongs in the latter category, bringing a 500-plus-year-old art form, often perceived as rarified, to audience members who may be hesitant, shy or just plain intimidated to visit the cavernous Centennial Concert Hall.

Tenants slam Alta.-based landlord, protest rent increases

Charlie Medd wasn’t ready for another adventure last October, when she moved out of the Wolseley Avenue apartment she had called home for 15 years.

Medd said life at Lincoln Apartments began to change after Wingspan Properties, an Alberta-based landlord, bought the building, made minor cosmetic changes and increased rent. She felt the changes were intended to push renters — many of them on fixed incomes — out the door.

“At some point, I got scared. I’d been there 15 years,” Medd said about the threat of rent increases. “I’d just painted my whole apartment. But when I heard that there’s going to be that many people homeless, I thought, ‘I’m too old for another adventure.’

“It felt like you were getting a nudge out the door. Like, ‘Yeah, we’re going to be doing this, and your rent is going to go up every year.’”